DID YOU READ

10 Incredible Special Effects You’d Swear Were CGI

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Armchair Neil deGrasse Tysons put on their debunking caps as last year’s box office smash Interstellar recently made its way to Blu-ray. Following the plight of humanity as a group of scientists attempt to save the planet via wormhole surfing, the movie is mostly a solemn adventure — aside for a couple breakout characters. (No, not the moon landing-denying guidance counselors.) We’re speaking, of course, of the blocky and plucky robots, TARS and CASE.

Simple, efficient, and not much more than slabs of stainless steel in their default state, TARS and CASE are a far cry from the mechanically complicated automatons we’ve come to expect from futuristic space flicks. Nevertheless, it’s surprising to learn that, in many of the scenes, both bots weren’t CGI creations but literally slabs of stainless steel operated by on-set puppeteers. Take a look at how the special effects team pulled it off.


(Source: Giphy)

But the Metallic Duo isn’t the only effect that tricked audiences into thinking it was all just a bunch of ones and zeros. Here are 10 dazzling special effects you’d swear were CGI.

10. The T-Rex Attack, Jurassic Park

Part of the reason why the dinosaurs in a 20-year-old movie still look realistic is the impressive blending of CGI and practical effects. For the T-Rex attack, Spielberg and his crew seamlessly matched a head-to-tail graphical rendering of the beast with a massive animatronic puppet. (No easy task, since the latex skin kept getting soaked by the rain and caused reality-busting tremors.) While the CGI effects were breathtaking, the meticulous shots and edits of the puppet made audiences think there was no way to pull all of that off in real life.


9. The Hallway Brawl, Inception

The same practical effects that put Lionel Richie on the ceiling also tossed Joseph Gordon-Levitt and a hotel guard around a deco hallway. Rather than simulate the subconscious freefall using a green screen and a couple of harnesses, director Christopher Nolan constructed a 100-foot rotating hallway with a locked-down camera, effectively simulating a constantly shifting space by… making it constantly shift. The end results make it one of the most memorable moments in a film filled with fantastic visuals.


8. The Robotic Head, Total Recall

Get ready for a surprise: The transforming robotic head that Arnie uses as a disguise was actually a transforming robotic head. (Well, the scene required five heads in total.) As the woman begins to twitch and “malfunction,” we see the first mechanical prop head with an extending ear and then switch to the memorable second head with staggered retractable sections. The machinery that ran this prop was so heavy that it had to be lifted by hydraulics, requiring a mold of Arnold’s head to be positioned underneath as if he’s lifting the mask off. Then the wider angle shows Arnold slowly lowering a fourth mold, which he tosses to authorities for a simple matte effect before the explosion, which required a fifth head. It’s an amazing sequence of shots that a modern film would undoubtedly rely on (and ruin with) CGI to complete.


7. The T-800’s CPU Reset, Terminator 2

Speaking of fake Schwarzenegger heads, director James Cameron was no stranger to a few in his career — namely ones attached to a time-traveling cyborg. One such head was put to great use in a very creative and cost-cutting shot for Terminator 2 that was unfortunately left on the cutting room floor. (The scene was preserved as a supplemental for the DVD release.) In it, Sarah and John Connor operate on the T-800’s cranial CPU in front of a mirror as the camera swoops around for a closer look. The effect was pulled off with a false mirror, Linda Hamilton’s twin sister as her reflection (who mimicked her sister’s movements on the real Arnold), and a fake Terminator head used for close-ups in the foreground — all done with practical effects for a scene that would probably cost millions more if done with CGI.


6. The Star Gate, 2001: A Space Odyssey

Released 33 years before its title suggests, 2001: A Space Odyssey was produced long before CGI could take the majesty out of actual miniature spacecrafts. However, one colorful sequence appears to be a few decades ahead of its time. From a visual perspective, it was — but it was also pulled off without a single keystroke. The “Laserium” effect of the star gate was accomplished by painting psychedelic patterns on a piece of glass, backlighting it, and filming it through a slit on a second, blacked-out pane of glass. The results look like the de facto proto-screensaver of the cosmos.

