This browser is supported only in Windows 10 and above.
Brooks Wheelan

On the Horizon

IFC Developing Shows From Bryan Cranston, Brooks Wheelan and Many More

Take a look at what IFC has cooking for 2017.

Posted by on
Photo Credit: NBC

We’ve already given you the lowdown on two upcoming series (Brockmire and Stan Against Evil) headed to IFC. But today, the network unveiled eight new comedies currently in development for 2017. With talent like Bryan Cranston, Steven Weber, SNL‘s Brooks Wheelan, Above Average, and Allison Anders involved, here are eight of the new “Slightly Off” titles on IFC’s development slate.

Todd Barth Can Help You

A conservative insurance adjuster completely changes his path in life when he starts to believe he has what it takes to become a new age, self-help guru. Steven Weber (Wings) is attached to star. Produced by Moonshot Entertainment, Todd Barth Can Help You is created and executive produced by Bryan Cranston, Clay Graham (Santa Clarita Diet) and Weber. James Degus (SuperMansion) is also executive producing with Graham writing the series.

Canterbury Tales

The 1970s punk scene comes to rough and fumbling life when Terry, a young music aficionado flees Texas and moves into the run-down, cockroach-infested Canterbury Apartments, in the heart of Hollywood. Terry and his rowdy female musician roommates sleep all day and make music and mayhem all night at Hollywood’s first punk rock club, as they try to break into the music industry. Created by Allison Anders (Mi Vida Loca, Grace Of My Heart) and Terry Graham (drummer for seminal punk band The Bags, Gun Club, and author of Punk Like Me).

Detective Lady

A film noir inspired comedy following female detective, Annie, who solves crimes in the hamlet of Sicily, USA. She is a rebel crime solver with a bit of a drinking problem, a new partner to contend with, and some family history to unravel before it tears her apart. Created by Kelly Galuska, who has worked on Bojack Horseman and Mom, and was recently nominated for a WGA Award for her individual episode of Bojack Horseman.

How to Rig An Election

Based on the book How to Rig An Election by former political consultant Allen Raymond, the series explores the astonishingly dark underbelly of political campaigning. Written and executive produced by Tom Ruprecht (Late Night with David Letterman, The Nightly Show with Larry Wilmore).

Grand Lake

A dark comedy about two female best friends who wish nothing but the worst for each other. They share a murderous secret that most days takes a back seat to the everyday drama of their disappointing adult children, small town politics and an annoying, yet charming, ex-husband. Grand Lake is created by WGA award-winning Gretchen Enders (Gortimer Gibbon’s Life on Normal Street) and produced by the Academy Award-winning A24 (Room, Amy).

Laughs in Translation

Based on the Above Average Web series that starred SNL alum Brooks Wheelan, this series is a fish out of water travel show that explores what different people around the world find funny and why. With local comedians as guides, the host will travel the world to find out if anything is universally funny or if some humor is just lost in translation.

Living With Yourself

A burned-out copywriter undergoes a novel treatment to become a better person, only to find his worst enemy is himself. Told through multiple perspectives and intersecting storylines, this inventive philosophical comedy asks: do we really want to be better? Created by Emmy and Peabody award-winning Tim Greenberg (Daily Show) and executive produced by Anthony Bregman (Foxcatcher, Eternal Sunshine of the Spotless Mind) and Jeffrey Stern of Likely Story. Jeff Blitz (Review, The Office) is attached to direct and executive produce.

This Land Is Ours

Set in present day New York, this series follows a group of anarchist squatters who take over an unoccupied Harlem Row House with every intention to keep it for themselves. They are forced to defend themselves against the fat cat developers who they discover have sold the property for near billions. The bizarre collective of activists, artists and hippies form a strong bond while waging war to bring back the gritty city they love. Written and created by Vicki Pepperdine and Joanna Scanlan (Creators of Getting On and Puppy Love). Produced by Merman (Todd Margaret, Catastrophe), the production company founded and run by Sharon Horgan and Clelia Mountford, together with George and George Co, the production company owned by Pepperdine and Scanlan.

Also previously announced for 2017 consideration is the scripted series Jon Benjamin’s 100 Erotic Nights and a late-night talk show from comedian Jim Norton. Starring and narrated by Jon Benjamin (Archer, Bob’s Burgers), Jon Benjamin’s 100 Erotic Nights is a “deadpan erotica” series wherein the hapless funnyman finds himself overcome by comedic confessions of secret passion and ruthless betrayal. Norton’s untitled late night series would find the Louie and Inside Amy Schumer regular offering his distinctive take on the news of the day.

Be sure to check back for more updates about these and other IFC series.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.