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Aliens Sigourney Weaver

Space Race

A Complete Ranking of Every Alien Film

Catch Alien 3 this month on IFC.

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Since Ripley and those pesky xenomorphs burst onto the scene in 1979 like the baby alien from Kane’s chest, the Alien franchise has become a cultural phenomenon, spawning sequels, prequels, and plenty of poor knockoffs. (We even celebrated “Alien Day” on April 26th.) With IFC airing Alien 3 this month, we decided to rank every Alien film from terrible to terrifying. Where does your favorite fall on our list? Read on to find out.

7. Alien vs. Predator: Requiem (2007)

20th Century
20th Century Fox

The word “requiem” brings to mind death, and this unnecessary gore fest sequel to the already pretty terrible Alien vs. Predator is proof the series should be put out of its misery lest it kill all our warm, fuzzy feelings for the Alien and Predator franchises. AvP: Requiem attempts to have slightly more exposition and plot than its predecessor, but the film gets bored with it quickly, resorting to buckets of blood and cheap scares all shot in very poor lighting that is meant to look moody but winds up making you strain your eyes instead in order to see any of the “action.” The humans all do their best with shoddy dialogue and stereotypical, one-dimensional roles. There’s a perverse pleasure to watching this train wreck unfold, but AvP: Requiem is a film that is far more shock than anything resembling awe.


6. AVP: Alien vs. Predator (2004)

20th Century
20th Century Fox

Overstuffed with hollow CGI, the one thing Alien vs. Predator has going for it is it delivers exactly what’s promised in the title. If you’re looking for any semblance of a real plot, look elsewhere, because this movie isn’t for you. Oh sure, fan favorite Lance Henriksen shows up as billionaire Charles Bishop Weyland – the man on whom his android character’s appearance in previous films was based – and assembles a team to investigate a mysterious, shape-shifting pyramid buried under the ice in Antarctica, but the humans are mainly here to be playthings and add to the body count in this extraterrestrial showdown. Like Godzilla vs. King Kong, the popcorn-worthy enjoyment of Alien vs. Predator comes from seeing two big baddies going at it with cloaks, daggers, and facehuggers, even if the whole thing is pretty silly. Best to forget the two excellent series this film pulls its main monsters from and just settle in for the schlocky carnage.


5. Alien: Resurrection (1997)

20th Century
20th Century Fox

Not even a script from beloved sci-fi scribe Joss Whedon could save this semi-fun clunker set 200-some odd years after the events of Alien 3. This time around, poor Ripley has been cloned using DNA from blood samples taken before her death and impregnated with an alien embryo. As a result, she has super-strength, acidic blood, and a sixth sense to feel the xenomorphs. But despite the added welcome presence of Winona Ryder as an oddly empathetic synthetic and tough guy Ron Perlman, the film is mainly recycled scenarios from previous installments and an excessive amount of gore. Sigourney Weaver, for her part, commits fully to a sequel unworthy of her talents. This one should have just stayed dead; no resurrection required.


4. Alien 3 (1992)

Director David Fincher’s feature film career got off to an inauspicious start with this jumbled if intriguing third installment in the series that features a bald Ripley butting heads with both a renegade xenomorph and the ex-inmates of a penal colony when her escape pod crashes on Fiorina “Fury” 161. The film unsuccessfully tries to be too many things at once: a meditation on faith, an indictment of corporate greed and ego, an exploration of PTSD, and an old-fashioned horror movie.

Unfortunately, these loose threads of interesting, complex ideas are never given the chance to fully develop; too much studio meddling throughout production led to a patchwork script that is promising but messy. Like many of Fincher’s later films, Alien 3 has a pervasive atmospheric bleakness in every frame that actually works quite well for its rather fatalistic plot, creating a rather beautiful visual style that stands apart from the other films in the series. Weaver is still the main attraction, and she delivers…quite literally. There’s only room for one Queen in this series, and Ripley makes damn sure she’s it. RIP to them both.


3. Prometheus (2012)

20th Century
20th Century Fox

Critics and fans were split on Ridley Scott’s 2012 return to the franchise due to its ambitious, philosophically-heavy plot from screenwriters Damon Lindelof and Jon Spaihts that raised more questions than answers. However, Prometheus is perhaps Scott’s most visually stylish film of late with tastefully-employed CGI intermixed with practical effects to achieve an equal sense of wonder and isolation, not to mention a bloody scene featuring Noomi Rapace that rivals Alien for its shock and gore factor.

Though not, in Scott’s words, a “direct prequel” to Alien, the film has plenty of visual, narrative, and musical nods to the original peppered throughout while still successfully existing as its own unique story within the larger Alien universe. While it lacks some of the nuance of Alien, Prometheus manages to capture much of the same atmospheric, chilly tone. One thing critics and fans could unanimously agree on: Michael Fassbender’s standout performance as creepy, conniving, Peter O’Toole-obsessed android, David, who will return in the 2017 follow-up, Alien: Covenant. Big things have small beginnings, indeed.


2. Alien (1979)

Pitched to studio execs as “Jaws in space,” Scott’s first cinematic voyage into the place no one can hear you scream is a modern masterpiece of slow-building suspense and downright terror. Much like in Jaws, Scott’s sparing use of the actual alien until late into the film ramps up the tension, putting the Nostromo crew and the audience alike on edge as does Jerry Goldsmith’s atmospheric, haunting score.

Every element –- from H.R. Giger’s iconic creature design to Michael Seymour’s production design of the sets –- gives the film a chilly, claustrophobic yet elegant feeling unmatched by a sci-fi film since. While Sigourney Weaver’s tough-as-nails Ripley would go on to become the breakout heroine of the series, Alien is truly an ensemble piece with each character getting plenty of screen –- and scream –- time. From its still-shocking “chestburster” scene to Ripley’s frantic race against the ship’s self-destruct sequence, this one set the stage for future sci-fi films in bold, exciting ways.


1. Aliens (1986)

20th Century
20th Century Fox

James Cameron’s follow-up to the original is heavier on the action than the suspense but equally as thrilling and scary, turning Ripley’s survivor of the first film into an all-out badass warrior much like he did with Sarah Connor in the Terminator series. Weaver earned a Best Actress Oscar nomination for her strong, layered performance as the embattled but relentless Ripley, and Cameron’s screenplay and direction gives her a level of respect and bravura usually reserved for male action heroes.

Cameron takes the seeds of Ridley Scott’s original ideas and makes them bloom into a fully realized world of militarized forces, sinister corporate agendas, and true dystopian nightmares. The standout supporting cast featuring Cameron favorites Bill Paxton and Michael Biehn as well as Paul Reiser, Carrie Henn’s orphan Newt, and Lance Henriksen’s iconic android Bishop hold their own and add to the emotional heft of the film. The heart-racing action sequences balance out the slow-build to the mother of all climactic battles at the end. A technical marvel in its time that still looks impressive today, James Cameron’s sequel dares to actually have a heart in the midst of its chilly futuristic setting. For the rest of the films in the series, it’s game over, man! Aliens blows them all out of the airlock.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

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IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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