This browser is supported only in Windows 10 and above.
Charlie and the Chocolate Factory

Freak Out

Every Tim Burton and Johnny Depp Movie Ranked

Catch Charlie and the Chocolate Factory this month on IFC.

Posted by on
Photo Credit: Warner Brothers/courtesy Everett Collection

No pair has brought more pale weirdos and loners to life on the big screen in such visually-stirring, innovative ways quite like Tim Burton and Johnny Depp. They’ve made eight films (and counting) together over the last 26 years, establishing a collaborative partnership that makes the morbid and strange blithely beautiful and bleakly sad at its best — and maddeningly quirky and over-the-top at its worst. Burton and Depp’s joint filmography is certainly mixed, but it can never be said they haven’t always given us something interesting to see. With Charlie and the Chocolate Factory currently airing on IFC, we decided to rank their collaborations from worst to best. Where do your favorite Burton/Depp films fall on our list? Read on to find out.

8. Dark Shadows

Tim Burton and Johnny Depp’s most recent collaboration also happens to be their worst. The film, based on the melodramatic gothic soap opera of the same name, peddles in camp and quirk without much substance behind it. Its flimsiness isn’t helped by the film’s uneven tone since Burton can’t decide if he’s making a comedy or a horror. As per usual, Burton assembles a great supporting cast, but much like vampire Barnabas Collins’ (Depp) victims, the film leaves both the audience and the casting feeling lifeless.


7. Alice in Wonderland

On paper, Alice in Wonderland and Tim Burton seem like a match made in surrealist heaven, but the final product proves otherwise. Burton fills the screen to almost bloating with arresting visuals, but seems to have forgotten to also include a coherent narrative. (Case in point: a sudden appearance by Anne Hathaway as the White Queen who has no apparent purpose other than to wear Goth-inspired makeup and a wig that looks like it came from a Halloween store.) Depp’s Mad Hatter, meanwhile, is perhaps the pinnacle of the eccentric actor’s obsession with outrageous wigs, makeup, and bizarre accents. What once felt fresh in previous Depp/Burton collaborations seems tired here as Mad Hatter and Alice zip through Wonderland on the world’s dullest acid trip.


6. Charlie and the Chocolate Factory

Burton takes the definition of “candy-colored” at its most literal in his adaptation of Roald Dahl’s classic novel, employing CGI to oversaturate each frame of Willy Wonka’s factory. Depp, meanwhile, shows up in an insane bobbed haircut, dental veneers, and with a speaking voice based, in part, on Carol Channing. His Wonka is far odder than Gene Wilder’s quirky 1970 portrayal, but no less strangely alluring; when he’s onscreen, you can’t tear your eyes away from his manic portrayal. Despite a lovely performance from Freddie Highmore as the poor but sweet Charlie Bucket, the rest of the film (which follows Dahl’s source material far more closely than the 1970 family favorite) could have used more of that same manic energy. Burton’s Charlie & the Chocolate Factory is a bit like Wonka’s candy: it looks great, and you’ll gobble it up, but you’ll ultimately feel a little empty when it’s over.


5. Sleepy Hollow

Oscar-winning cinematographer Emmanuel Lubezki (Gravity, Birdman) is the real star of Tim Burton’s (loose) film adaptation of The Legend of Sleepy Hollow. Utilizing dense fog and dim lighting, the film has a stunning, Hammer horror film-inspired look that pairs nicely with Colleen Atwood’s Oscar-nominated costumes. In Burton’s considerably bloody version of Washington Irving’s classic tale, Ichabod Crane (Depp) is a police constable from Manhattan rather than a local teacher, which in typical Burton/Depp fashion, makes him an outsider to the tight-knit townspeople of Sleepy Hollow. For once, Depp gets to play the handsome straight-man (albeit one with some minor eccentricities), embracing Ichabod’s inquisitive, scientific nature with an aplomb usually reserved for his stranger characters. Unfortunately the script, penned by Seven screenwriter Andrew Kevin Walker, starts out as a taut thriller before collapsing under the weight of its overstuffed plot. A solid outing, but nothing worth losing your head over.


