The Nutty Professor

Camera Obscura

10 Actors Who Disappeared Into Their Roles

Catch Eddie Murphy in The Nutty Professor movies this month on IFC.

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Photo Credit: Everett Collection/Paramount Pictures

Aside from some foundation and a couple Method acting classes, few actors know what it’s like to completely disappear into a role. Sure, a stellar performance can transform a thespian into the character they’re portraying, but it doesn’t take a closeup for us to recognize who’s on camera. However, there are some notable roles in which a performer is entirely obscured — either by makeup, prosthetics, or a motion capture suit — leaving the audience’s suspension of disbelief wholly impenetrable.

Before you catch The Nutty Professor on IFC, take a look at some actors who rendered themselves completely unrecognizable for the sake of cinema.

1. Eddie Murphy in Coming to America, The Nutty Professor, Norbit, et al.

At this point, any time a trailer touts that a movie stars “Eddie Murphy, Eddie Murphy, Eddie Murphy, and Eddie Murphy,” you know at least one fat suit’s going to be involved. But the SNL alum’s willingness to don Rick Baker-created latex for our entertainment goes back to 1988’s Coming to America where Murphy played four different characters — one of whom, an old white Jewish man who has a penchant for velvet, obscured Murphy’s likeness completely.


2. Tom Cruise in Tropic Thunder

No one will ever accuse Tom Cruise of not being committed to his craft, but no one expected his show-stopping performance in Tropic Thunder to be so balls-to-the-wall bonkers that it masked the megastar better than any facial prosthetic. According to director Ben Stiller, Cruise’s portrayal of Hollywood mogul Les Grossman — from the look to his vulgarity — was based purely on the actor’s choices, which must’ve been a cathartic release from a lifetime in showbiz.


3. Dustin Hoffman in Little Big Man

Before The Exorcist, The Godfather, and Amadeus, the late makeup effects auteur Dick Smith inspired generations of makeup artists (including The Nutty Professor‘s Rick Baker) with his work on actor Dustin Hoffman in the 1970s satire Little Big Man. Told in flashback form, the film required Hoffman to look 121 years old which Smith achieved with revolutionary old age makeup. Of Smith’s work, the actor professed, “I defy you to put on that makeup and not feel old.”


4. Charlize Theron in Monster

Typically, a Hollywood film renders a beautiful actress “unattractive” with a pair of glasses and a disheveled ponytail — believing the inevitable makeover before the big dance to be far more transformative than it is. Not so with Patty Jenkins’ 2003 crime drama Monster, which casts the stunning Charlize Theron as a rough and weathered killer. And while the 30 extra pounds and prosthetic teeth certainly helped, it’s Theron’s keen acting skills that achieved the complete, Oscar-winning transformation.


5. Doug Jones in Pan’s Labyrinth, Hellboy, Buffy the Vampire Slayer, et al.

Rarely do we see the gangly 6′ 3″ character actor without heavy makeup that you probably wouldn’t recognize him otherwise. But Doug Jones is widely recognized as being the go-to performer to play some of the most iconic other-worldly characters in film. From the shimmering Silver Surfer, to aquatic Hellboy sidekick Abe Sapien, to the two most visually arresting creatures in Pan’s Labyrinth, Jones proves you can make a comfortable living by being completely obscured.


6. Andy Serkis in Lord of the Rings, the rebooted Planet of the Apes franchise, King Kong and more

Unlike the rest of us, Andy Serkis can arrive to work wearing a skintight leotard covered with ping pong balls and still keep his job. Granted, that’s due to his lauded motion-captured performances as CGI characters Gollum, King Kong, and rebellious chimp Caesar. Serkis plays each part with such heartfelt, feral intensity that he has pushed Academy Award voters to champion his roles as Oscar-worthy. Unfortunately, that nomination hasn’t come yet.


7. Cate Blanchett in I’m Not There

Esteemed British actress Cate Blanchett becomes a waifish midwestern folk singer in Todd Haynes’ unusual Bob Dylan biopic I’m Not There. Blanchett is one of six different actors to portray different facets of the musician, but as the only woman, her performance stands out from the rest. Foul-mouthed with plenty of swagger, she showcases a side of the gentle, soft-spoken Dylan we’re not accustomed to.


8. Johnny Knoxville in Bad Grandpa

Not to be confused with this year’s Dirty Grandpa — which renders star Robert De Niro completely unrecognizable in a different way — Bad Grandpa is a hidden camera comedy that showcases the Jackass star in his trademark “old man” makeup, giving him license to act brazenly offensive under the forgivable guise of senility. Despite middling reviews, the film earned an Academy Award nomination for Best Makeup and Hairstyling and has developed a cult following.


9. Halle Berry in Cloud Atlas

Reincarnation and the wheel of time play important roles in author David Mitchell’s multi-story novel Cloud Atlas, which was ambitiously adapted into a three-hour epic film by the Wachowskis. Tom Hanks, Halle Berry, and Hugo Weaving play thematically recurring characters, with vastly different looks, over the course of millennia. But it was Berry’s portrayal of an old Asian male doctor that had viewers wondering where she went and advocacy groups decrying the race-eschewing casting choice.


10. Eric Stoltz in Mask

The heartbreaking tale of Rocky Dennis, a boy with an extremely rare degenerative bone disease, is the central story in 1985’s Mask starring a completely unrecognizable Eric Stoltz. Under heavy makeup to depict Dennis’ craniodiaphyseal dysplasia, Stoltz plays Rocky with the gentleness and sincerity of a teen just trying to fit in and be treated like everyone else.

Happy 20th anniversary to The Nutty Professor from IFC!

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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