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Ghostbusters Stay Puft

Movies That Never Sleep

10 Comedies That Perfectly Capture New York City

Catch Ghostbusters and Ghostbusters II this month on IFC.

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Photo Credit: Mary Evans/Columbia Pictures/Ronald Grant/Everett Collection

They say if you can make it in New York, you can make it anywhere. And since the early days of cinema, The Big Apple has seen all sorts of dreamers and schemers depicted on the big screen. Before you catch Ghostbusters and Ghostbusters II this month on IFC, here are ten of the best comedy films that show what it’s like to live in the city so nice, you don’t even mind being mugged leaving the packed subway train each morning.

10. The Prisoner of Second Avenue (1975)

Melvin Frank’s adaptation of Neil Simon’s play captures the “screw this city” feeling that every New Yorker eventually experiences at some point. Jack Lemmon is the perfect harried Simon protagonist, a middle-aged everyman who feels like the city has conspired against him. A fed-up Lemmon chasing a mugger (a pre-Rocky Sylvester Stallone) through the streets of Manhattan is just one in a series of classic New York moments depicted in this roller coaster ride of urban agita.


9. Desperately Seeking Susan (1985)

Madonna’s first major film role captures the grit and coolness of New York City’s East Village in the ‘80s. Through the wonders of amnesia, Rosanna Arquette’s Roberta Glass ditches her dull New Jersey life to dance in cool bars with club kids with poofy ’80s hair, wear an awesome pyramid jacket (at the now defunct East Village thrift shop Love Saves the Day ) and, of course, live The Material Girl’s life. We imagine the plot point about the classified section will be updated to Craigslist Missed Connections for the inevitable remake starring Lady Gaga.


8. Night Shift (1982)

A comedy classic for anyone who watched too much HBO back in the ’80s, Night Shift launched the feature film directing career of Ron Howard and unleashed the frantic comic energy of Michael Keaton into the world. Henry Winkler ditches The Fonz to play a bookish nighttime morgue attendant who starts an escort, er, “love broker” service with Keaton’s hyper-energetic “idea man.” With Cheers‘ resident nice gal Shelley Long playing a hooker-with-a-heart-of-gold, this is a film that could only exist during the good old seedy days of the city that never sleeps.


7. After Hours (1985)

New York City is filled with characters, many of which Martin Scorsese sheds a light on in this cult favorite dark comedy. A bored office drone (Griffin Dunne) heads to the (at the time) bohemian and sketchy neighborhood of Soho to see a girl he met at a coffee shop and encounters a series of oddballs during his late night quest to get back to his apartment. Dunne is kind of like the “Dorothy” of After Hours as he tries all night to make it back home from the whacked out “Oz” known as pre-gentrification downtown Manhattan. Sculpters, bouncers and punk rockers, Oh My!


6. Arthur (1981)

To crib a line from the film’s theme song (performed by falsetto-voiced crooner Christopher Cross): “If you get caught between the moon and New York City, the best that you can do is fall in love.” Although, it has to be easier to meet someone if you have a few hundred million or so in the bank, even if you are a drunken layabout. In this classic comedy, Dudley Moore’s spoiled man child falls in love with Linda (Liza Minnelli), a girl from Queens who he helps get away from a life of shoplifting at high-end department stores. Between the drunken laughs, there are some poignant moments between Arthur and his butler/father figure Hobson (Sir John Gielgud, in an Oscar-winning role). Arthur’s New York doesn’t include taking cabs or the subway, but he does love a nice drive through Central Park.


5. Coming To America (1988)

Where does the prince of Zamunda go when he wants to find a wife? To Queens, of course and that’s where the hilarity begins for Eddie Murphy’s Prince Akeem and his trusted servant Semmi (Arsenio Hall). Akeem falls in love with Lisa (Shari Headley) after taking a job at her father’s local fast food restaurant, McDowell’s, home of the “Big Mic.” The barbershop scenes showcase Murphy’s skills for playing multiple characters and add to the film’s vibrant NYC flavor. (Look for Samuel L. Jackson in an early role as the would-be robber who Akeem takes down with his trusty mop.)


4. Quick Change (1990)

Before Bill Murray was crashing random house parties in Williamsburg, he co-directed and starred in this underrated comedy. Donning clown make-up, Bill plays a bank robber trying to escape the city along with Geena Davis and Randy Quaid (hilarious as the dim-witted Loomis). Of course, their only real obstacle to paradise is getting stuck in the everyday quagmire and craziness of New York City and pre-gentrified Brooklyn as they attempt to make it to JFK. Along the way, they encounter a gangster (Stanley Tucci), a confused cab driver (Tony Shalhoub) and a by-the-rules bus driver played by Philip Bosco. Quick Change is a hidden gem in Murray’s filmography, and the perfect film for anyone who has had it with the big city grind.


3. When Harry Met Sally (1989)

The movie that asks and answers the question “Can men and women just be friends?,” When Harry Met Sally is also one of the great New York City romantic comedies. Making use of iconic locations like Washington Square Park and Katz’s Deli (yes, you can actually sit and eat where Meg Ryan had her “I’ll have what she’s having” moment), Rob Reiner’s comedy captures the romance of the Big Apple with its tale of two friends dancing around the inevitable over a series of encounters.


2. Annie Hall (1977)

While Manhattan has the gorgeous shots of New York City landmarks set to Gershwin music, Annie Hall is the Woody Allen classic that captures the city in all its neurotic glory. It’s fitting that the seeds for the film were planted while Allen and co-writer Marshall Brickman were walking around Manhattan — the city is as much a character as Allen’s kvetching and Diane Keaton’s trend-setting neckties. The scenes with Alvy being miserable among the shiny happy West Coast people started the LA vs. NYC debate that still rages on today. Like a lot of New Yorkers, Alvy is bound to the city that he doesn’t just love, he lurves.


1. Ghostbusters (1984)

Ghostbusters isn’t just one of the best comedies ever made. It’s also, hands down, one of the best New York City films of all time. From Venkman, Egon and Ray hunting a poltergeist in the New York Public Library, to Rick Moranis’ Louis getting cornered by a hellhound outside of Tavern on the Green, the city comes to life (literally in the sequel) whenever the Ghostbusters are on the job. You don’t get more New York than Annie Potts as Janine answering the phone with, “Ghostbusters. Whaddya want?!” Click here to see all airings of Ghostbusters on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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GIFs via Giphy

Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

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IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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