DID YOU READ

7 Times Leonardo DiCaprio Should Have Won an Oscar

Leo DiCaprio

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It’s crazy to think that Leonardo DiCaprio has been acting professionally since the age of five (he got kicked off the set of Romper Room!) but has yet to take home an Academy Award. The dude’s been in some of the most financially successful and critically lauded movies of all time. What’s it gonna take? Join us on a trip through history as we spotlight seven flicks that Leo should have taken home an Oscar for.

7. What’s Eating Gilbert Grape

DiCaprio’s breakthrough role came as the developmentally disabled teen Arnie in Lasse Hallstrom’s small-town drama. It’s really tough to play a role like this, but the critics unanimously raved over Leo’s methodical inhabiting of the character. He got his first Oscar nomination, but lost to Tommy Lee Jones in The Fugitive. Much respect to Tommy Lee, but that’s highway robbery.


6. The Aviator

Playing a famous historical figure is usually a pretty good in for Oscar recognition, and DiCaprio stunned critics with his transformation into film producer and aviation pioneer Howard Hughes. The Aviator was nominated for a staggering 11 Oscars, taking home five of them. Jamie Foxx won the Best Actor statue for Ray, which in hindsight seems pretty crazy, especially considering the trajectory of both mens’ careers since then.


5. Inception

Keeping Christopher Nolan’s brain-twisting tale of mental invasion and memory relatable for the mass audience is a tough task, but DiCaprio’s performance as Dom Cobb made it all possible. Inception was the most ambitious movie of 2010, truly pushing the envelope for what the cinematic medium could portray. Sadly for Leo, Jeff Bridges took the Oscar for playing an alcoholic country singer in Crazy Heart. What can we say? The Academy loves drunks.


4. The Wolf Of Wall Street

DiCaprio was actually nominated for his role as producer on Jordan Belfort’s coke-addled memoir turned wild Scorsese movie, but I think that he should have taken home the statue for his work in the lead. As Leo slides into his “dad bod” phase, he owns the stereotype of a dissolute party boy steadily destroying both his body and his reputation. His turn as Belfort was terrifyingly believable. Unfortunately he lost the Best Actor trophy to co-star Matthew McConaughey.


3. Django Unchained

Christoph Waltz took the Best Supporting Actor statue for his role in Quentin Tarantino’s spaghetti Western homage. Shockingly, DiCaprio wasn’t even nominated for his chilling turn as vile plantation owner Calvin Candie. It’s a shame, because it was a meaty supporting role that allowed Leo to deliver one of his best performances in years. Hopefully he’ll channel his inner bad guy again in the future.


2. Revolutionary Road

Sam Mendes’ moving depiction of a married couple falling apart in 1960s suburbia reunited Leo and his Titanic costar Kate Winslet and earned them both critical acclaim and a Golden Globe win for Winslet. While costar Michael Shannon scored an Oscar nom, Leo came up empty when it came to awards season gold.


1. The Departed 

This acclaimed Boston-set crime flick took home four Oscars, including Best Picture and a much-deserved win for director Martin Scorsese. Of the stellar cast, only Mark Wahlberg was nominated for Best Supporting Actor. Leo was unjustly shut out for his performance as undercover police officer Billy Costigan.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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