Charlie and the Chocolate Factory

Freak Out

Every Tim Burton and Johnny Depp Movie Ranked

Catch Charlie and the Chocolate Factory this month on IFC.

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Photo Credit: Warner Brothers/courtesy Everett Collection

No pair has brought more pale weirdos and loners to life on the big screen in such visually-stirring, innovative ways quite like Tim Burton and Johnny Depp. They’ve made eight films (and counting) together over the last 26 years, establishing a collaborative partnership that makes the morbid and strange blithely beautiful and bleakly sad at its best — and maddeningly quirky and over-the-top at its worst. Burton and Depp’s joint filmography is certainly mixed, but it can never be said they haven’t always given us something interesting to see. With Charlie and the Chocolate Factory currently airing on IFC, we decided to rank their collaborations from worst to best. Where do your favorite Burton/Depp films fall on our list? Read on to find out.

8. Dark Shadows

Tim Burton and Johnny Depp’s most recent collaboration also happens to be their worst. The film, based on the melodramatic gothic soap opera of the same name, peddles in camp and quirk without much substance behind it. Its flimsiness isn’t helped by the film’s uneven tone since Burton can’t decide if he’s making a comedy or a horror. As per usual, Burton assembles a great supporting cast, but much like vampire Barnabas Collins’ (Depp) victims, the film leaves both the audience and the casting feeling lifeless.


7. Alice in Wonderland

On paper, Alice in Wonderland and Tim Burton seem like a match made in surrealist heaven, but the final product proves otherwise. Burton fills the screen to almost bloating with arresting visuals, but seems to have forgotten to also include a coherent narrative. (Case in point: a sudden appearance by Anne Hathaway as the White Queen who has no apparent purpose other than to wear Goth-inspired makeup and a wig that looks like it came from a Halloween store.) Depp’s Mad Hatter, meanwhile, is perhaps the pinnacle of the eccentric actor’s obsession with outrageous wigs, makeup, and bizarre accents. What once felt fresh in previous Depp/Burton collaborations seems tired here as Mad Hatter and Alice zip through Wonderland on the world’s dullest acid trip.


6. Charlie and the Chocolate Factory

Burton takes the definition of “candy-colored” at its most literal in his adaptation of Roald Dahl’s classic novel, employing CGI to oversaturate each frame of Willy Wonka’s factory. Depp, meanwhile, shows up in an insane bobbed haircut, dental veneers, and with a speaking voice based, in part, on Carol Channing. His Wonka is far odder than Gene Wilder’s quirky 1970 portrayal, but no less strangely alluring; when he’s onscreen, you can’t tear your eyes away from his manic portrayal. Despite a lovely performance from Freddie Highmore as the poor but sweet Charlie Bucket, the rest of the film (which follows Dahl’s source material far more closely than the 1970 family favorite) could have used more of that same manic energy. Burton’s Charlie & the Chocolate Factory is a bit like Wonka’s candy: it looks great, and you’ll gobble it up, but you’ll ultimately feel a little empty when it’s over.


5. Sleepy Hollow

Oscar-winning cinematographer Emmanuel Lubezki (Gravity, Birdman) is the real star of Tim Burton’s (loose) film adaptation of The Legend of Sleepy Hollow. Utilizing dense fog and dim lighting, the film has a stunning, Hammer horror film-inspired look that pairs nicely with Colleen Atwood’s Oscar-nominated costumes. In Burton’s considerably bloody version of Washington Irving’s classic tale, Ichabod Crane (Depp) is a police constable from Manhattan rather than a local teacher, which in typical Burton/Depp fashion, makes him an outsider to the tight-knit townspeople of Sleepy Hollow. For once, Depp gets to play the handsome straight-man (albeit one with some minor eccentricities), embracing Ichabod’s inquisitive, scientific nature with an aplomb usually reserved for his stranger characters. Unfortunately the script, penned by Seven screenwriter Andrew Kevin Walker, starts out as a taut thriller before collapsing under the weight of its overstuffed plot. A solid outing, but nothing worth losing your head over.


4. Corpse Bride

In an animated collaboration that perfectly dovetails with their live-action work, Burton and Johnny Depp continue their exploration of misfits seeking love and acceptance. This time it’s about a shy Victorian gentleman, Victor (Depp), mistakenly marrying a literal corpse bride named Emily (an enchanting Helena Bonham Carter) while practicing his fumbled vows meant for his living bride-to-be (Emily Watson). The stop-motion animation, a notoriously time-consuming medium (and Burton’s favorite), is spectacularly gorgeous and spooky, and Depp’s subtle voice work is just right for the film’s graceful tone. Corpse Bride may be meant for children, but adults will take to its edgy bittersweet tone.


