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The Matrix Revolutions Cast

Wooden Spoons

10 Rotten Moments From the Matrix Sequels

Strap in for The Matrix Reloaded and The Matrix Revolutions Friday, September 2nd starting at 5P.

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Photo Credit: Warner Bros./Everett Collection

A stylish mix of action, philosophy and cutting-edge special effects, 1999’s The Matrix represents the rare feat of a Hollywood movie getting everything right. But while the original film dazzled the eye and sparked imagination, the follow-ups, The Matrix Reloaded and The Matrix Revolutions, generated colossal disappointment by delivering wasted opportunities, forgettable characters and lifeless action sequences.

This Friday, September 2nd, at 8P, IFC is airing The Matrix Revolutions  (36% on Rotten Tomatoes!) as part of our “too rotten to miss” movies. (The less rotten installment The Matrix Reloaded kicks things off at 5P.)  Why are the Matrix sequels so “rotten”? These moments could be part of the problem…

1. Every moment spent in Zion

Detractors of Reloaded and Revolutions are quick to point to the infamous Rave Scene as the de facto reason why the sequels are sub par. But we’ll do you one further: Every scene in Zion is a drag. On paper, a subterranean stronghold of humanity’s last survivors pitted against the surface-level machines sounds like a pretty darn interesting place. It isn’t. It’s drab and charmless, filled with dull characters, and yes, that Rave Scene is interminable.


2. Neo the Almighty

The original film ended with a perfect bow: After seeing the Matrix for what it is, Neo vows to save humanity and takes flight, effectively making him as powerful and invincible as Superman. From there, where can you go? Apparently, watching this invulnerable character battle foes who have no hope in defeating him — unless he’s in flesh-and-blood form in Zion, and we all know how fun that is. That leaves the only interesting setting in the franchise (the actual Matrix) as a place without peril for Neo. So to keep viewers invested, the risk has to fall on mortal characters who aren’t The One, and even that’s taken away when…


3. Neo resurrects Trinity with the greatest of ease

As if becoming a bulletproof superhero wasn’t enough, Neo swoops in and saves Trinity’s life like an all-powerful deity. What was first foreshadowed as a free fall to certain doom, Trinity’s double-Glock header out of a high rise is revealed to be all in the day’s work for Neo. He casually sweeps a bullet out of her heart, restarts it like a defibrillating Miyagi, and they embrace as if nothing had happened. And in terms of risk or consequence, truly nothing did.


4. The Burly Brawl: CGI Gets Lapped

In 1999, The Matrix set the bar for how innovative CGI could be and how well it could supplement, rather than supplant, a story. And in the four years between then and Reloaded, movies like Lord of the Rings and Harry Potter expanded on those principles and left the bar higher than the sequels could clear. In a post-Gollum 2003, Reloaded’s special effects packed less of a punch, didn’t heighten what was already visually possible, and certainly couldn’t drive or substantiate the plot. So a fight between Neo and a hundred Agent Smiths meant absolutely zilch if it’s shoddy in both drama and technical specs.


5. Diabolical laughter and cake orgasms

The first Matrix had its lighthearted moments (the Wile E. Coyote fall and “I know kung fu” come to mind), but they fit tonally and didn’t verge into “goofy” territory. (We’ll do our best to forget the “Kansas is going bye-bye” line.) Then came the sequels. Between Hugo Weaving’s over-the-top villain (“Me, me, me.” “Me, too.”), Commander Lock’s Rambo scream and cake orgasms, the sequels were silly in all the wrong ways.


6. Muddied philosophies

Whereas the original movie deftly moved between different schools of thought and theology, the sequels threw a bunch of unconnected and uncoordinated philosophies together like a toppled rack of CliffsNotes. Causality gets an awkward demonstration by the Merovingian (the aforementioned cake orgasm), the Architect stumbles through Buddhist reincarnation without substance, and Revolutions practically foregoes all philosophical subtext (save martyrdom) in favor of a live-action Mechwarrior game. Speaking of which…


7. Rock ’em Sock ’em Robots

It all comes down to this. This is what the whole franchise was leading up to: The battle for Zion and the future of humanity. And for the grandest set piece in the entire trilogy, giant mechs shooting at whirring sentinels isn’t enough to generate a shred of interest, concern, or suspense. In the real-world, real-stakes counterpart to the Neo vs. Smithland Fight, the Wachowskis sacrificed story for spectacle and intimacy for scope, leaving the audience unfazed when Lock is killed and a teen opens a gate.


8. Trinity dies in an afterthought

Even in the first Matrix, the Neo-Trinity romance never does feel right. But the relationship completely falls flat in the second and third movies by failing to justify itself at all in terms of character and chemistry. And that’s no better illustrated than the dry and halfhearted send-off Trinity is given midway through Revolutions. Without a meaningful sense of loss, there’s more emotional resonance when the Keymaker is killed.


9. The Final Fight

Increase the Burly Brawl by thousands and yet somehow reduce the feeling of conflict, and you have the recipe for the final battle between Neo and Agent Smith(s). Hundreds of millions of dollars and countless man hours were devoted to spinning wheels before reaching an inevitable conclusion — one which could’ve happened at any point for equally arbitrary reasons. Neo is defeated and absorbed because that’s the only way Smith can be defeated. Why? Doesn’t matter. Now watch this slow-motion punch!


10. The Wachowskis can’t match our imaginations

At the very moment a sequel to the first Matrix was greenlit, our collective imagination ran wild. From multi-leveled Matrixes to time paradoxes to a complete upending of reality, fan theories pushed the boundaries of The Matrix universe to endless possibilities. Too bad the Wachowskis chose lackluster paths on the way to a wholly unsatisfying finishing line. The first movie told us to free our minds. If only the creators behind Reloaded and Revolutions took their own advice.

Kick back with The Matrix Revolutions this Friday at 8P on IFC!

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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GIFs via Giphy

Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

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IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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