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Rotten Apples

The 10 Worst Movies With a 0% Rating on Rotten Tomatoes

Spend Fridays with "Too Rotten to Miss" movies on IFC starting August 12th at 8P.

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Hollywood is no stranger to making truly awful movies. But while many of us shake our heads at the derivative plots, lowbrow humor and general crappiness they tend to churn out, there are still some movies that go above and beyond. Movies so bad, they’re rotten. So how do you separate the mediocre from the truly rotten? That’s where Rotten Tomatoes comes in.

In honor of IFC and Rotten Tomatoes teaming up for Rotten Fridays, we thought we’d wade through the murky waters of movies that scored zero positive reviews resulting in a 0% rating. Which movies are the worst of the worst? Find out below, and for more “too rotten to miss” movies, be sure to catch Rotten Fridays starting August 12th at 8P with a double feature of Naked Gun 2 1/2: The Smell of Fear and Naked Gun 33 1/3: The Final Insult. O.J. and Anna Nicole Smith in the same movie? Now that’s rotten!

10. Top Dog (1994)

The movie that all but ended Chuck Norris’ feature film career found the martial arts master mumbling through this Turner & Hooch knockoff that was released about 10 years too late to be relevant.

Billed as an action/comedy, the action is pedestrian and the comedy, well, if you find jokes about dogs eating food off the table hilarious, this is the movie for you. The fact that the flick has a goofy tone aimed at young children, and over-the-top violence befitting the R-rated action star’s heyday, makes this a movie for no one.

Coming out shortly after the Oklahoma City bombings with a plot centered on a terrorist attack surely colored the reviews of this fairly bland flick, damming it to the basement of Rotten Tomatoes. Norris would get one more chance at movie stardom after this, but sadly his turn as a magical woodsman fighting loggers in Forest Warrior was so bad, no one even bothered to review it. What’s worse than a 0% rating on Rotten Tomatoes? No rating at all.

Pull Quote That Should’ve Been on the Movie Poster: “Nothing in the film is remarkable…What is remarkable is that Norris, America’s nicest tough guy, keeps coming back.” (Joe Leydon, Variety)


9. Slap Shot 2: Breaking the Ice (2001)

Sure, this isn’t the worst movie on the list. But when you compare this cheap, corny knockoff to the original Slap Shot, an undeniable classic, well, it’s hard to argue that they missed the net with this one. Has there ever been a steeper drop in movie star charisma than the lead role downgrade from Paul Newman to Stephen Baldwin?

Add in a by-the-numbers plot that sees this ragtag hockey team face off against a buttoned-up businessman trying to take the violence out of hockey, and this movie goes from a bad idea to a complete cliché. The fact that Gary Busey, of all people, plays the straight-laced villain just shows how many drugs the casting department must have been smoking when putting this project together. Even cameos by the Hanson Brothers, now 25 years older and yet still out on the ice, can’t save this bland mess of a sequel.

Pull Quote That Should’ve Been on the Movie Poster: “I was sent a copy of this film to review on DVD. For free. I still want my money back.” (IGN Movies)


8. The Starving Games (2013)

If the biggest selling point you have going for your movie is that it’s “from the guys that brought you Meet the Spartans and Vampires Suck,” well, you’re in trouble. This movie is so dumb, so uninspired, and so cheap, it will make you long for the days of classics like Scary Movie and Not Another Teen Movie.

A cheaply-made parody of The Hunger Games, this painfully forced spoof is less a movie and more a series of dated pop culture references (Remember “Gangnam Style”????) Mix in a few lowbrow sex jokes, rampant crotch injury and a few borderline homophobic jokes and you have a movie that could kill the comedy lover in all of us.

