DID YOU READ

10 Plot Shifts That Came Out of Nowhere

From Dusk Till Dawn

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We all know From Dusk till Dawn is a vampire movie. It had vampires in the trailer, bats on the poster, and the title itself plainly describes a bloodsucker’s daily schedule. But those who’ve seen the movie know the undead don’t make their presence known until the one-hour mark — long after an unrelated bank heist and kidnapping leads the protagonists into the seedy bar south of the border. Put simply, From Dusk till Dawn isn’t a vampire movie for longer than it is one, and yet it’s the mid-movie plot shift that helps make it such a fun cult classic.

But Robert Rodriguez’s grindhouse carnival ride isn’t the only time audiences were blindsided by a total shift in story and tone. Here are 10 other movies with plot shifts that came outta nowhere. Heads up: It’s about to get spoiler-rific below!

10. Stripes

Columbia Pictures

Columbia Pictures

Although Full Metal Jacket is usually cited as a war film that completely changes midway through, there’s another military-themed movie that takes an even sharper turn from comedy romp to rescue mission behind enemy lines. Stripes appears to be your typical “rehabilitated schlub” comedy with future Ghostbusters Bill Murray and Harold Ramis as the leads. But after basic training, when Stripes seems like it’s wrapping up, the film suddenly jaunts to Russia where Murray and Ramis’ troop — and a motorhome with a flamethrower — have to be rescued. Not even Kubrick is capable of pulling off that tonal shift.


9. Sunshine

Fox Searchlight Pictures

Fox Searchlight Pictures

28 Days Later director Danny Boyle returns to his “the hunted becomes the hunter” roots with 2007’s Sunshine — but not until the third act. Gleefully spitting in the face of hard science, a group of astronauts embark on a mission to deliver a massive nuclear payload to the surface of the sun, thereby reigniting the dying star. But just as the audience’s disbelief is able to be suspended, the movie changes from Interstellar-lite to slasher flick when the severely burned captain of a previous mission stalks the main characters like a voracious stowaway, à la Alien.


8. Miracle Mile

Hemdale Film

Hemdale Film

Where will you be when nuclear annihilation strikes? If you’re Anthony Edwards in the largely forgotten 1988 movie Miracle Mile, it’s in the middle of a romantic comedy. From the top, Edwards plays his affable Goose-y self trying to court a woman he met at the La Brea Tar Pits. But as we brace ourselves for a whimsical, Katherine Heigl-level assault on our senses, a misdialed phone call alerts Edwards to an imminent nuclear holocaust and completely shifts the story to an apocalyptic thriller. Hey, whatever saves us from a bridal gown montage is fine by us.

7. Million Dollar Baby

Warner Bros.

Warner Bros.

In 1994, a scrappy Hilary Swank showed the world that she could handle herself in a fight, truly earning the title of The Next Karate Kid. 10 years later, she proved she still had the muscle and heart…to treat us to a dissertation on the morals of euthanasia. Trained by an old leather wallet (Clint Eastwood), Swank rises through the boxing circuit ranks to become a beloved underdog on par with Rocky. But everything changes halfway through the film with a simple post-round sucker punch, a broken neck, quadriplegia, and ethical dilemmas over killing your surrogate daughter. That definitely wasn’t in Mr. Miyagi’s purview.


6. Death Proof

Dimension Films

Dimension Films

Debates are still being waged over which half of Grindhouse is superior — mostly by the few dozen who saw the double feature in theaters. But nobody could admit that they saw what was coming during Tarantino’s section, Death Proof. Continuing the tradition of another film further down this list, Quentin invests us in the lives and minutia of a group of women — leading us down texting subplots and hanging lapdance threads — only to violently kill them off midway through the film via head-on collision. And like a bad case of whiplash, we are then introduced to another group of women as if Quentin’s starting another movie. And this group of ladies is far more deadly.

5. The World’s End

Focus Features

Focus Features

Writer-director Edgar Wright is known for his habit for subverting genre tropes while simultaneously celebrating them, and that also applies to how he tells a story. Shaun of the Dead begins like a romantic comedy but turns into a zombie film, Hot Fuzz spends most of its time mocking action cliches but then revels in them, and nothing in the first half of The World’s End would make it seem like it’s a modern retelling of Invasion of the Body Snatchers. But as we get to know an estranged group of pals as they re-attempt an impossible bar crawl, out of nowhere, blue-goo androids attack and threaten the entire mission.


4. Click

Columbia Pictures

Columbia Pictures

No one expects to cry at an Adam Sandler movie. (Well, for intended reasons, anyway.) But audiences thinking they were about to spend an hour and a half laughing at Sandler ogle slow-motion bosoms were in for a tear-jerking surprise. Click begins like your boilerplate Sandler movie with the man-child acquiring a magical remote control that can control time, i.e. rewind to life’s cherished moments or fast-forward through dull ones. It isn’t until after a few wacky hijinks that the movie introduces themes far heavier than Sandler’s usual fare when he fast-forwards too far and is greeted by cancer, chemotherapy, heart attacks, absentee parenthood, and death. Then again, it might’ve been a riot with Kevin James.


3. Adaptation

Columbia Pictures

Columbia Pictures

Screenwriter Charlie Kaufman is anything but predictable, doubly so when he — and his twin alter ego — are basically writing a movie in real-time from within. In one of his few unironically great performances, Nicolas Cage plays Kaufman and his imaginary twin brother as they try to adapt an unadaptable novel into a screenplay. As Kaufman #1 struggles to deliver a unique script that rejects all the banal and formulaic plot points, he hands the reins over to his hack (yet successful) brother, which switches the movie over to all the expected tropes — including deus ex machinas, tearful goodbyes, and personal redemption. It’s like a dozen levels of meta intersecting with themselves.


2. Audition

Vitagraph Films

Vitagraph Films

Going into a Takashi Miike movie, you have to prepare to leave as bloody and scarred as one of the characters. But midway through Audition, even the savviest viewers might’ve expected that maybe the purveyor of unspeakable cinematic torture turned over a new leaf. After all, it’s just a quirky tale about a lonely widower auditioning young woman to be his new wife. That is, until the woman of his dreams drugs him, sticks needles in his eyes, and severs his foot with a sharpened garrotte in a startling and painfully extended scene. The lesson is, stick with eHarmony.


1. Psycho

Paramount Pictures

Paramount Pictures

The granddaddy of plot shifts, Psycho‘s shower scene is unfortunately one of the most spoiled moments in cinema history. But even knowing the sequence beforehand, viewers can’t help but marvel at what a misdirect the entire first section of the movie is. What begins as an embezzling scheme, carried out by a lovely real estate secretary, is wholly abandoned when she’s brutally murdered, as if to say, “Nope, it ain’t about her,” in the bluntest way possible. The film, as we all know now, then focuses on motel manager Norman Bates and his kindly, devoted mother. Over half a century later, it remains the greatest plot shift of all time.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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