5. The Car Chase, The Raid 2

If stunt coordinators ruled the world, then everything would look like The Raid movies. Filled with extraordinary practical effects and stunts, the movies’ plots take a backseat to the action-packed eye candy. And in one such instance where reality appears to be simulated, a camera appears to soar through a car window, into the interior, and out the other side. The truth: it was. With a camera operator disguised as a car seat, the gear is handed from one crewmember to another in one fluid motion.


4. The Transformation, An American Werewolf in London

When CGI is done well, the audience shouldn’t even notice it. When done poorly, well, it looks like 1997’s An American Werewolf in Paris — a sequel that just underscores how perfectly the movie’s predecessor handled the special effects. And through a series of prosthetics, heavy makeup, a false floor, and in-camera effects, the groundbreaking werewolf transformation in An American Werewolf in London didn’t require a single computer graphic to accomplish.


3. The Defibrillator Scene, The Thing

Expertly evoking the feelings of isolation, paranoia, and all-out dread, John Carpenter’s The Thing turns every member of an Antarctic research team into an alien suspect. And when their identities are revealed, it’s far too late, as seen in the incredible arm-chomping, head-walking transformation during the defibrillator scene. Even as the gooey green-tendoned Vance grows jaws in his chest and segmented legs from his head, every mutation was done on set courtesy of special effects master Rob Bottin, who filled in for Stan Winston when the practical effects workload became too heavy. As you can see, Bottin didn’t need Winston or a computer to make it look great.


2. The 3D Wireframe City, Escape from New York

While it might be hard to fathom for those who grew up with Google in their pocket, it was prohibitively expensive (or darn-near impossible) for a Hollywood film to do a simple wireframe rendering of Manhattan on a 1981 computer. So, to pull off what would take mere seconds in a modern-day system, director John Carpenter enlisted the help of a twenty-something James Cameron to complete the effect on set. Cameron strategically applied reflective tape to a matte-black model of the city, flipped on some ultraviolet lights, and “flew” the camera over the model — creating what appears to be a perfectly rendered CGI wireframe New York City.


1. All of Innerspace

There isn’t a single use of CGI in Innerspace. Not one. Not for the miniaturized pod, not for the bloodstream waterslides, not for the half-shrunken Kevin McCarthy, not for the incredible Robert Picardo-Martin Short transformations. Director Joe Dante pulled all of these off with practical, real-time, or in-camera effects, ranging from forced perspective to prosthetics to incredibly detailed miniatures — and the results are spectacular. For their work on this madcap sci-fi adventure, the special effects team won an Academy Award. Rightfully so, because even today no CGI could make everything look as good as that team did in 1987.

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SAG Life

Rappers Act Up

Watch the Yo! IFC Acts Movie Marathon Memorial Day Weekend.

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Photo Credit: Courtesy of the Everett Collection (and the '90s)

Memorial Day weekend: how to celebrate? Nothing quite says “screw spring—let’s do summer” like blockbuster movies starring rappers who ditched lucrative music careers in order to become actors. It happened a lot, remember? Especially in and around the ’90s. Will Smith, Eminem, Ice Cube, Ice-T, Marky Mark Wahlberg, Ludacris…icons with the hubris to try the silver screen instead and have it totally work out.

But what if more rappers had made the leap? That’s a rhetorical question—movies (and life) would’ve been better, obviously. To prove it, here are some movies that would’ve been more memorable with rappers.

The Godfather

Starring Biggie, not Brando.
Godfather-BIG

Charlie And The Chocolate Factory

Only Coolio could improve upon Gene Wilder’s performance.
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Billy Elliot

Billy Elliot, with a dose of Missy Elliott.
Missy-Billy-Elliott

Robin Hood: Prince of Thieves

Low hanging fruit, Hollywood.
Robin-Hood-and-Lil-Jon

And of course…

Kanye-of-The-Lambs

See NONE of those movies and a whole bunch of real ones this Memorial Day weekend on IFC’s rapper-filled movie marathon.