Pull Quote That Should’ve Been on the Movie Poster: “[The Starving Games] has the look and feel of a talent show put on by a high school whose imminent closing has not inspired any noticeable public outcry.” (Peter Sobczynski, RogerEbert.com)


7. Pinocchio (2002)

Winning an Oscar buys you clout in Hollywood. That dream project you’ve always kept in your back pocket suddenly becomes a viable property. Unfortunately for Roberto Benigni, the writer/director and star of the treacly Holocaust fairy tale Life is Beautiful, he had always wanted to play Pinocchio, the wooden toy that dreamed of becoming a real boy.

The fact that no one reminded him he was, in reality, a 50-year-old man, and that playing a young boy would be incredibly creepy, just goes to show you how blinded people can be by the chance to make some money. One of the costliest movies in Italian film history, Pinocchio bombed internationally, raked in scathing reviews and all but ended Benigni’s film career outside his native land.

Pull Quote That Should’ve Been on the Movie Poster: “What can one say about a balding 50-year-old actor playing an innocent boy carved from a log?” (Edward Guthmann, San Francisco Chronicle)


6. Viktor (2014)

In between the sandwiches and cigarettes, Gerard Depardieu tries out his best Liam Neeson impression in this limp, ugly thriller. Unfortunately, his special set of skills seems to be drinking wine by the carafe and taking mid-afternoon naps.

Neeson has owned the “pissed off dad seeking revenge” genre the last few years, although every actor with an AARP card has tried to get in on the act. Still, Depardieu proves to be the worst of the lot, lacking the psychical dexterity to do more than stumble along, waving a gun and hoping that no one notices a plot that barely holds together. Let’s just be grateful he didn’t have to face off against his greatest enemy: Stairs.

Pull Quote That Should’ve Been on the Movie Poster: “Depardieu lumbers through the film looking as though he’s tormented by indigestion rather than a lust for vengeance.” (Maitland McDonagh, Film Journal International)


5. Atlas Shrugged: Who Is John Galt? (2014)

The novel Atlas Shrugged is fairly controversial in its own right. Some see it as a roadmap to life. Others see it as a heartless how-to guide for aspiring sociopaths. Which doesn’t necessarily mean it couldn’t be adapted into a decent movie, provided the rights hands shepherd it to the big screen. Sadly, whoever owns those hands, they were nowhere near the making of this, the third in a trilogy of films that were meant to expose Ayn Rand’s vision to the masses.

After two failures, and without the cash to continue on, each subsequent film in the series is cheaper and blander than the last. This third installment gives up on even trying to tell a compelling story, simply mirroring the final chapters of the novel in all its inert, condescending ineptitude. That’s how we get a whole movie about rich people sitting around in log cabins, talking about how stupid everyone else is over sips of whiskey. That’s how we get a movie in which trains still play a major part in the U.S. economy, ignoring more than 50 years of progress. If you like your political drivel heavy handed, with Ron Paul cameos and soap opera style acting, then this is the movie for you. For the rest of us, well, maybe it would be better to just leave John Galt alone.

Pull Quote That Should’ve Been on the Movie Poster“We get it, we get it: Capitalism is good, government is bad. But ‘Atlas Shrugged: Who Is John Galt?’ is worse.” (Bill Goodykoontz, Arizona Republic)


4. Deadline (2012)

This movie has its heart in the right place, and not much else. Loosely based on true events, it tells the story of a reporter desperate to solve the murder of a rural African American boy whose case has gone cold. The pitch here seems to be, if you liked A Time To Kill, but found the filmmaking way too competent, well, then we have a movie for you.

Clearly a passion project for screenwriter Mark Ethridge, who based the script on his work as a reporter for the Charlotte Observer, there is a worthwhile story to be told here somewhere. Unfortunately, being a Pulitzer Prize-winning writer and piecing together a coherent, intelligent screenplay are vastly different talents. Like a John Grisham knockoff without the twists and turns, the plot is driven by coincidence and chance. Reporters stumble onto easy answers, and never have to do any real work. Their problems almost solve themselves.

