Batman

Bill Murray Batman?

8 Batman Movies That Almost Happened

Catch an all-day Batman movie marathon Wednesday December 9th on IFC.

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With the release of the latest trailer for 2016’s Batman v Superman: Dawn of Justice, anticipation for the Dark Knight’s return to the big screen is at an all-time high. (Who among us hasn’t wondered what Batman would sound like with a Southie accent?) But this isn’t the first attempt to have DC’s two ultimate heroes meet at the multiplex. In fact, countless Batman movies have come close to getting made, only to fall apart due to budget issues, internal politics or the fact that they just weren’t very good. Before you catch IFC’s Batman movie marathon, bone up on all the Batman projects that ended up buried in the development hell Batcave.


1. Ivan Reitman’s The Batman (1985)

Broadway Video

Broadway Video

With the success of Richard Donner’s Superman, it was only natural to hire Tom Mankiewicz, one of the original film’s screenwriters, to have a pass at the Dark Knight. Based on Steve Englehart’s comic book Batman: Strange Apparitions, the movie would have dealt with the Joker’s quest to expose Batman’s true identity. The tone was imagined as dark and gritty, which of course meant hiring Ghostbusters helmer Ivan Reitman. This odd choice got even crazier when the comedy director tapped Bill Murray to be his Bruce Wayne.

While Michael Keaton would cause similar head scratching when he was cast a few years later, Reitman and Murray’s involvement suggest that the film may have started veering a little closer to camp than first planned. With David Niven rumored to have been signed to play Alfred, and Eddie Murphy in talks to play Robin, the tone of the film continued to be schizophrenic. In the end, nine different screenwriters were brought in to take a pass at the script, before Warner Brothers finally killed the project. (Murray would later be on the potential casting list for Burton’s Batman before Keaton scored the role.)


2. Tim Burton’s Batman Forever (1995)

Warner Brothers

Warner Brothers

Tim Burton would eventually be brought in to direct 1989’s Batman, which proved to be a massive hit. After returning to the character with 1992’s Batman Returns, Burton set his sights on the final installment of his trilogy. The Riddler was the sole villain in the script, and Robin Williams was in talks to bring him to life. The origins of Robin were also a part of the story, with Marlon Wayans brought on board to play the junior member of the dynamic duo, after nearly playing the part in Batman Returns.

But when Batman Returns failed to do the business of its predecessor, Warner Brothers decided to move in a more family friendly direction. Burton was out, Keaton turned down $15 million to reprise his role, and Wayans was paid in full to not be in the movie. Yep, Marlon Wayans still receives residual checks for not being in a Batman movie.


3. Joel Schumacher’s Batman Unchained (1998)

Warner Brothers

Warner Brothers

Before the world got a look at the cinematic trainwreck that was 1997’s Batman and Robin, Warner Brothers and director Joel Schumacher assumed it would be a hit. Rose colored glasses firmly in place, they started planning their next chapter, which would’ve featured the Scarecrow locking Batman up in Arkham Asylum in an attempt to drive The Dark Knight insane.

Nicholas Cage was approached to play Scarecrow, while cameos from past villains (including Danny DeVito’s Penguin and Jack Nicholson’s Joker) were lined up for the climax of the film, as Batman fights off the effects of the creepy baddie’s fear toxin. Courtney Love and Madonna were rumored to be up for the part of Harley Quinn, who would be revealed as the Joker’s daughter out for revenge. But when Batman & Robin bombed, Schumacher was shown the door, and the Batman franchise was cast adrift.


4. Batman: DarKnight (2000)

Warner Brothers

Warner Brothers

With frustration mounting on the direction of the franchise, two unknown writers were hired off a pitch to bring the movies back from the campfest they had become. But not knowing exactly how the backlash from Batman & Robin would play out, the script was still designed as a possible vehicle for George Clooney and Chris O’Donnell, only with a very different tone.

