Ghostbusters Stay Puft

Movies That Never Sleep

10 Comedies That Perfectly Capture New York City

Catch Ghostbusters and Ghostbusters II this month on IFC.

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Photo Credit: Mary Evans/Columbia Pictures/Ronald Grant/Everett Collection

They say if you can make it in New York, you can make it anywhere. And since the early days of cinema, The Big Apple has seen all sorts of dreamers and schemers depicted on the big screen. Before you catch Ghostbusters and Ghostbusters II this month on IFC, here are ten of the best comedy films that show what it’s like to live in the city so nice, you don’t even mind being mugged leaving the packed subway train each morning.

10. The Prisoner of Second Avenue (1975)

Melvin Frank’s adaptation of Neil Simon’s play captures the “screw this city” feeling that every New Yorker eventually experiences at some point. Jack Lemmon is the perfect harried Simon protagonist, a middle-aged everyman who feels like the city has conspired against him. A fed-up Lemmon chasing a mugger (a pre-Rocky Sylvester Stallone) through the streets of Manhattan is just one in a series of classic New York moments depicted in this roller coaster ride of urban agita.


9. Desperately Seeking Susan (1985)

Madonna’s first major film role captures the grit and coolness of New York City’s East Village in the ‘80s. Through the wonders of amnesia, Rosanna Arquette’s Roberta Glass ditches her dull New Jersey life to dance in cool bars with club kids with poofy ’80s hair, wear an awesome pyramid jacket (at the now defunct East Village thrift shop Love Saves the Day ) and, of course, live The Material Girl’s life. We imagine the plot point about the classified section will be updated to Craigslist Missed Connections for the inevitable remake starring Lady Gaga.


8. Night Shift (1982)

A comedy classic for anyone who watched too much HBO back in the ’80s, Night Shift launched the feature film directing career of Ron Howard and unleashed the frantic comic energy of Michael Keaton into the world. Henry Winkler ditches The Fonz to play a bookish nighttime morgue attendant who starts an escort, er, “love broker” service with Keaton’s hyper-energetic “idea man.” With Cheers‘ resident nice gal Shelley Long playing a hooker-with-a-heart-of-gold, this is a film that could only exist during the good old seedy days of the city that never sleeps.


7. After Hours (1985)

New York City is filled with characters, many of which Martin Scorsese sheds a light on in this cult favorite dark comedy. A bored office drone (Griffin Dunne) heads to the (at the time) bohemian and sketchy neighborhood of Soho to see a girl he met at a coffee shop and encounters a series of oddballs during his late night quest to get back to his apartment. Dunne is kind of like the “Dorothy” of After Hours as he tries all night to make it back home from the whacked out “Oz” known as pre-gentrification downtown Manhattan. Sculpters, bouncers and punk rockers, Oh My!


6. Arthur (1981)

To crib a line from the film’s theme song (performed by falsetto-voiced crooner Christopher Cross): “If you get caught between the moon and New York City, the best that you can do is fall in love.” Although, it has to be easier to meet someone if you have a few hundred million or so in the bank, even if you are a drunken layabout. In this classic comedy, Dudley Moore’s spoiled man child falls in love with Linda (Liza Minnelli), a girl from Queens who he helps get away from a life of shoplifting at high-end department stores. Between the drunken laughs, there are some poignant moments between Arthur and his butler/father figure Hobson (Sir John Gielgud, in an Oscar-winning role). Arthur’s New York doesn’t include taking cabs or the subway, but he does love a nice drive through Central Park.


5. Coming To America (1988)

Where does the prince of Zamunda go when he wants to find a wife? To Queens, of course and that’s where the hilarity begins for Eddie Murphy’s Prince Akeem and his trusted servant Semmi (Arsenio Hall). Akeem falls in love with Lisa (Shari Headley) after taking a job at her father’s local fast food restaurant, McDowell’s, home of the “Big Mic.” The barbershop scenes showcase Murphy’s skills for playing multiple characters and add to the film’s vibrant NYC flavor. (Look for Samuel L. Jackson in an early role as the would-be robber who Akeem takes down with his trusty mop.)


4. Quick Change (1990)

Before Bill Murray was crashing random house parties in Williamsburg, he co-directed and starred in this underrated comedy. Donning clown make-up, Bill plays a bank robber trying to escape the city along with Geena Davis and Randy Quaid (hilarious as the dim-witted Loomis). Of course, their only real obstacle to paradise is getting stuck in the everyday quagmire and craziness of New York City and pre-gentrified Brooklyn as they attempt to make it to JFK. Along the way, they encounter a gangster (Stanley Tucci), a confused cab driver (Tony Shalhoub) and a by-the-rules bus driver played by Philip Bosco. Quick Change is a hidden gem in Murray’s filmography, and the perfect film for anyone who has had it with the big city grind.


3. When Harry Met Sally (1989)

The movie that asks and answers the question “Can men and women just be friends?,” When Harry Met Sally is also one of the great New York City romantic comedies. Making use of iconic locations like Washington Square Park and Katz’s Deli (yes, you can actually sit and eat where Meg Ryan had her “I’ll have what she’s having” moment), Rob Reiner’s comedy captures the romance of the Big Apple with its tale of two friends dancing around the inevitable over a series of encounters.


2. Annie Hall (1977)

While Manhattan has the gorgeous shots of New York City landmarks set to Gershwin music, Annie Hall is the Woody Allen classic that captures the city in all its neurotic glory. It’s fitting that the seeds for the film were planted while Allen and co-writer Marshall Brickman were walking around Manhattan — the city is as much a character as Allen’s kvetching and Diane Keaton’s trend-setting neckties. The scenes with Alvy being miserable among the shiny happy West Coast people started the LA vs. NYC debate that still rages on today. Like a lot of New Yorkers, Alvy is bound to the city that he doesn’t just love, he lurves.


1. Ghostbusters (1984)

Ghostbusters isn’t just one of the best comedies ever made. It’s also, hands down, one of the best New York City films of all time. From Venkman, Egon and Ray hunting a poltergeist in the New York Public Library, to Rick Moranis’ Louis getting cornered by a hellhound outside of Tavern on the Green, the city comes to life (literally in the sequel) whenever the Ghostbusters are on the job. You don’t get more New York than Annie Potts as Janine answering the phone with, “Ghostbusters. Whaddya want?!” Click here to see all airings of Ghostbusters on IFC.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.