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Leslie Nielsen Naked Gun trilogy

Nielsen Ratings

10 Leslie Nielsen Comedies Ranked From Best to Worst

Catch the Naked Gun movies this month on IFC.

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Photo Credit: Paramount Pictures/courtesy Everett Collection

Leslie Nielsen has had a long and varied career with his comedies being some of the best of all time. But not every film was a winner, with his Rotten Tomatoes scores ranging from 97% to 0%. So, as you enjoy The Naked Gun movies this month on IFC, you can reflect upon the highs and lows of everyone’s favorite straight man.

1. Airplane!

Paramount
Paramount Pictures

Airplane! is one of the best comedies of all time and managed two historic feats: It popularized the film parody genre and introduced the world to the comedy side of Leslie Nielsen. Though Nielsen was already a very successful actor — playing mostly romantic leads, captains and cops — Airplane! was the first example of his stellar deadpan delivery. With a bevy of classic quotes, critics and audiences agreed that this was surely a seminal comedy. But don’t call him Shirley.


2. The Naked Gun: From the Files from the Police Squad!

Based on the underrated freeze-frame filled TV show Police Squad!, Leslie Nielsen honed his performance of Lt. Frank Drebin in The Naked Gun. His most definitive character, the first Naked Gun is just as funny today as it was in 1988. The memorable moments are endless, from “Nice beaver” to Drebin’s enthusiastic appearance as a baseball umpire. Though many more parody films were made, none ever topped this take down of cop dramas. (Click here to see all airings of The Naked Gun on IFC.)


3. The Naked Gun 2 1/2: The Smell of Fear

Paramount
Paramount Pictures

Though the sequel doesn’t match the original, it still features tons of the high-level slapstick and absurd dialogue that we came to love from the Leslie Nielsen parody genre. Plus, this one features Robert Goulet as a criminal mastermind, so it certainly gets point for that.


4. The Naked Gun 33 1/3: The Final Insult

Paramount
Paramount Pictures

Usually, comedy trilogies end on a disappointing note. (Looking at you, Hangover III!). But even though Naked Gun 33 1/3 was critically panned, its mix of crass jokes and “celebrity” cameos helped it to be chosen as one of IFC and Rotten Tomatoes’ movies that are “too rotten to miss.” Fans of the series get great moments of Frank going undercover in jail and ruining a dance routine at the Academy Awards. Most importantly, it has the best sequel title since Breakin’ 2: Electric Boogaloo.


5. Wrongfully Accused

Warner Bros
Warner Bros

Airplane! and the Naked Gun series were outliers in the parody genre that got both great reviews from critics and audience acclaim. Now we come to the first of Nielsen’s comedies that didn’t fare so well amongst the critics. Sure, this 1998 spoof from Naked Gun cowriter Pat Proft only got 22% on Rotten Tomatoes, but you can’t help but enjoy some great riffs on the “falsely accused man on the run” genre. Mostly parodying The Fugitive (though there’s a Titanic parody thrown in because, you know, late ’90s), Wrongfully Accused has a great train chase scene and silly, absurd sight gags akin to the Naked Gun series. Plus, Nielsen nails it as always.


6. Dracula: Dead and Loving It

Warner Bros
Warner Bros

Sure, this isn’t Mel Brooks’ greatest film, but it’s still Mel Brooks. Here, Nielsen plays Dracula with Brooks as Van Helsing and the perfectly cast Peter MacNicol as Renfield. This parody veers a little bit more towards puns and Borscht Belt-style punch lines, but Nielsen makes for a pretty great Dracula. Honestly, if Gary Oldman and Leslie Nielsen were pitted against each other in a ’90s Dracula-off, one, that would be amazing and two, our vote would go for Nielsen.


7. Spy Hard

Disney
Disney

Released in 1996 after the Naked Gun films had sputtered out at the box office, Spy Hard is mostly an action movie parody with a bit of James Bond thrown in. (And a catchy theme song from Comedy Bang! Bang! bandleader and musical parody genius “Weird Al” Yankovic.) Partially because of the movie’s lack of focus and specificity, the jokes never quite work. Plus, the Hot Shots! movies did action parody better and Austin Powers came along a year later to perfectly send up James Bond. Despite the film’s poor reviews, no one said a bad word about Nielsen. They just wanted better for him.


8. Repossessed

New Line Cinema
New Line Cinema

A lame spoof of The Exorcist, Repossessed has a rare honor of a 0% Rotten Tomatoes rating. (That’s right, Adam Sandler’s Jack and Jill fared better than this thrown-together parody.) Linda Blair gets possessed by the devil again and seeks out Nielsen’s Father Mayii to exorcise her. There’s not much to say about this other than it was made 17 years after The Exorcist came out and no one was clamoring for more gags about Linda Blair’s pea soup vomit. While an abysmal movie by every definition, there are a few chuckles here and there for Nielsen completists.


9. Mr. Magoo

Mr Magoo
Walt Disney Productions

With a whopping 4% score on Rotten Tomatoes, the 1997 big screen adaptation of the cartoon character of the same name was offensive to both the blind and Nielsen fans alike. Basically 87 minutes of tasteless jokes at the expense of sightless people and the elderly, Mr. Magoo is a low point even by the standards of the ’90s trend of big screen versions of forgettable TV shows. (It makes McHale’s Navy look like a comedic masterpiece.)


10. An American Carol

Vivendi
Vivendi

Though Mr. Magoo and Repossessed technically have lower Rotten Tomatoes ratings than An American Carol (which comes in at 11%), this political-themed “parody” from Airplane! and Naked Gun director David Zucker is offensive garbage, which kicks it to the bottom of the list. The story, so to speak, is about Michael Malone (a Michael Moore proxy), a filmmaker who hates America and wants to cancel the 4th of July. Eventually he’s visited by ghosts and is asked to make movies for terrorists. While a parody of Michael Moore could be great, this film sadly paints every liberal like a moronic, terrorist-loving hippy and indulges in other base stereotypes. Luckily for Nielsen, his part is small. Unluckily for us, he plays a dual role of Grandpa and Osama Bin Nielsen. Yes, Osama Bin Nielsen. Sadly, An American Carol was one of a number of subpar parodies Nielsen popped up in towards the end of his career.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.