4. Corpse Bride

In an animated collaboration that perfectly dovetails with their live-action work, Burton and Johnny Depp continue their exploration of misfits seeking love and acceptance. This time it’s about a shy Victorian gentleman, Victor (Depp), mistakenly marrying a literal corpse bride named Emily (an enchanting Helena Bonham Carter) while practicing his fumbled vows meant for his living bride-to-be (Emily Watson). The stop-motion animation, a notoriously time-consuming medium (and Burton’s favorite), is spectacularly gorgeous and spooky, and Depp’s subtle voice work is just right for the film’s graceful tone. Corpse Bride may be meant for children, but adults will take to its edgy bittersweet tone.


3. Sweeney Todd

Johnny Depp’s Oscar-nominated performance as murderous barber Sweeney Todd is one of his most understated; you can feel Todd’s long-simmering rage boiling just below the surface of his pained yet stoic facade as he sets about trying to take revenge on the corrupt judge (the late Alan Rickman in a delightfully slimy performance) who locked him up, stole his wife, and covets his daughter. Calculated, elegant restraint is not necessarily something for which Burton or Depp are particularly known, but both are in full control of Stephen Sondheim’s 1979 Tony Award-winning source material, forgoing theatricality in favor of a bleak color palette and a chilly Victorian sensibility. Depp’s singing voice is strong where Helena Bonham Carter’s is weak, but they complement each other nicely especially when set against the lush sounds of a full orchestra. Murder has never looked (or sounded) so intoxicating.


2. Ed Wood

In choosing to do a biopic about the laughable-yet-lovable director of B-movies like Plan 9 From Outer Space, Burton and Depp reinvented themselves yet again; this time making a 1950s-set film whose tone falls somewhere between Capra and Corman. Their loving depiction of Wood presents a man whose indefatigable optimism and delusions of grandeur are both infectious and damning. Martin Landau won the Academy Award for Best Supporting Actor for his performance as horror legend Bela Lugosi, stealing every scene in which he appears. Like many Burton/Depp projects, Ed Wood is ultimately a sweet, satisfying film about outsiders finding acceptance and blazing their own trails…sometimes while wearing fuzzy pink sweaters.


1. Edward Scissorhands

A sweetly surreal suburban fairy tale about a gentle loner with scissors for hands who is taken in by a Leave It to Beaver-esque family, Burton and Depp’s first and finest collaboration has the kind of magical alchemy that made the filmmaker’s early work so visionary: wondrous design and cinematography, fascinating characters, an ethereal score from composer Danny Elfman, and a great cast. Depp famously took the role of Edward as a means of rebelling against his 21 Jump Street heartthrob persona, transforming himself and his career in the process. Despite the crazy hair and makeup, he does some very subtle, lovely work, which is echoed by the doe-eyed Winona Ryder as Kim, the object of Edward’s affections, and the marvelous Dianne Wiest as his chipper and sympathetic mom who takes the outcast in. Suburbia proves to be less than idyllic for the lonely Edward, and Burton’s film brilliantly shows us that terms like “beautiful” and “ugly” are relative. Edward Scissorhands is the rare film that still feels fresh and magical with repeat viewings, imbuing viewers with a sense of wonder they’ve only felt upon seeing (or like Kim, dancing in) snow for the first time.

Watch More
SistersWeekend_103_MPX-1920×1080

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

IFC_Comedy-Crib_Sisters-Weekend-Series-Image

IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

SistersWeekend_101_MPX-1920x1080

IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

IFC_Comedy-Crib_Sisters-Weekend_About-Image

IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

SistersWeekend_102_MPX-1920x1080

IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More
IFC_BVSS_203_birthday-song-celebration

Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

Posted by on
GIFs via Giphy

Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

via GIPHY

IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

via GIPHY

IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

Watch More
IFC_NYTVF_EColi-High_blog

G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

Posted by on

Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

E.coli-class-

IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

ecoli-computer

IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

Watch More