DID YOU READ

6 Movies That Are Secretly About Vietnam

predator-nam

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By Kevin Maher

Movies are just one way America deals with the stuff it can’t quite deal with. The Vietnam war is one of the most difficult periods in America’s history. You can tell because it has been touched upon in so many different kinds of movies: historic drama (Platoon), revenge fantasy (Missing in Action), family-friendly revisionism (Disney’s Operation Dumbo Drop), and exploitation films about the “troubled Vietnam vet” (Billy Jack).

Those examples address the war explicitly, while other movies deal with the scars of war through subtext. (The same way the 2014 Godzilla isn’t about 9/11 but it’s TOTALLY about 9/11.)

Here are six movies that address the Vietnam war in their own subtle (and not-so-subtle) ways.

6. The Bad News Bears (1976)

Paramount Pictures

Paramount Pictures

At the risk of sounding like a paranoid college professor: The Bad News Bears is about Vietnam. This sports comedy doesn’t end with the rag-tag misfits winning the big game; nope, they lose. The movie is about coming to terms with defeat.

After the Bears blow the championship, Coach Buttermaker hands out beers to the kids, saying, “You should be damn proud of yourselves.”

During the closing ceremony even the obnoxious winning team admits that the Bears “got guts, all of ya.”

Our heroes defiantly reject pity, throwing their trophy into the dirt – just like the Vietnam Vets who discarded their medals when they came home. Angry shortstop Tanner Boyle tells the Yankees they can take their apology and their trophy and shove it “straight up yer ass!” Scrawny right fielder Timmy Lupus shouts, “Just wait ’til next year!”

Paramount Pictures

Paramount Pictures

Opera music swells as a dramatic closing shot of the American flag dissolves into a black-and-white photo of the Bears standing together like a platoon (and they’re just a few years younger than the boys who’d been sent to Vietnam).

The moral for the Bears (and for 1976 America) is: there’s no shame in coming in 2nd. Also, apparently in 1976 it was okay for a grown man to give kids beer.


5. Predator (1987)

20th Century Fox

20th Century Fox

Set in the fictional country Val Verde (and devoid of any real-world political baggage) Predator sends a group of men into the jungle to fight an invisible enemy. Sound familiar? How about that photo of Jesse Ventura holding a machine gun in an exploding rain forest – what does that remind you of? (Sorry to sound like Walter from The Big Lebowski, but Predator is about Vietnam.)

Arnold Schwarzenegger’s science-fiction film was released the same summer as Full Metal Jacket and Hamburger Hill, a big year for Vietnam movies.

In Predator, the soldiers quickly discover that they were dispatched on false pretenses—echoing the sentiment that Americans were lied to by the government. (See also: the mayor who won’t close the beaches in Jaws.)

When the mission becomes hopeless, all the heroes want is to “get to da choppa” (i.e. the last helicopter out of Saigon).

In one scene, Dutch (Arnold) tells Dillon (Carl Weathers), “You can’t win this.” (Um, yeah, you might even call it an “unwinnable war.”) Dillon replies, “Maybe I can get even”—thereby making Predator another ’80s war-revenge movie where America gets a do-over. This go-back-and-win fantasy is seen in Missing in Action (1984), Rambo: First Blood Part II (1985) and even a two-part episode of Magnum, P.I. (1985).

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TriStar/Cannon/MGM

By sending movie heroes back to Vietnam (or Val Verde standing in as Vietnam) America gets a second chance; an opportunity to “win this time,” without being held back by two-faced bureaucrats and shady politicians.

When Arnold defeats the Predator and boards the chopper, er, choppa to go home, his victory provides some closure for the 1987 American audiences.

Bonus points: When Arnold goes into battle with the Predator, his mud-caked face looks just like Martin Sheen’s in Apocalypse Now.

United Artists/20th Century Fox

United Artists/20th Century Fox


4. King Kong (1976)

Paramount Pictures

Paramount Pictures

Stay with me on this.

The ’76 King Kong remake has little to do with war, until its grand finale. Just like in the original, Kong stands on the roof of a skyscraper – but instead of fighting 1930s bi-planes, he’s met by flamethrowers and helicopters (two of the most iconic symbols of the Vietnam war).

A Gatling gun fires off the fatal rounds, while long-haired beardo Jeff Bridges screams in protest (as 1960s long-haired beardos were known to do).

Rumor has it, the last line of the film was originally, “Twas the military industrial complex and anti-Communism that killed the beast…” (I’m kidding, I’m kidding!)

But seriously, you have to admit it’s a pretty Nam’-ish ending.

