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Batman Begins

Beginner's Luck

10 Reasons Why Batman Begins Is the Best Batman Movie

Catch Batman Begins this month on IFC.

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Photo Credit: Warner Bros./Everett Collection

When it comes to Batman movies, there are divided camps as to which is the best of the film adaptations. Most believe The Dark Knight to be the superior film, thanks to a story fraught with moral ambiguity and riveting action, not to mention an Oscar-winning performance by Heath Ledger as The Joker. Tim Burton’s original Batman has its fans, with its signature Burton visuals, iconic Danny Elfman score, and epic Joker performance from Jack Nicholson. But bet your bottom Batarangs, an argument can be made that Batman Begins, Christopher Nolan’s first installment from his Bat trilogy, is the best Batman film to date. (Hey, it’s not like we said Batman & Robin was the best.) Before you catch Batman Begins on IFC this month, take a look at some reasons why Nolan’s 2005 film is still the ultimate Bat-flick.

1. It’s a Batman movie that is actually about Batman

After the disaster that was the aforementioned Batman & Robin, the franchise was in need of a full-blown makeover. Nolan and company chose to reboot the whole system, starting from the ground up with an entirely fresh take on Gotham’s hero and his origin. This allowed the focus in a Batman movie to be on…wait for it…The Bat-Man himself. Nolan and coscreenwriter David S. Goyer would go to meticulous depths to create a Gotham City grounded in reality while still having room for comic book-friendly stuff like a creepy psychiatrist who dresses like a scarecrow.

For the first time in a Batman film, Bruce Wayne also got as much screentime as his caped counterpart. Bruce’s journey from rich kid to crimefighter for once is the focus of the movie, allowing a level of character depth that previous big screen Waynes lacked. (Bruce isn’t merely the bland playboy from the Val Kilmer/George Clooney years.) The depths that Batman Begins goes to in explaining what Bruce’s life was like as an orphan, where his fears came from, how he tried to throw his life away, how he transformed himself, how he became the manifestation of all his sadness and fears and anger and a force for good is comic book storytelling at its finest. For the first time in a Batman movie viewers are emotionally invested in Bruce Wayne.


2. It’s an origin story closer to the comics

Finally we can all forget the whole “Joker killed Bruce Wayne’s parents” thing from Tim Burton’s Batman. Nolan and Goyer’s screenplay hews closely to Bruce’s comic book origins, depicting Thomas and Martha Wayne’s death at the hands of street thug Joe Chill. And while the Wayne family attends an opera on that fateful night instead of a screening of The Mark of Zorro, the change actually works plotwise (Bruce is scared by the bat-like creatures onstage) and adds an interesting wrinkle to Batman’s famous origins.


3. Christian Bale Is The Best Bruce Wayne/Batman (Despite the Voice)

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Warner Bros./Everett Collection

A revamped Batman franchise was only going to go as far as the new Caped Crusader could carry it. And apparently where he carried it to was the gym. Christian Bale got seriously ripped for his turn as The Caped Crusader, working out every day, and gaining nearly 60 pounds of muscle and mass. This physical transformation, when paired with Bale’s tremendous Oscar-nominated acting chops, made for a Bruce Wayne turned Dark Knight like we’d never seen before. Damaged, vulnerable, handsome, sensitive, ferocious and vengeful, he brought an intensity to Bruce both under and out of the cowl. Even if everyone wasn’t on board with Bale’s in-need-of-a-lozenge Bat growl, it has become an iconic part of the Batman cinematic universe. Fun game: try ordering drive-thru in a Bale Bat-voice. It’s never not fun!


4. Liam Neeson + Mentor Role x Sword = WIN

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Warner Bros./Imgur

Before he began giving half of Europe’s henchmen a karate chop to the throat in the Taken series, Liam Neeson put on display a certain set of skills — skills that make him ideal to play a sword-wielding mentor and father figure. As Henri Ducard/Ra’s Al Ghul, Neeson took the quote-filled master who finds a young reclamation project and makes him a legend to the next level. He’s got the voice. He’s got the presence. He’s got the moves. And above all, he’s got the quotes. He’s the human equivalent to every inspirational poster, handbook and mantra ever written.


5. It Has an Amazing Cast Stocked with Great Actors

Batman Begins
Warner Bros.

Nowadays, it’s standard for comic book movies to be filled with incredible actors. But this wasn’t always the case. Batman Begins started the trend of casting acting legends in supporting roles, something that still happens today. (How else do you explain Holly Hunter’s role in Batman V. Superman?)

