This browser is supported only in Windows 10 and above.
Boogie Nights Julianne Moore Mark Wahlberg

Funky Facts

10 Things You Might Not Know About Boogie Nights

Flashback with Boogie Nights this month on IFC.

Posted by on

Boogie Nights might be considered a classic now, but when the script first hit Hollywood, no one knew what to make of it. Paul Thomas Anderson had one film under his belt (the gambling drama Hard Eight), which, while critically acclaimed, wasn’t exactly a hit. When this magnum opus full of porn, sex and drugs made the rounds, it left more than a few execs and actors scratching their heads. So how did Boogie Nights go from a risky script to one of the great films of its time? Here are ten facts that might help explain how it all went down. Can you dig it?


10. Being Good At Acting Bad Isn’t Easy.

New Line Cinema

New Line Cinema

Before shooting on the film began, director Paul Thomas Anderson gathered the entire cast, and warned them that acting badly during the porno scenes would be hard for such a talented group. He made it a challenge, pitting them against each other to see who could act the worst, and eventually declared Julianne Moore the winner of the unofficial contest. But really, doesn’t Julianne Moore win every acting contest?


9. Leo Decided He’d Rather Go Down With The Ship, Than Go Down On, Well, Y’Know…

20th Century Fox

20th Century Fox

Leonardo DiCaprio was Paul Thomas Anderson’s first choice to play Dirk Diggler, but turned the part down to star in a little movie called Titanic. Fortunately, he was coming off of The Basketball Diaries with Mark Wahlberg, and suggested his friend for the part. While things seemed to work out for the both of them, Leo did admit in 2010 that “my biggest regret is Boogie Nights. I’m a huge fan of Paul Thomas Anderson, but the first time I met him for that role I hadn’t really seen much of his previous work. Now I love that movie.”


8. Even P.T. Anderson’s Spelling Errors Are Genius.

New Line Cinema

New Line Cinema

T.T. Rodriguez, played by Luis Guzman, gets a happy ending of sorts in the movie, opening up a nightclub with his brothers. Unfortunately, they appear to have misspelled their own name on the club’s sign, which reads “Rodriquz.” This error, it turns out, was because Anderson misspelled the word in the screenplay, and everyone just went along with it. The director found the mess up funny, and decided to just roll with it.


7. Sam Jackson Didn’t Want No Mother F’in Part In No Mother F’in Movie About Porn.

LucasFilm

LucasFilm

Samuel L. Jackson, who had just worked with Anderson in Hard Eight, was offered the part of Buck Swope, but didn’t get it, according to the director. In fact, his exact quote upon reading the script was,”what the hell is this?” He promptly passed, and the role went to Don Cheadle who delivered a career-making performance.


6. Burt Reynolds and P.T. Anderson Hated Each Other More Than Smokey And The Bandit.

New Line Cinema

New Line Cinema

Burt Reynolds and P.T. Anderson didn’t see eye to eye very often. In fact, Burt used an Irish accent on the first day of shooting for no clear reason, and once threw a punch at the director. Reynolds actually told GQ, “Personality-wise, we didn’t fit…I think mostly because he was young and full of himself. Every shot we did, it was like the first time. I remember the first shot we did in Boogie Nights, where I drive the car to Grauman’s Theater. After he said, ‘Isn’t that amazing?’ And I named five pictures that had the same kind of shot. It wasn’t original. But if you have to steal, steal from the best.” After he saw a cut of the film, Reynolds tried to fire his agent for talking him into doing it. He would go on to receive an Oscar nomination for his work in the film, and then never star in anything worthwhile again.


5. P.T. Anderson Loves A Good Star Wars Reference.

New Line Cinema

New Line Cinema

The character of Buck Swope, played by Don Cheadle in the film, had a dream, and that was to sell stereo equipment. But what most fans didn’t notice was that he also dreamed of Star Wars, at least when it came to audio equipment. At one point in the film, he requests “the TK-421 special modification.” TK-421 is the name of the Stormtrooper ambushed by Luke Skywalker and Han Solo in the 1977 classic.


4. Even “The Touch” Composer Was Shocked When Dirk and Reed Performed His Song.

Count Vince DiCola, the composer of “The Touch,” among those who were shocked to see his anthem, first recorded for 1986’s Transformers: The Movie, turn up in an R-rated movie about the world of porn. In a DVD extra for the kid’s cartoon, he talks about the surprise, saying the first thing he did was call Stan Bush, who sang the original version, to have a laugh.


3. Julianne Moore Doesn’t Need Direction.

New Line Cinema

New Line Cinema

Anderson says he only gave Julianne Moore one piece of direction throughout the entire shoot. During an intense scene Moore shares with Heather Graham, acting as a surrogate mother while snorting copious amounts of cocaine, she repeats the line, “too many things,” over and over again. He wanted her to say it one more time. That’s it. Otherwise, he was so impressed with her performance, he left her alone.


2. Alfred Molina Is Unflappable, Even When You Set Off Fireworks.

New Line Cinema

New Line Cinema

Alfred Molina wore an earpiece blasting “Sister Christian” during his climatic scene in the film. As a result, unlike the other actors in the scene, he never flinches as fireworks are being set off just behind him.


1. Boogie Nights Originated Because P.T. Anderson Watched A Lot Of Porn.

New Line Cinema

New Line Cinema

Boogie Nights began as a short film called “The Dirk Diggler Story” that Paul Thomas Anderson made when he was just 17 as a spoof of the porn films he was admittedly watching a lot of at the time. He later adapted it into a mockumentary style feature script, in the vein of Spinal Tap, before completely reworking it into the classic film we can’t stop watching today.

Want more Boogie Nights? See what it would look like as a kung-fu flick below. 

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.