Boogie Nights Julianne Moore Mark Wahlberg

Funky Facts

10 Things You Might Not Know About Boogie Nights

Flashback with Boogie Nights this month on IFC.

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Boogie Nights might be considered a classic now, but when the script first hit Hollywood, no one knew what to make of it. Paul Thomas Anderson had one film under his belt (the gambling drama Hard Eight), which, while critically acclaimed, wasn’t exactly a hit. When this magnum opus full of porn, sex and drugs made the rounds, it left more than a few execs and actors scratching their heads. So how did Boogie Nights go from a risky script to one of the great films of its time? Here are ten facts that might help explain how it all went down. Can you dig it?


10. Being Good At Acting Bad Isn’t Easy.

New Line Cinema

New Line Cinema

Before shooting on the film began, director Paul Thomas Anderson gathered the entire cast, and warned them that acting badly during the porno scenes would be hard for such a talented group. He made it a challenge, pitting them against each other to see who could act the worst, and eventually declared Julianne Moore the winner of the unofficial contest. But really, doesn’t Julianne Moore win every acting contest?


9. Leo Decided He’d Rather Go Down With The Ship, Than Go Down On, Well, Y’Know…

20th Century Fox

20th Century Fox

Leonardo DiCaprio was Paul Thomas Anderson’s first choice to play Dirk Diggler, but turned the part down to star in a little movie called Titanic. Fortunately, he was coming off of The Basketball Diaries with Mark Wahlberg, and suggested his friend for the part. While things seemed to work out for the both of them, Leo did admit in 2010 that “my biggest regret is Boogie Nights. I’m a huge fan of Paul Thomas Anderson, but the first time I met him for that role I hadn’t really seen much of his previous work. Now I love that movie.”


8. Even P.T. Anderson’s Spelling Errors Are Genius.

New Line Cinema

New Line Cinema

T.T. Rodriguez, played by Luis Guzman, gets a happy ending of sorts in the movie, opening up a nightclub with his brothers. Unfortunately, they appear to have misspelled their own name on the club’s sign, which reads “Rodriquz.” This error, it turns out, was because Anderson misspelled the word in the screenplay, and everyone just went along with it. The director found the mess up funny, and decided to just roll with it.


7. Sam Jackson Didn’t Want No Mother F’in Part In No Mother F’in Movie About Porn.

LucasFilm

LucasFilm

Samuel L. Jackson, who had just worked with Anderson in Hard Eight, was offered the part of Buck Swope, but didn’t get it, according to the director. In fact, his exact quote upon reading the script was,”what the hell is this?” He promptly passed, and the role went to Don Cheadle who delivered a career-making performance.


6. Burt Reynolds and P.T. Anderson Hated Each Other More Than Smokey And The Bandit.

New Line Cinema

New Line Cinema

Burt Reynolds and P.T. Anderson didn’t see eye to eye very often. In fact, Burt used an Irish accent on the first day of shooting for no clear reason, and once threw a punch at the director. Reynolds actually told GQ, “Personality-wise, we didn’t fit…I think mostly because he was young and full of himself. Every shot we did, it was like the first time. I remember the first shot we did in Boogie Nights, where I drive the car to Grauman’s Theater. After he said, ‘Isn’t that amazing?’ And I named five pictures that had the same kind of shot. It wasn’t original. But if you have to steal, steal from the best.” After he saw a cut of the film, Reynolds tried to fire his agent for talking him into doing it. He would go on to receive an Oscar nomination for his work in the film, and then never star in anything worthwhile again.


5. P.T. Anderson Loves A Good Star Wars Reference.

New Line Cinema

New Line Cinema

The character of Buck Swope, played by Don Cheadle in the film, had a dream, and that was to sell stereo equipment. But what most fans didn’t notice was that he also dreamed of Star Wars, at least when it came to audio equipment. At one point in the film, he requests “the TK-421 special modification.” TK-421 is the name of the Stormtrooper ambushed by Luke Skywalker and Han Solo in the 1977 classic.


4. Even “The Touch” Composer Was Shocked When Dirk and Reed Performed His Song.

Count Vince DiCola, the composer of “The Touch,” among those who were shocked to see his anthem, first recorded for 1986’s Transformers: The Movie, turn up in an R-rated movie about the world of porn. In a DVD extra for the kid’s cartoon, he talks about the surprise, saying the first thing he did was call Stan Bush, who sang the original version, to have a laugh.


3. Julianne Moore Doesn’t Need Direction.

New Line Cinema

New Line Cinema

Anderson says he only gave Julianne Moore one piece of direction throughout the entire shoot. During an intense scene Moore shares with Heather Graham, acting as a surrogate mother while snorting copious amounts of cocaine, she repeats the line, “too many things,” over and over again. He wanted her to say it one more time. That’s it. Otherwise, he was so impressed with her performance, he left her alone.


2. Alfred Molina Is Unflappable, Even When You Set Off Fireworks.

New Line Cinema

New Line Cinema

Alfred Molina wore an earpiece blasting “Sister Christian” during his climatic scene in the film. As a result, unlike the other actors in the scene, he never flinches as fireworks are being set off just behind him.


1. Boogie Nights Originated Because P.T. Anderson Watched A Lot Of Porn.

New Line Cinema

New Line Cinema

Boogie Nights began as a short film called “The Dirk Diggler Story” that Paul Thomas Anderson made when he was just 17 as a spoof of the porn films he was admittedly watching a lot of at the time. He later adapted it into a mockumentary style feature script, in the vein of Spinal Tap, before completely reworking it into the classic film we can’t stop watching today.

Want more Boogie Nights? See what it would look like as a kung-fu flick below. 

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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