To give this new Batman series depth and roots, Christopher Nolan assembled an all-star cast, quite possibly the best to date seen in a comic book movie. Michael Caine, Tom Wilkinson, Liam Neeson, Morgan Freeman and Gary Oldman? That sounds like a list of recent Academy Award nominees, not the supporting cast in a Batman movie. These actors took a heroic action movie and brought it to life, infusing it with soul, style and substance throughout. Add in a throwback action favorite like Rutger Hauer, and a then rising star like Cillian Murphy, and you had a super hero team of acting talent in Gotham.


6. Batman’s “Wonderful Toys” Actually Make Sense

Batman Begins Lucius Fox
Warner Bros.

Ever wonder where Batman got the suit, or how he came up with his weapons, tools and gadgets? You can’t exactly just swing by the local Target and shop the Super Hero Department. In keeping with their grounded and dynamically realistic approach, Nolan and his team gave this Bruce Wayne his own Q (the famous James Bond gadget maker) in the form of Lucius Fox (Morgan Freeman). Fox was a techie buried deep within the recesses of Wayne Enterprises who, when discovered by a Bruce Wayne looking to enhance and outfit his bat-inspired hero, gave life to everything Batman wore, carried, threw and rode. And the science behind it all was explained, showing us that it is possible to be Batman, provided you have vast amounts of wealth and Morgan Freeman at your disposal.


7. Holy Batmobile!

All our preconceived Batmobile notions were torn apart like the rooftops the new Bat Tumbler raced across. Gone was Adam West’s iconic open top two seater or the sleek roadster from the ’90s Bat films. The new Batmobile was part Humvee, part tank, and all awesome. When it first races out of the darkness, ripping up the streets of Gotham, its engine enhanced by a lion’s roar, audiences were like, “BRB. Might have just soiled my pants.” The Tumbler’s militaristic style was aggressive and practical, and matched this new version of Batman perfectly. Plus, it actually works! It took months to build a working model of the Tumbler, and it was a huge hit with fans. Even noted car enthusiast Jay Leno took it for a spin.


8. Even Katie Holmes Can’t Ruin It

Batman Begins Katie Holmes
Warner Bros.

Maybe we’re in the minority here, but we didn’t hate Katie Holmes as Rachel Dawes. Most fans were not enamored with her performance, some thinking her acting was not up to snuff of the likes of Bale, Neeson and Caine. Tall order to run with those big dogs — hence the switch Maggie Gyllenhaal as Rachel for The Dark Knight. But for the role of Bruce Wayne’s childhood-turned-adult love interest, the call was for someone with experience playing a childhood love interest, someone who had experience on, say, Dawson’s Creek? Someone whose doe eyes recall the innocence lost, giving us a glimpse into the inner conflict Bruce/Batman feels. For that Holmes seemed perfect. Don’t like it? Hey, don’t cry about it.


9. For Once, Two Villains Isn’t Overkill

Scarecrow Batman Begins
Warner Bros./Everett Collection

Finally a comic book flick proved having dual villains CAN work in a comic book movie. The two villains competing then working in cooperation against our hero angle had been worked before, especially in the Batman franchise, but to far less successful effect. Most fans would agree either Catwoman or The Penguin would have been enough for the moody and grimly atmospheric Batman Returns, and both Joel Schumacher entries featured double villain overkill, with the over-the-top Riddler and Two-Face combo in Batman Forever, and the hilariously pun-tastic Poison Ivy/Mr. Freeze dastardly duo of Batman & Robin.

But The Scarecrow/ Ra’s al Ghul combo was great, mostly because they actually both made sense to the plot and each had plenty of character development. (As great as The Dark Knight is, most fans would agree Joker outshines Two-Face.) When you add villains you up the risk/reward factor because we can wander dangerously into taking away from our hero and drifting into an overstuffed plot. Like how sometimes you just want a burger and don’t want it served on a donut, right? Well, Batman Begins gave us burgers and donuts in equal measure, and who doesn’t love that combo?


10. In The End, It’s A Father/Son Story

Even though people go bananas for the minefield of moral quandaries that drove the narrative in The Dark Knight, there were an awful lot of feels dished out with the often overlooked father/son storyline in Batman Begins. The scenes with young Bruce and his father are poignant and touching, giving an unexpected emotional depth to the movie early on. Thomas Wayne was a dad, a friend, moral compass and mentor for Bruce, all the things Bruce would eventually seek in his international journey of rediscovery. (And later find in Alfred.)

By controlling his sadness, re-routing his anger and manipulating his fear, Bruce was able to improve on and complete his father’s work, as well as be the man his father would hope he’d become…albeit one who wears a cape and a costume. Bruce gains closure on his loss, his life as an orphan and his place as the main Wayne in Gotham by movie’s end. Bruce lost his hero, but eventually becomes one to a entire city, a storyline that plays out through Nolan’s Batman trilogy. From his very first outing, Christopher Nolan’s Batman is the hero Gotham (and fans) deserve.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.