3. Sweeney Todd

Johnny Depp’s Oscar-nominated performance as murderous barber Sweeney Todd is one of his most understated; you can feel Todd’s long-simmering rage boiling just below the surface of his pained yet stoic facade as he sets about trying to take revenge on the corrupt judge (the late Alan Rickman in a delightfully slimy performance) who locked him up, stole his wife, and covets his daughter. Calculated, elegant restraint is not necessarily something for which Burton or Depp are particularly known, but both are in full control of Stephen Sondheim’s 1979 Tony Award-winning source material, forgoing theatricality in favor of a bleak color palette and a chilly Victorian sensibility. Depp’s singing voice is strong where Helena Bonham Carter’s is weak, but they complement each other nicely especially when set against the lush sounds of a full orchestra. Murder has never looked (or sounded) so intoxicating.


2. Ed Wood

In choosing to do a biopic about the laughable-yet-lovable director of B-movies like Plan 9 From Outer Space, Burton and Depp reinvented themselves yet again; this time making a 1950s-set film whose tone falls somewhere between Capra and Corman. Their loving depiction of Wood presents a man whose indefatigable optimism and delusions of grandeur are both infectious and damning. Martin Landau won the Academy Award for Best Supporting Actor for his performance as horror legend Bela Lugosi, stealing every scene in which he appears. Like many Burton/Depp projects, Ed Wood is ultimately a sweet, satisfying film about outsiders finding acceptance and blazing their own trails…sometimes while wearing fuzzy pink sweaters.


1. Edward Scissorhands

A sweetly surreal suburban fairy tale about a gentle loner with scissors for hands who is taken in by a Leave It to Beaver-esque family, Burton and Depp’s first and finest collaboration has the kind of magical alchemy that made the filmmaker’s early work so visionary: wondrous design and cinematography, fascinating characters, an ethereal score from composer Danny Elfman, and a great cast. Depp famously took the role of Edward as a means of rebelling against his 21 Jump Street heartthrob persona, transforming himself and his career in the process. Despite the crazy hair and makeup, he does some very subtle, lovely work, which is echoed by the doe-eyed Winona Ryder as Kim, the object of Edward’s affections, and the marvelous Dianne Wiest as his chipper and sympathetic mom who takes the outcast in. Suburbia proves to be less than idyllic for the lonely Edward, and Burton’s film brilliantly shows us that terms like “beautiful” and “ugly” are relative. Edward Scissorhands is the rare film that still feels fresh and magical with repeat viewings, imbuing viewers with a sense of wonder they’ve only felt upon seeing (or like Kim, dancing in) snow for the first time.

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Forget Oscar

Find Your Spirit Animal

The Spirit Awards are LIVE this Saturday at 2p PT/5p ET.

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In just a few precious days, the greatest, most epic, most star-studded awards ceremony of the year comes to IFC.

And please, we’re definitely not talking about the Oscars. We’re talking about the Spirit Awards. Hosted by iconic comedy duo Nick Kroll and John Mulaney, it’s a relatively under-the-radar awards show with serious cred. And if the past is any indicator, we’re in for a wild night.

If you feel like doing your homework, you can find a full list of nominees and performance excerpts here. It reads like a who’s who of everyone that matters – those larger-than-life personalities with status that borders on mythological. Our celebrity spirit animals, if you will.

This isn’t hyperbole. Literally everyone who takes the stage at the awards show is spirit animal material. Let’s see if we can help you find yours…

Do you

Live in someone else’s shadow despite shining like the sun? Do you inexplicably vandalize your pretty-boy good looks with a sloppy-joe man bun and a repellent pubic-hair beard? Do you think sounding stoned and sounding thoughtful are kinda the same thing?

Congratulations, your spirit animal is Casey Affleck.

He’s the self-canonized patron saint of anyone who’s got the goods but doesn’t give a damn.

Do you

Have mid-length hair and exude a certain feminine masculinity that is universally appealing? Are you drawn to situations that promise little to nothing in the way of grooming or hygiene as a transparently self-conscious attempt to conceal your radiant inner glow? Does that fail miserably?

Way to go, your spirit animal is Viggo Mortensen.

He’s the yoga teacher of actors, in that what should make him super nasty only increases his curb appeal.

Do you

Get zero recognition for work that everyone knows is unrivaled? Do you inspire greatness in others yet get shortchanged when it comes to your own acclaim? Are you a goddam B-52 bomber in an industry of biplanes?

Bingo, your spirit animal is Annette Bening.

What does it take for this artist to win an Oscar? Honestly now, if her performance in 20th Century Women doesn’t earn her every award on the planet, consider it proof that the Universe truly is a cold dark void absent of reason or compassion.

Do you

Walk into a room full of strangers and walk out with a room full of friends? Have you been hiding under the radar just waiting for the right moment to leap out into the spotlight and stay there FOREVER? Do you possess the almost messianic ability to elevate Shia LaBeouf’s on-screen charisma?

You guessed it (or not), your spirit animal is 100% Sasha Lane.

If you haven’t seen American Honey, then you haven’t heard of her. She came out of the blue with a performance both subtle and powerful, and now she’s going to be in all the movies from this moment on. Or she should be, at any rate.

Don’t see your spirit animal there? Worry not. There are many more nominees to choose from, and you can see them all (yes, including Shia LaBeouf) during the Independent Spirit Awards, this Saturday at 2pm PT/5pm ET only on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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