Add in a group of actors who seem like they won a contest to star in the film, and you start to feel like you’re watching a home movie instead of a professional production. Poor Eric Roberts, who long ago was nominated for an Oscar, seems to be cashing a check here — although, with the overall cheapness of the production, we can’t imagine that check was very large. A saccharine, low budget affair, this movie is an example of when passion trumps talent or even competence.

Pull Quote That Should’ve Been on the Movie Poster: “Has all the dramatic punch of a community theater production.” (Robert Abele, Los Angeles Times)


3. Lost Boys: The Thirst (2010)

Banking on nostalgia to bring in some box office gold (or at least bronze), the third Lost Boys film, and the second to go straight-to-video, makes a big deal out of reuniting the Frog Brothers from the original film. Sadly, landing Corey Feldman, whose recent credits include a Sharknado cameo and whatever this is, isn’t really much of a selling point these days.

With a script that mixes clichéd plot points and some pretty standard vampire drivel, there isn’t really much here for fans of the original. More a cheap Blade knockoff than the ’80s neon nightmare of the first Lost Boys, this cheap looking money pit seems to bank on filling Feldman with enough cocaine to keep him sleepwalking through the movie. When the tagline of your trailer is, “just try to relax, this will all be over soon,” you may want to rethink why you even bothered in the first place.

Pull Quote That Should’ve Been on the Movie Poster: “Feldman’s got to eat, I guess…” (Felix Vasquez Jr., Cinema Crazed)


2. My 5 Wives (2000)

Poor Rodney Dangerfield. He may not have gotten any respect, but he deserved so much better than whatever this was. The story of a rich jerk who ends up buying a group of Mormon wives along with a new ski resort, the politics of this movie are pretty sketchy. Watching an elderly, infirm Dangerfield make love to countless young women is uncomfortable. And the jokes, such as they are, have all the subtlety of a Bill Cosby pickup line. (When two of Dangerfield’s young wives lift their shirts, he exclaims, “Nice booby traps!”)

A one-note limerick in search of a story, there isn’t much here beyond the absurdity of suddenly finding God so you can have sex with a bevy of young women. When Rodney yelled, “Hey everybody, we’re all gonna get laid!,” at the end of Caddyshack, it was ridiculous. 20 years later, it’s just gross.

Pull Quote That Should’ve Been on the Movie Poster: “Humor generally doesn’t get any broader than Dangerfield’s one-liners, but in his new film…each joke strikes like a creaky swinging barn door.” (Robin Rauzi, Los Angeles Times)


1. MegaForce (1982)

With the visual palate of Mad Max: Fury Road, the budget of an Ed Wood movie, and the sexual confusion of Top Gun, Megaforce is clearly the work of a visionary — it’s just unclear what that vision was. The brainchild of stuntman Hal Needham (Smokey and the Bandit), the movie feels a live-action post-apocalyptic G.I. Joe cartoon. With rocket firing motorcycles, battle tanks and 3D holograms, this movie love its toys. What it doesn’t love is a coherent plot.

The “story” depicts two fictional countries, the peaceful Republic of Sardun and the evil Gamibia, who find themselves at war for some inexplicable reason. Led by the spandex wearing, flirty Commander Ace Hunter (Barry Bostwick), the Sardum army must protect the peace, and bury their bromantic love deep down inside, where no one can ever spot it.

A truly bizarre experience, Megaforce is so bad that it’s had a second life as a cult film. In fact, South Park creators Trey Parker and Matt Stone are such fans, they heavily referenced it in their puppet action movie parody Team America: World Police.

Pull Quote That Should’ve Been on the Movie Poster: “The film maintains an actual ‘plot,’ but views it more as a nuisance than a necessity, probably because it would detract from the scorching homoeroticism of Bostwick in his spandex unitard.” (Rob Vaux, Mania.com)

Catch Rotten Fridays on IFC starting August 12th at 8P. 

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

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IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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