DID YOU READ

6 Great TV Shows Adapted From Movies (and 6 Really Terrible Ones)

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Adapting a television show from a movie isn’t easy. Just because something works on the big screen doesn’t mean it can hold up to the rigors of episodic storytelling. The task of replacing actors, characters, even tone, on a fraction of the budget, can leave the best intentioned projects looking like cheap fan fiction (minus the creepy sex). And that’s ignoring those shows that were green lit as cash grabs, banking on a title, in place of a good script. There’s no steadfast rule as to what works, and what doesn’t. Here’s a look at some of the best and worse examples of this trend.

GREAT: Buffy the Vampire Slayer

An example of what can happen when a great idea is allowed room to grow, original screenwriter Joss Whendon was put in charge of the TV version of the 1992 Kristy Swanson cult favorite movie, and given a long leash to explore the world of Sunnydale High. What resulted was one of the most revolutionary shows in the medium’s history. Never happy with the film’s execution, Whedon reworked the broad humor into something far more clever, and grounded the emotions, creating an all-time classic in the process.


NOT GREAT: Uncle Buck

And then there is was the TV version of Uncle Buck, which replaced the lovable and hilarious John Candy with the less lovable and hilarious Kevin Meaney. Ironically the crass sitcom wouldn’t be entirely out of place on CBS’ current line-up of multi-camera laugh-a-thons.


GREAT: Fargo

This show had no business succeeding. Operating with the unique tone of the Coen Brothers’ original film, nearly two decades after it came out, the chances of coming off like a Halloween costume brought to life were legitimate. And yet, somehow creator Noah Hawley found a way to honor the original while carving out room for his own characters’ stories. Hiring Coen vet Billy Bob Thornton only helped this show become a worthy successor to its Oscar-winning predecessor.


NOT GREAT: Ferris Bueller

This show was doomed from its opening scene, when lead Charlie Schlatter of 18 Again! fame cut a cardboard cutout of Matthew Brodrick in half with a chainsaw, calling his performance as Ferris “too white bread.” Well, the only reason we’re watching this show is because we liked that performance, thus making us wonder, why are we watching this show? Interestingly enough, another Ferris rip-off, Parker Lewis Can’t Lose, debuted at the same time, and became a hit largely because it wasn’t so handcuffed by the original.


GREAT: Alien Nation

Much like Highlander: The Series, Terminator: The Sarah Connor Chronicles, or The Young Indiana Jones Chronicles, this show is the perfect example of a movie creating a world so rich, it needed more than a two-hour running time to do it justice. The creators of this adaptation knew television was the perfect place to explore the nuanced politics of the original over time, while still throwing in a bunch of weird alien sex and murder.


NOT GREAT: Tremors

And then there are the worlds we don’t need to know anything more about. That isn’t meant to knock the 1990 classic Tremors, but we got most of the information we needed from it at the time. Worms under the sand? Check. Fred Ward is grumpy? Check. The two straight-to-DVD sequels helped fill in the blanks for the real diehards. By the time Sci-Fi green lit this TV series, the only cast member still hanging on was ’80s TV Dad Michael Gross. When your fourth lead is now expected to carry the show, you have a problem.

GREAT: M*A*S*H

A Robert Altman classic about the futility of war, showrunner Larry Gelbart found a way to translate the film to the very specific conventions of the 1970s sitcoms. Pitch black humor and dying soldiers don’t seem to scream for a laugh track, but Gelbart and his crew of talented writers found a formula that would lead to 14 Emmys. Though it ran for twice the length of the Korean War it was set it, the all-star cast helped turn this project into one of the great sitcoms of all time.


NOT GREAT: The Net

Hey, do you remember the movie The Net? I think it starred Sandra Bullock? Came out in the 90s? Was about this new fangled thing called the Internet? Not ringing a bell? And yet someone decided that this bland, forgettable artifact of its time was just the vehicle to launch a TV series off of. Either that, or they lost a bet. Either way, it wouldn’t last a season, and would never be spoken of again. But if you like heroes trying to fight crime using dial-up AOL accounts, then this is the show for you.


GREAT: Friday Night Lights

An example of a great movie translating perfectly to the small screen, Friday Night Lights felt no need to reinvent the wheel. Shepherded by the film’s director, Peter Berg, the show found a way to use what worked about the hit movie, and then dig in even deeper to tell the story of the Dillon Panthers. Here’s a show, based on a movie, based on a book, based on a true story, and yet each iteration has somehow succeeded on its own merits.

Catch Friday Night Lights tonight at 10:15p on IFC.


NOT GREAT: Dirty Dancing

Nobody tried to reinvent the wheel here either, which turned out to be a mistake. For a movie based on the star appeal and romantic chemistry of its leads, this show became an experiment in what would happen without either. It turns out the answer was leaden performances and a series of bland dance numbers. No one had the time of their life watching this flop.


GREAT: Parenthood (2010 – 2015)

Jason Katims of My So-Called Life and Friday Night Lights fame managed to successfully turn the very ’80s Steve Martin comedy into a resonate family drama for our time.


NOT GREAT: Parenthood (1990 – 1991)

Except that it wasn’t the first time NBC tried its hand at a Parenthood show. Back in 1990, Ed Begley Jr., David Arquette, and a young Leonardo DiCaprio and Thora Birch starred in a sitcom version that skewed closer to the movie. (It even transported Randy Newman’s “I Love to See You Smile” from the movie for the theme song.) As early attempts at the single camera dramedy go, it’s not terrible. (Joss Whedon was on the writing staff.) But as adaptations of Parenthood go, it comes in a distinct second.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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