Rocky Stallone boxing ring

Loveable Losers

10 Movies Where Losing Is More Important Than Winning

Catch an all day Rocky movie marathon Saturday, August 20th on IFC.

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For most of us, moral victories, silver linings, and a game well-played are tough concessions when conceding defeat. But thanks to the eponymous palooka in the 1976 Oscar-winner Rocky, we’re reminded that just about anyone — from a plucky underdog to a conniving villain to a stalemated supercomputer — can find victory within a loss.

In honor of IFC’s Rocky movie marathon, cheer on 10 memorable characters who won by losing.

1. The Bad News Bears

Moviegoers in 1976 lauded another film where outmatched protagonists suffer a disappointing loss but still celebrate the hard-fought journey to get there. The always-great Walter Matthau corrals a ragtag group of misfits and miscreants into a wisecracking group of decent ballplayers. And while their 7-6 loss to the Yankees at the end should be devastating for how close they got to winning, the kids triumphantly douse each other with foamy beer and vow to get ’em next year. (Click here to see all airings of The Bad News Bears on IFC.)


2. Inside Out

Responsible for more sniffles and watery eyes than ragweed, Pixar has cornered the market on bittersweet endings. And just when audiences had gotten over the beginning of Up, the studio chainsaws their heartstrings with Inside Out where a young girl named Riley discovers the complexities of emotion via anthropomorphic feelings. Thrust into a new school, misunderstood by her parents, and on the verge of running away, Riley (along with her subconscious fleet) learns that waving a white flag and admitting defeat can still result in comfort, resilience, and growth. (R.I.P. Bing Bong.)


3. WarGames

An out-of-control supercomputer nearly goes thermonuclear in this geeky 1983 classic, and it’s up to whizkid David (Matthew Broderick) to teach the mainframe that nobody really wins a war. And because this is a pre-internet, Reagan-era family film, this is somehow achieved by the computer playing tic-tac-toe with itself. After a quick succession of stalemates and losses, the computer concludes that, in war, the only winning move is not to play and subsequently cancels Armageddon. Here’s hoping the Singularity will be this morally proverbial.


4. Kingpin

Nobody likes to lose, much less a down-and-out bowler whose name is synonymous with screwing everything up. Roy Munson, played perfectly by Woody Harrelson, climbs his way out of drunken obscurity (which isn’t easy with only one hand) to match skills, wits, and combovers with dastardly villain Ernie McCracken, also played perfectly by Bill Murray. Unfortunately, Munson’s all-but-secured win is snatched away by McCracken’s lucky roll, and although Roy is denied the trophy and winnings, he earns a $500,000 endorsement from Trojan thanks to his rubber prosthetic hand.


5. School of Rock

In arguably his best “lovable loser” role, Jack Black plays a substitute teacher conning a group of gifted school kids into helping him win a Battle of the Bands contest. Antics and hijinks ensue, as Black and his merry band of kids rock the venue in front of a thoroughly entertained crowd. But it isn’t until the kids are deemed runners-up by the judges that the audience practically stages an uprising and inspires Black’s character to open a literal rock school.


6. The Matrix Revolutions

The Matrix franchise gets downright biblical in its depiction of “Good vs. Evil” and how the fate of the world depends on the heroes’ win. And without getting too deep into the scrambled mythology (or diminishing returns) of the sequels, virtual messiah Neo sacrifices himself for the good of humanity (sound familiar?) and is assimilated into Agent Smith’s cackling clutches. However, Neo’s death allows the machines to locate the rogue agent, hit F5 on the bug-ridden Matrix, and perhaps create a better world for all the coaxial brains out there.


7. Se7en

When it comes to serial killer movies, nobody murders just for the fun of it. There’s gotta be this whole grand scheme, metaphorically tying each death to a deadly sin or Walt Whitman poem or something. (And who really has the time for that?) At any rate, Kevin Spacey plays a killer with the patience of a saint who orchestrates a series of murders to highlight how nonchalant we’ve become to our own depravity. And for the sake of a poignant completion, his whole plan requires one final sin — his own death — for it to really drive the message home. All it takes is only small game of “What’s in the Box?” for him to succeed.


8. The Dark Knight

There’s no loss more infuriating than the one reluctantly taken for the greater good, as nutty billionaire Bruce Wayne could attest to at the end of The Dark Knight. After he’s broken his no-kill rule with the death of Harvey Dent, Batman takes the blame for Dent’s body count, ensures the criminals Dent convicted stay in jail, and preserves the illusion of Gotham’s noble White Knight — the true hero in their eyes. By losing, Batman becomes the hero that Gotham needs.


9. Terminator 2: Judgment Day

With their liquid-metal foe vanquished and spare Terminator parts thrown into molten lava, our exhausted heroes of James Cameron’s bombastic Terminator 2: Judgment Day surely can call it a day, right? Unfortunately, there’s one last computer chip that can still result in a machine uprising — and it’s in the head of baddie-turned-goodie T-800 played by Arnold Schwarzenegger. For the good of humanity, the Connor’s family cyborg lowers himself into the flaming vat, preventing Cyberdyne from orchestrating armageddon. Subpar sequels, alas, were still in the cards.


10. The Game

Typically, the moment you step off the edge of a building, you’ve lost whatever game you were playing. That’s what director David Fincher had Michael Douglas and the audience believe at the climax of 1997’s mindscrew The Game. But after nearly two hours of “Is this part of The Game or isn’t it?”, a rooftop plunge into breakaway glass and an inflated cushion prove Douglas didn’t accidentally murder his brother (played by Sean Penn) and the whole live-action roleplaying affair was a means to keep Douglas from killing himself like their workaholic father — despite how close he came to it.

Get pumped for IFC’s Rocky marathon! 

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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