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Wrong Wayans

10 Rotten Wayans Brothers Movies

Catch the Certified Rotten comedy Scary Movie 2 Friday at 8P on IFC.

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Photo Credit: Dimension Films/Everett Collection

There was a time, not so long ago, that the Wayans family was synonymous with hilariously biting satire. With movies like I’m Gonna Git You Sucka and the classic sketch series In Living Color, the Wayans clan dominated culturally relevant comedy. But on the heels of those early successes, the Wayans began pumping out comedies filled cheap jokes and lazy spoofs that failed to match the incisive, message-driven works that the family produced in the late-’80s and early-’90s. Still, while all the movies on the list below are “Certified Rotten,” some are more dire than others.

Before you catch Scary Movie 2 on IFC’s Rotten Fridays, here are 10 movies that show the Wayans at their most (and slightly less) “rotten.”

1. A Low Down Dirty Shame (Tomatometer: 0%)

Surprisingly, the lowest rated Wayans movie on Rotten Tomatoes doesn’t contain a single Scream mask or CGI-faced toddler. Instead, it’s a poorly executed action-comedy written, directed by and starring Wayans elder Keenen Ivory. A far cry from his earlier acclaimed work, A Low Down Dirty Shame is a forgettable collection of mediocre stunts and jokes that can’t sustain itself either as an action or a comedy movie — and “forgettable” is the death knell for purveyors of outrageousness.


2. Fifty Shades of Black (7%)

The most recent entry in the Wayans’ oeuvre, Fifty Shades of Black is a spoof of a book whose parodies were exhausted five years ago. Rather than search for a new comedic angle to the novel’s corny BDSM meets Twilight fan fiction story, star Marlon Wayans (who also co-wrote and co-produced the movie) opts for the surface-level sight gags that always seem to anchor his family’s projects. Overuse of slapstick violence? Check. Cheap jokes at the expense of obese individuals? Check. A Kim Kardashian joke? Check and mate. Fifty Shades of Black isn’t so much a movie as it is an extended trailer from a different Wayans movie.


3. A Haunted House (10%) and A Haunted House 2 (8%)

Returning to the horror-comedy well for a double-dose of eye rolls and heavy sighs, writer-producer-star Marlon Wayans peddles the very same jokes that hit their middling apex with the first Scary Movie. From unseen poltergeists to dead-eyed dolls, Marlon proves there’s no overused horror trope that he can’t scream at and hit with a breakaway chair. But seeing as how both A Haunted House movies made substantial profits based on rock-bottom production costs, there will always be a market for lazy, easily recognizable parodies.


4. Little Man (12%)

For anyone who was dying to see Marlon Wayans’ face rotoscoped onto a horny toddler, your prayers were answered in 2006 with Little Man. A comprehensive argument against the advancement of CGI, the Marlon-baby hybrid sexually harasses woman and screams in homophobic panic when Shawn joins him in a bubble bath for a farting contest. (We wish we were kidding.) And you’ll never guess how Little Man reacts when he’s given a rectal thermometer! Wait, maybe you could.


5. Mo’ Money (13%)

After the world witnessed what the Wayans were capable of in recent years, this loose adaptation of an In Living Color sketch seems downright quaint and watchable. Written by Damon (who stars alongside Marlon), 1992’s Mo’ Money contains an actual plot with actual characters who have believable motivations — which is a huge departure from the family’s later work — but it still fails to maintain much interest. Gay jokes and broad impressions of mental disorders abound while the two brothers commit credit card fraud and grand larceny. In other words, it’s not the Wayans’ worst movie.


6. Blankman (13%)

To the Wayans’ credit, they were trying their hand at the “average person fights crime as a superhero” movie years before the genre was played out with Kick-Ass, Super, Mystery Men, et al. (Not that this 1994 film is very good, but at least they were exploring relatively new territory.) Blankman stars and was written by Damon, who plays a nerdy, effeminate repairman who takes on the crime world with homemade gadgetry and undiagnosed autism. There are a few decent laughs in the movie, and the concept isn’t wholly terrible, but the 13% rating on Rotten Tomatoes is definitely earned.


7. Scary Movie 2 (15%)

The second and final entry in the Scary Movie franchise to involve a Wayans, the sequel to the hit horror spoof features a surprisingly high amount of comedy talent (Chris Elliott, David Cross and Andy Richter also appear) and contains parody set pieces that were still effective in the early years of the Wayans spoof factory. Keenen Ivory directs while Shawn and Marlon write and star, and the whole affair manages to coast on the appeal of its predecessor. While we didn’t realize it then, Scary Movie 2 represents a more refined Wayans work.


8. White Chicks (15%)

Look, we’re not made of stone. The sight of Shawn and Marlon as white women elicits a snicker or two, and the stars mumbling through a Vanessa Carlton singalong is a solid gag. But the movie itself never rises above the level of “men in drag” cliches like falsie fumbling and keeping clueless male suitors at bay. Once again serving as director and co-writer, Keenen Ivory reins in his younger brothers’ performances and penchant for gross-out gags, maintaining a storyline that can serve as a tangible plot. It ain’t Tootsie, but it ain’t Norbit either.


9. Dance Flick (18%)

Written by a quintet of Wayans (including nephews Craig and Damien Dante), this 2009 dance spoof has an embarrassment of riches when it comes to source material. Critically panned — but not to the degree of other Wayans parodies — the movie features New Girl’s Damon Wayans, Jr. as the trainer to hopeless prancer Shoshana Bush and has more than a few laughs. (Call us morbid, but a real-life baby peeking through the slots of a closed school locker makes us chuckle.)


10. Don’t Be a Menace to South Central While Drinking Your Juice in the Hood (29%)

Winning over both audiences and more than a few critics, Don’t Be a Menace kicked off the slew of wordy spoofs we’ve all come to regret. But in 1996, Shawn and Marlon’s rapid-fire references hadn’t yet overstayed their welcome and kept viewers entertained. Skewering John Singleton, the Hughes Brothers and the urban dramas of the time, the movie succeeds in eking out comedy from the stark subject matter it chooses to parody. How well the movie has aged is debatable, but to the Wayans’ credit: They know a reliably profitable formula when they see one.

Catch the “Too Rotten to Miss” Wayans spoof Scary Movie 2 this Friday at 8P on IFC.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.