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Brock Hard

Brockmire’s Guide To Grabbing Life By The D***

Catch up on the full season of Brockmire now.

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GIFs by Giphy

“Lucy, put supper on the stove, my dear, because this ballgame is over!”

Brockmire has officially closed out its rookie season. Miss the finale episode? A handful of episodes? The whole blessed season?? You can see it all from the beginning, starting right here.

And you should get started, because every minute you spend otherwise will be a minute spent not living your best life. That’s right, there are very important life lessons that Brockmire hid in plain sight—lessons that, when applied thoughtfully, can improve every aspect of your awesome existence. Let’s dive into some sage nuggets from what we call the Book of Jim.

Life Should Be Spiked, Not Watered Down.

That’s not just a fancy metaphor. As Brockmire points out, water tastes “awful. 70% of the water is made up of that shit?” Life is short, water sucks, live like you mean it.

There Are Only Three Types of People

“Poor people, rich people and famous people. Rich people are just poor people with money, so the only worthwhile thing is being famous.” So next time your rich friends act all high and mighty, politely remind them that they’re worthless in the eyes of even the most minor celebrities.

There’s Always A Reason To Get Out Of Bed

And 99% of the time that reason is the urge to pee. It’s nature’s way of saying “seize the day.”

There’s More To Life Than Playing Games

“Baseball can’t compete with p0rnography. Nothing can.” Nothing you do or ever will do can be more important to people than p0rn. Get off your high horse.

A Little Empathy Goes A Long Way

Especially if you’ve taken someone else’s Plan B by mistake.

Our Weaknesses Can Be Our Greatest Strengths

Tyrion Lannister said something similar. Hard to tell who said it with more colorful profanity. Wise sentiments all around.

Big Things Come To Those Who Wait

When you’re looking for a sign, the universe will drop you a big one. You’re the sh*t, universe.

And Of Course…

Need more life lessons from the Book of Jim? Catch up on Brockmire on the IFC App.

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Oh Mama

Mommie May I?

Mommie Dearest Is On Repeat All Mothers Day Long On IFC

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The cult-classic movie Mommie Dearest is a game-changer. If you’ve seen it even just once (but come on, who sees it just once?), then you already know what we’re talking about.

But if you haven’t seen it, then let us break it down for you. Really quick, we promise, we’ll even list things out to spare you the reading of a paragraph:

1. It’s the 1981 biopic based on the memoir of Christina Crawford, Hollywood icon Joan Crawford’s adopted daughter.
2. Faye Dunaway plays Joan. And boy does she play her. Loud and over-reactive.
3. It was intended as a drama, but…
4. Waaaaaay over-the-top performances and bargain-basement dialogue rendered it an accidental comedy.
5. It’s a cult classic, and you’re the last person to see it.

Not sold? Don’t believe it’s going to change your life? Ok, maybe over-the-top acting isn’t your thing, or perhaps you don’t like the lingering electricity of a good primal scream, or Joan Crawford is your personal icon and you can’t bear to see her cast in such a creepy light.

But none of that matters.

What’s important is that seeing this movie gives you permission to react to minor repeat annoyances with unrestrained histrionics.

That there is a key moment. Is she crazy? Yeah. But she’s also right. Shoulder nipples are horrible, wire hangers are the worst, and yelling about it feels strangely justified. She did it, we can do it. Precedent set. You’re welcome.

So what else can we yell about? Channel your inner Joan and consider the following list offenses when choosing your next meltdown.

Improperly Hung Toilet Paper

Misplaced Apostrophes

Coldplay at Karaoke

Dad Jokes

Gluten Free Pizza

James Franco

The list of potential pedestrian grievances is actually quite daunting, but when IFC airs Mommie Dearest non-stop for a full day, you’ll have 24 bonus hours to mull it over. 24 bonus hours to nail that lunatic shriek. 24 bonus hours to remember that, really, your mom is comparatively the best.

So please, celebrate Mother’s Day with Mommie Dearest on IFC and at IFC.com. And for the love of god—NO WIRE HANGERS EVER.

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