3. Rocky (1976)

United Artists

United Artists

The Rambo movies famously show Stallone returning to Vietnam to win the war on his own terms, but Rocky is closer to the spirit of The Bad News Bears.

The film’s down-and-out protagonist reflects the so-called “malaise” in 1970s America, something President Jimmy Carter would later call a “crisis of confidence.”

Rocky Balboa’s most inspiring dialogue seems to address more than boxing:

Life’s not about how hard of a hit you can give..it’s about how many you can take, and still keep moving forward.

Whoa. It’s as if he’s describing America overcoming a 19-year military conflict in Southeast Asia!

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At the end of the film, Rocky doesn’t win his big fight, but that’s almost beside the point. He never gave up. Rocky is a hero for going the distance. To paraphrase The Dark Knight — a movie that, had it come out in the 1970s, would’ve totally been about Vietnam — he’s not the hero America deserves but the hero we need right now. (“Now” being one year after the end of a war that devastated the country.)


2. The Texas Chain Saw Massacre (1974)

Bryanston Pictures

Bryanston Pictures

Most film scholars and snarky blogs will focus on the chainsaw as a metaphorical penis. That’s fine, but I’m gonna take a different angle here.

Watch almost any grindhouse horror movie from the ’70s and you can see why people attribute the graphic violence to the war in Vietnam: the cruelty, the gore, the savagery. Those early Wes Craven and Tobe Hooper movies make the shower scene in Psycho look quaint.

The Texas Chain Saw Massacre captures the terror of Vietnam in the doomed teenagers who find themselves stranded in a frightening foreign wasteland, being chased by maniacs.

At the same time, the movie is about the haves and have-nots: the middle class teenagers represent the college kids who avoided the draft, while the cannibal family are the working-class boys who were shipped across the Pacific and took part in true horror.

Actor Edwin Neal (who played The Hitchhiker) has stated that the filming conditions were so awful that filming the movie was the worst experience of his life, adding, “…and I had been in Vietnam, with people trying to kill me, so I guess that shows how bad it was.”

It’s hard to NOT see some the Vietnam influence in the movie. 12 years later, The Texas Chainsaw Massacre 2 (1986) introduces Chop-Top, Leatherface’s brother who served in Vietnam during the events of the first film. But I’ll save that for another pseudo-academic essay blog post that some commenters are bound to hate.

Cannon Films

Cannon Films


1. Fearless Frank (1967)

Trans American Films

Trans American Films

The final entry in this list is kinda hard to find. (It’s also kinda hard to watch. But if you insist, here’s a link to stream it on Amazon.)

Philip Kaufman’s Fearless Frank is a low-budget parody of TV’s Batman – because, yeah, the 1966 Batman wasn’t campy enough.

The story unfolds like a comic-strip version of Midnight Cowboy: Jon Voight plays a country boy coming to the big city – but instead of becoming a hooker, he becomes a superhero. (Two sides, same coin – am I right?)

Trans American Films

Trans American Films

At 77 minutes long, the kitschy humor starts to run thin, which could explain the crazy-ass turn no one saw coming: Fearless Frank, the lead character(!), leaps off a Chicago skyscraper and kills himself. (This isn’t some weird dream I had, it just sounds like one.) With Fearless Frank dead, he’s replaced by his evil doppelganger “False Frank.” This brooding look-alike (who’s covered with big scars, a la Frankenstein’s Monster) leaves the city and goes back to Frank’s home in the country.

In the final scene False Frank boards a rowboat and drifts up the river, an undeniable homage to Apocalypse Now (except that, y’know, Apocalypse Now wouldn’t be filmed for another 12 years).

Trans American Films

Trans American Films

With this bizarre third act, Fearless Frank is less like Midnight Cowboy meets The Caped Crusader and more like Coming Home, a far more acclaimed Jon Voight film that tells the story of a scarred Vietnam Vet’s homecoming. The camera holds on Frank’s crying face as the narrator offers this somber conclusion:

Everyone was proud of Frank. Ma and Pa were there, too. And although they felt that he had changed, they couldn’t tell how… they just drift onward, they do not seem to know where they’re going, nor do they care. And no one will ever see them again.

Trans American Films

Trans American Films

If this superhero story were any more bleak it could be DC’s next Zack Snyder-directed blockbuster.

The heavy plot twist makes Fearless Frank more than a one-note parody, but I’m guessing the biting satire might’ve been what kept it from getting a wide release in 1967. (That and the fact that it’s not very good.)

So there you have it, six movies that are secretly about Vietnam. Did we forget any? Let us know in the comments.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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