In the pitch, Bruce Wayne would be retired, and Dick Grayson a student at Gotham University. His professor would be Jonathan Crane, otherwise known as the Scarecrow, who would use his student as a guinea pig for his fear toxin, driving him insane. Wayne would have to return to his crime fighting roots, fighting Scarecrow as well as his creation, the monstrous winged villain Man-Bat. The script would bounce around Warner Brothers for months before it was decided to make a clean break from the past.


5. Boaz Yakin’s Batman: Beyond (2002)

Warner Brothers

Warner Brothers

With four wildly different Batman movies under Warner Bros’ utility belt, it was decided during the late ’90s to go in a new direction. While Batman & Robin was stinking up theaters, they did have a hit on TV with the animated Batman Beyond. The story of Terry McGinnis, a protégé of Bruce Wayne fighting crime in the far future, was thought to be a way to reintroduce Batman to the public without covering the same ground yet again. Batman Beyond co-creators Alan Burnett and Paul Dini were brought in to develop a live-action version with Remember the Titans director Boaz Yakin. But, yet again, the project went nowhere, and Warner Bros. found itself back at the drawing board.


6. Darren Aronofsky’s Batman: Year One (2002)

Warner Brothers

Warner Brothers

Desperate for a fresh take, Warner Bros. decided to go right to the comics. Frank Miller had reinvented Batman, and the superhero genre in general, in the 1980s with his one-two punch of The Dark Knight Returns and Batman: Year One. Exploring the end and the beginnings of Bruce Wayne’s life as Batman, the two graphic novels dropped like nuclear bombs, bringing dark and adult themes to comics for what seemed like the first time.

Miller was brought in to develop a script for Year One with up-and-coming director Darren Aronofsky, who was then best known for his lighthearted romp Requiem For A Dream. So it’s no surprise that these two came up with a hard-edged, R-rated movie, full of graphic violence. Unsurprisingly, the studio execs tried to neuter the script before ditching it altogether.


7. Wolfgang Petersen’s Batman VS Superman (2004)

Warner Brothers

Warner Brothers

Looking for a more accessible Batman, action helmer Wolfgang Petersen, then best known for Air Force One, was brought on board. Working off a pitch by Se7en screenwriter Andrew Kevin Walker, the idea was to pit Batman against the Man of Steel just like how the two heroes had faced off in Miller’s The Dark Knight Returns.

Bruce Wayne would be retired (again), and married, until his blushing bride is killed on their honeymoon. When The Joker is outed as the killer, Wayne returns to crime fighting to take him down once and for all. Superman is going through hard times himself after getting divorced from Lois Lane. Gradually it’s revealed that Lex Luthor and the Joker have teamed up to manipulate the lives of Kent and Wayne, leading the heroes to engage in some serious fisticuffs. Fortunately, in the midst of a massive fight in which Batman is decked out in Kryptonite armor, the two realize what’s really happening, and unite to take down their foes.

Josh Harnett was a favorite at the time for the role of Superman, and Christian Bale found himself rumored for the Dark Knight years before he would take the role on in Batman Begins. But as the shoot grew more and more complicated, Petersen decided to move on to Troy, and the project collapsed under its own weight.


8. George Miller’s Justice League: Mortal (2009)

Warner Brothers

Warner Brothers

The most recent failed attempt to bring Batman to the big screen might just have been the best. Anyone who saw last summer’s Mad Max: Fury Road knows that director George Miller knows his way around an action movie. In 2009 he was all set to shoot a massive superhero movie, which would have brought large parts of the DC Universe to the silver screen. With Armie Hammer locked in as Batman, along with Adam Brody as The Flash and D.J. Controna as Superman, this all-star line up was stopped by the one thing more powerful than a supervillain: A writer’s strike. When the Writers Guild of America picketed in 2009, the movie lost momentum and eventually was canceled. But Warner Brothers refused to let sleeping Batmen lie, and that, ladies and gentleman, is how a Batfleck happens.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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