This browser is supported only in Windows 10 and above.

DID YOU READ

7 Times Leonardo DiCaprio Should Have Won an Oscar

Leo DiCaprio

Posted by on

It’s crazy to think that Leonardo DiCaprio has been acting professionally since the age of five (he got kicked off the set of Romper Room!) but has yet to take home an Academy Award. The dude’s been in some of the most financially successful and critically lauded movies of all time. What’s it gonna take? Join us on a trip through history as we spotlight seven flicks that Leo should have taken home an Oscar for.

7. What’s Eating Gilbert Grape

DiCaprio’s breakthrough role came as the developmentally disabled teen Arnie in Lasse Hallstrom’s small-town drama. It’s really tough to play a role like this, but the critics unanimously raved over Leo’s methodical inhabiting of the character. He got his first Oscar nomination, but lost to Tommy Lee Jones in The Fugitive. Much respect to Tommy Lee, but that’s highway robbery.


6. The Aviator

Playing a famous historical figure is usually a pretty good in for Oscar recognition, and DiCaprio stunned critics with his transformation into film producer and aviation pioneer Howard Hughes. The Aviator was nominated for a staggering 11 Oscars, taking home five of them. Jamie Foxx won the Best Actor statue for Ray, which in hindsight seems pretty crazy, especially considering the trajectory of both mens’ careers since then.


5. Inception

Keeping Christopher Nolan’s brain-twisting tale of mental invasion and memory relatable for the mass audience is a tough task, but DiCaprio’s performance as Dom Cobb made it all possible. Inception was the most ambitious movie of 2010, truly pushing the envelope for what the cinematic medium could portray. Sadly for Leo, Jeff Bridges took the Oscar for playing an alcoholic country singer in Crazy Heart. What can we say? The Academy loves drunks.


4. The Wolf Of Wall Street

DiCaprio was actually nominated for his role as producer on Jordan Belfort’s coke-addled memoir turned wild Scorsese movie, but I think that he should have taken home the statue for his work in the lead. As Leo slides into his “dad bod” phase, he owns the stereotype of a dissolute party boy steadily destroying both his body and his reputation. His turn as Belfort was terrifyingly believable. Unfortunately he lost the Best Actor trophy to co-star Matthew McConaughey.


3. Django Unchained

Christoph Waltz took the Best Supporting Actor statue for his role in Quentin Tarantino’s spaghetti Western homage. Shockingly, DiCaprio wasn’t even nominated for his chilling turn as vile plantation owner Calvin Candie. It’s a shame, because it was a meaty supporting role that allowed Leo to deliver one of his best performances in years. Hopefully he’ll channel his inner bad guy again in the future.


2. Revolutionary Road

Sam Mendes’ moving depiction of a married couple falling apart in 1960s suburbia reunited Leo and his Titanic costar Kate Winslet and earned them both critical acclaim and a Golden Globe win for Winslet. While costar Michael Shannon scored an Oscar nom, Leo came up empty when it came to awards season gold.


1. The Departed 

This acclaimed Boston-set crime flick took home four Oscars, including Best Picture and a much-deserved win for director Martin Scorsese. Of the stellar cast, only Mark Wahlberg was nominated for Best Supporting Actor. Leo was unjustly shut out for his performance as undercover police officer Billy Costigan.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.