DID YOU READ

6 Great TV Shows Adapted From Movies (and 6 Really Terrible Ones)

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Adapting a television show from a movie isn’t easy. Just because something works on the big screen doesn’t mean it can hold up to the rigors of episodic storytelling. The task of replacing actors, characters, even tone, on a fraction of the budget, can leave the best intentioned projects looking like cheap fan fiction (minus the creepy sex). And that’s ignoring those shows that were green lit as cash grabs, banking on a title, in place of a good script. There’s no steadfast rule as to what works, and what doesn’t. Here’s a look at some of the best and worse examples of this trend.

GREAT: Buffy the Vampire Slayer

An example of what can happen when a great idea is allowed room to grow, original screenwriter Joss Whendon was put in charge of the TV version of the 1992 Kristy Swanson cult favorite movie, and given a long leash to explore the world of Sunnydale High. What resulted was one of the most revolutionary shows in the medium’s history. Never happy with the film’s execution, Whedon reworked the broad humor into something far more clever, and grounded the emotions, creating an all-time classic in the process.


NOT GREAT: Uncle Buck

And then there is was the TV version of Uncle Buck, which replaced the lovable and hilarious John Candy with the less lovable and hilarious Kevin Meaney. Ironically the crass sitcom wouldn’t be entirely out of place on CBS’ current line-up of multi-camera laugh-a-thons.


GREAT: Fargo

This show had no business succeeding. Operating with the unique tone of the Coen Brothers’ original film, nearly two decades after it came out, the chances of coming off like a Halloween costume brought to life were legitimate. And yet, somehow creator Noah Hawley found a way to honor the original while carving out room for his own characters’ stories. Hiring Coen vet Billy Bob Thornton only helped this show become a worthy successor to its Oscar-winning predecessor.


NOT GREAT: Ferris Bueller

This show was doomed from its opening scene, when lead Charlie Schlatter of 18 Again! fame cut a cardboard cutout of Matthew Brodrick in half with a chainsaw, calling his performance as Ferris “too white bread.” Well, the only reason we’re watching this show is because we liked that performance, thus making us wonder, why are we watching this show? Interestingly enough, another Ferris rip-off, Parker Lewis Can’t Lose, debuted at the same time, and became a hit largely because it wasn’t so handcuffed by the original.


GREAT: Alien Nation

Much like Highlander: The Series, Terminator: The Sarah Connor Chronicles, or The Young Indiana Jones Chronicles, this show is the perfect example of a movie creating a world so rich, it needed more than a two-hour running time to do it justice. The creators of this adaptation knew television was the perfect place to explore the nuanced politics of the original over time, while still throwing in a bunch of weird alien sex and murder.


NOT GREAT: Tremors

And then there are the worlds we don’t need to know anything more about. That isn’t meant to knock the 1990 classic Tremors, but we got most of the information we needed from it at the time. Worms under the sand? Check. Fred Ward is grumpy? Check. The two straight-to-DVD sequels helped fill in the blanks for the real diehards. By the time Sci-Fi green lit this TV series, the only cast member still hanging on was ’80s TV Dad Michael Gross. When your fourth lead is now expected to carry the show, you have a problem.

GREAT: M*A*S*H

A Robert Altman classic about the futility of war, showrunner Larry Gelbart found a way to translate the film to the very specific conventions of the 1970s sitcoms. Pitch black humor and dying soldiers don’t seem to scream for a laugh track, but Gelbart and his crew of talented writers found a formula that would lead to 14 Emmys. Though it ran for twice the length of the Korean War it was set it, the all-star cast helped turn this project into one of the great sitcoms of all time.


NOT GREAT: The Net

Hey, do you remember the movie The Net? I think it starred Sandra Bullock? Came out in the 90s? Was about this new fangled thing called the Internet? Not ringing a bell? And yet someone decided that this bland, forgettable artifact of its time was just the vehicle to launch a TV series off of. Either that, or they lost a bet. Either way, it wouldn’t last a season, and would never be spoken of again. But if you like heroes trying to fight crime using dial-up AOL accounts, then this is the show for you.


GREAT: Friday Night Lights

An example of a great movie translating perfectly to the small screen, Friday Night Lights felt no need to reinvent the wheel. Shepherded by the film’s director, Peter Berg, the show found a way to use what worked about the hit movie, and then dig in even deeper to tell the story of the Dillon Panthers. Here’s a show, based on a movie, based on a book, based on a true story, and yet each iteration has somehow succeeded on its own merits.

Catch Friday Night Lights tonight at 10:15p on IFC.


NOT GREAT: Dirty Dancing

Nobody tried to reinvent the wheel here either, which turned out to be a mistake. For a movie based on the star appeal and romantic chemistry of its leads, this show became an experiment in what would happen without either. It turns out the answer was leaden performances and a series of bland dance numbers. No one had the time of their life watching this flop.


GREAT: Parenthood (2010 – 2015)

Jason Katims of My So-Called Life and Friday Night Lights fame managed to successfully turn the very ’80s Steve Martin comedy into a resonate family drama for our time.


NOT GREAT: Parenthood (1990 – 1991)

Except that it wasn’t the first time NBC tried its hand at a Parenthood show. Back in 1990, Ed Begley Jr., David Arquette, and a young Leonardo DiCaprio and Thora Birch starred in a sitcom version that skewed closer to the movie. (It even transported Randy Newman’s “I Love to See You Smile” from the movie for the theme song.) As early attempts at the single camera dramedy go, it’s not terrible. (Joss Whedon was on the writing staff.) But as adaptations of Parenthood go, it comes in a distinct second.

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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