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Freddy Facts

10 Facts You May Not Know About the Nightmare on Elm Street Movies

Catch a Nightmare on Elm Street marathon Friday, November 27th as part of IFC's Sweatsgiving Weekend.

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Defining a film genre with a career that spanned five decades, horror auteur Wes Craven sadly passed away two months shy of his 76th Halloween. The spookmaster helmed some of the grittiest, slash-iest films ever to grace video rental shelves — The Hills Have Eyes, The Last House on the Left and of course, A Nightmare on Elm Street.

Released in the genre-packed year of 1984, the first Nightmare on Elm Street flick spawned a very successful franchise and an iconic character that, even 30 years later, is still a costume staple. And while Freddy Krueger and his dreamscape shenanigans have been watched countless times, there are a few facts about the cat nap killer you might not have known.

Before you catch IFC’s Nightmare on Elm Street Sweatsgiving movie marathon, check out 10 facts about the Freddy movies every horror fan ought to be privy to.

1. There’s a true story behind the original film.

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It’s a far-fetched premise: Young and otherwise healthy individuals have a nightmare and die from unknown causes shortly thereafter. But it actually happened to a group of Southeast Asian refugees who fled to America from the despotic rule of Pol Pot. Three men, in three separate cases, had terrifying nightmares and tried to keep themselves awake for as long as possible. After finally succumbing to exhaustion and dozing off, each man woke up screaming and died with no discernible medical cause. Wes Craven took notice of the cases and decided to work the mystery into a compellingly gruesome storyline.


2. The “Blood Geyser” used 500 gallons of blood and malfunctioned spectacularly.

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New Line Cinema

Actor Johnny Depp has a pretty dynamic on-screen death for his feature film debut. As high schooler Glen, Depp is sucked into his bedroom mattress and erupts in a huge blood geyser, which was achieved with a rotating set, a mounted camera and 500 gallons of fake bloodpumped through the bed. However, during an early take, the room was rotated the wrong way and caused a wave of fake blood to splash onto the film equipment and electrical sockets. No one was hurt, but the power went out and Craven referred to the malfunction as a “Ferris wheel from hell” in the DVD commentary.


3. Freddy’s famous sweater instills fear through science.

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New Line Cinema

There’s a reason why Christmas decorations trigger fear in the hearts of men and women — and it’s not just from the prospect of spending time with family. While penning the original script, Craven read in Scientific American that red and green were the two most clashing colors to the human eye. (He shared a visual example last year on Twitter.) Therefore, if the scarred flesh and finger blades weren’t upsetting enough, viewers are subliminally unsettled simply by looking at Freddy’s choice in autumn wear.


4. Freddy’s glove was also designed to tap into our deepest fears.

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New Line Cinema

Speaking of finger blades, Freddy’s signature weapon was also based on our primal fears. The glove was a product of Craven’s wishes to give his lead a unique weapon that was both cheap and easy to transport. But the director had a eureka moment when he read about early man’s fear of bear claws. The ingredients came together to produce a glove adorned with fishing knives, later changed to steak knives for the shooting script.


5. Freddy was inspired by a bully, a superhero, a homeless person and a pop song.

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New Line Cinema

You’d have to make quite the impression on a writer to be immortalized as a serial killer who preys on sleeping children. But apparently, that’s the case for at least two people in Craven’s past. Craven has said he based Freddy on a bully named Fred Kreuger who menaced Craven in his youth who also inspired the character “Krug” in Last House on the Left. Freddy’s famous hat and sweater is said to be influenced by a homeless man whom Craven remembers staring at him through his bedroom window when he was 10. (The colored sweater was also a nod to the DC Comics superhero Plastic Man.) Finally, Gary Wright’s 1976 hit “Dream Weaver” inspired Craven to create a character who “weaved” through people’s dreams.


6. A Nightmare on Elm Street 2: Freddy’s Revenge is about a teen coming to terms with his homosexuality.

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New Line Cinema

Since its release, viewers have noticed A Nightmare on Elm Street 2 has homosexual themes and subtext running throughout the story. (Lead character Jesse is noticeably attracted to his best friend Ron; a sign on his bedroom door forbids the entry of “chicks”; Freddy has no female victims; Jesse and his gym teacher engage in a shower room towel-snapping scene that could only be described as “intimate.”) Turns out, it’s no accident. Screenwriter David Chaskin explained in the documentary Never Sleep Again that he conceived the premise of Freddy entering Jesse’s body as a metaphor for the character’s closeted sexuality.


7. Freddy was originally written as a silent killer.

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New Line Cinema

It’s hard to believe anyone would want to tear out the dialogue for the ol’ gloved wiseacre, but when he was conceived, Freddy Krueger wasn’t going to have any lines. As viewers might notice in the original film, Freddy is more subdued (for Freddy) and closer in tone to his mute cohorts Jason Voorhees and Michael Myers. But as the franchise continued, the killer eventually became the throat-slashing one-liner factory we know him as today.


8. The lack of Freddy in the first film was on purpose.

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New Line Cinema

Wes Craven didn’t need Spielberg’s deft use of a shark to know the unseen is far scarier than the visible, which is why Freddy Krueger only has 7 minutes of screen time in the original film. Obviously, the character quickly became a huge draw for audiences and was given ample time to shine in the sequels.


9. Dick Cavett really wanted Freddy to kill Zsa Zsa Gabor.

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New Line Cinema

In a dream sequence in A Nightmare on Elm Street 3: Dream Warriors, talk show host Dick Cavett interviews the glamour punchline Zsa Zsa Gabor on TV, morphs into Freddy and goes in for the boa-bedecked kill. As it so happened, Cavett was given the choice of who to have on this fantasy show and he chose Gabor because, according to him, he’d never have her on and if there was any guest he’d like to kill off, it would be her.


10. Wes Craven doesn’t like the ending to the first film.

10. Ending
New Line Cinema

If there’s one thing about horror movies, the genre ain’t short of sequels. And while the Nightmare on Elm Street series went back to the Freddy well more than a few times, Craven never wanted to tease a sequel at the end of the first film. Surprisingly, the first movie was to end on a happy, positive note with the plucky teens driving off. But according to the director’s DVD commentary, studio head Bob Shaye insisted that Craven hint at future installments with Freddy appearing as the driver. Craven compromised with the sweater-striped convertible top and Mom being yanked through the front door window.

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SDCC OMG

Stan Diego Comic-Con

Stan Against Evil returns November 1st.

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Photo Credit: Erin Resnick, GIFs via Giphy

Another Comic-Con International is in the can, and multiple nerdgasms were had by all – not least of which were about the Stan Against Evil roundtable discussion. Dana, Janet and John dropped a whole lotta information on what’s to come in Season 2 and what it’s like to get covered in buckets of demon goo. Here are the highlights.

Premiere Date!

Season 2 hits the air November 1 and picks up right where things left off. Consider this your chance to seamlessly continue your Halloween binge.

Character Deets!

Most people know that Evie was written especially for Janet, but did you know that Stan is based on Dana Gould’s dad? It’s true. But that’s where the homage ends, because McGinley was taken off the leash to really build a unique character.

Happy Accidents!

Improv is apparently everything, because according to Gould the funniest material happens on the fly. We bet the writers are totally cool with it.

Exposed Roots!

If Stan fans are also into Twin Peaks and Doctor Who, that’s no accident. Both of those cult classic genre benders were front of mind when Stan was being developed.

Trailer Treasure!

Yep. A new trailer dropped. Feast your eyes.

Catch up on Stan Against Evil’s first season on the IFC app before it returns November 1st on IFC.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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