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DID YOU READ

6 Movies That Are Secretly About Vietnam

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By Kevin Maher

Movies are just one way America deals with the stuff it can’t quite deal with. The Vietnam war is one of the most difficult periods in America’s history. You can tell because it has been touched upon in so many different kinds of movies: historic drama (Platoon), revenge fantasy (Missing in Action), family-friendly revisionism (Disney’s Operation Dumbo Drop), and exploitation films about the “troubled Vietnam vet” (Billy Jack).

Those examples address the war explicitly, while other movies deal with the scars of war through subtext. (The same way the 2014 Godzilla isn’t about 9/11 but it’s TOTALLY about 9/11.)

Here are six movies that address the Vietnam war in their own subtle (and not-so-subtle) ways.

6. The Bad News Bears (1976)

Paramount Pictures

Paramount Pictures

At the risk of sounding like a paranoid college professor: The Bad News Bears is about Vietnam. This sports comedy doesn’t end with the rag-tag misfits winning the big game; nope, they lose. The movie is about coming to terms with defeat.

After the Bears blow the championship, Coach Buttermaker hands out beers to the kids, saying, “You should be damn proud of yourselves.”

During the closing ceremony even the obnoxious winning team admits that the Bears “got guts, all of ya.”

Our heroes defiantly reject pity, throwing their trophy into the dirt – just like the Vietnam Vets who discarded their medals when they came home. Angry shortstop Tanner Boyle tells the Yankees they can take their apology and their trophy and shove it “straight up yer ass!” Scrawny right fielder Timmy Lupus shouts, “Just wait ’til next year!”

Paramount Pictures

Paramount Pictures

Opera music swells as a dramatic closing shot of the American flag dissolves into a black-and-white photo of the Bears standing together like a platoon (and they’re just a few years younger than the boys who’d been sent to Vietnam).

The moral for the Bears (and for 1976 America) is: there’s no shame in coming in 2nd. Also, apparently in 1976 it was okay for a grown man to give kids beer.


5. Predator (1987)

20th Century Fox

20th Century Fox

Set in the fictional country Val Verde (and devoid of any real-world political baggage) Predator sends a group of men into the jungle to fight an invisible enemy. Sound familiar? How about that photo of Jesse Ventura holding a machine gun in an exploding rain forest – what does that remind you of? (Sorry to sound like Walter from The Big Lebowski, but Predator is about Vietnam.)

Arnold Schwarzenegger’s science-fiction film was released the same summer as Full Metal Jacket and Hamburger Hill, a big year for Vietnam movies.

In Predator, the soldiers quickly discover that they were dispatched on false pretenses—echoing the sentiment that Americans were lied to by the government. (See also: the mayor who won’t close the beaches in Jaws.)

When the mission becomes hopeless, all the heroes want is to “get to da choppa” (i.e. the last helicopter out of Saigon).

In one scene, Dutch (Arnold) tells Dillon (Carl Weathers), “You can’t win this.” (Um, yeah, you might even call it an “unwinnable war.”) Dillon replies, “Maybe I can get even”—thereby making Predator another ’80s war-revenge movie where America gets a do-over. This go-back-and-win fantasy is seen in Missing in Action (1984), Rambo: First Blood Part II (1985) and even a two-part episode of Magnum, P.I. (1985).

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TriStar/Cannon/MGM

By sending movie heroes back to Vietnam (or Val Verde standing in as Vietnam) America gets a second chance; an opportunity to “win this time,” without being held back by two-faced bureaucrats and shady politicians.

When Arnold defeats the Predator and boards the chopper, er, choppa to go home, his victory provides some closure for the 1987 American audiences.

Bonus points: When Arnold goes into battle with the Predator, his mud-caked face looks just like Martin Sheen’s in Apocalypse Now.

United Artists/20th Century Fox

United Artists/20th Century Fox


4. King Kong (1976)

Paramount Pictures

Paramount Pictures

Stay with me on this.

The ’76 King Kong remake has little to do with war, until its grand finale. Just like in the original, Kong stands on the roof of a skyscraper – but instead of fighting 1930s bi-planes, he’s met by flamethrowers and helicopters (two of the most iconic symbols of the Vietnam war).

A Gatling gun fires off the fatal rounds, while long-haired beardo Jeff Bridges screams in protest (as 1960s long-haired beardos were known to do).

Rumor has it, the last line of the film was originally, “Twas the military industrial complex and anti-Communism that killed the beast…” (I’m kidding, I’m kidding!)

But seriously, you have to admit it’s a pretty Nam’-ish ending.

3. Rocky (1976)

United Artists

United Artists

The Rambo movies famously show Stallone returning to Vietnam to win the war on his own terms, but Rocky is closer to the spirit of The Bad News Bears.

The film’s down-and-out protagonist reflects the so-called “malaise” in 1970s America, something President Jimmy Carter would later call a “crisis of confidence.”

Rocky Balboa’s most inspiring dialogue seems to address more than boxing:

Life’s not about how hard of a hit you can give..it’s about how many you can take, and still keep moving forward.

Whoa. It’s as if he’s describing America overcoming a 19-year military conflict in Southeast Asia!

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At the end of the film, Rocky doesn’t win his big fight, but that’s almost beside the point. He never gave up. Rocky is a hero for going the distance. To paraphrase The Dark Knight — a movie that, had it come out in the 1970s, would’ve totally been about Vietnam — he’s not the hero America deserves but the hero we need right now. (“Now” being one year after the end of a war that devastated the country.)


2. The Texas Chain Saw Massacre (1974)

Bryanston Pictures

Bryanston Pictures

Most film scholars and snarky blogs will focus on the chainsaw as a metaphorical penis. That’s fine, but I’m gonna take a different angle here.

Watch almost any grindhouse horror movie from the ’70s and you can see why people attribute the graphic violence to the war in Vietnam: the cruelty, the gore, the savagery. Those early Wes Craven and Tobe Hooper movies make the shower scene in Psycho look quaint.

The Texas Chain Saw Massacre captures the terror of Vietnam in the doomed teenagers who find themselves stranded in a frightening foreign wasteland, being chased by maniacs.

At the same time, the movie is about the haves and have-nots: the middle class teenagers represent the college kids who avoided the draft, while the cannibal family are the working-class boys who were shipped across the Pacific and took part in true horror.

Actor Edwin Neal (who played The Hitchhiker) has stated that the filming conditions were so awful that filming the movie was the worst experience of his life, adding, “…and I had been in Vietnam, with people trying to kill me, so I guess that shows how bad it was.”

It’s hard to NOT see some the Vietnam influence in the movie. 12 years later, The Texas Chainsaw Massacre 2 (1986) introduces Chop-Top, Leatherface’s brother who served in Vietnam during the events of the first film. But I’ll save that for another pseudo-academic essay blog post that some commenters are bound to hate.

Cannon Films

Cannon Films


1. Fearless Frank (1967)

Trans American Films

Trans American Films

The final entry in this list is kinda hard to find. (It’s also kinda hard to watch. But if you insist, here’s a link to stream it on Amazon.)

Philip Kaufman’s Fearless Frank is a low-budget parody of TV’s Batman – because, yeah, the 1966 Batman wasn’t campy enough.

The story unfolds like a comic-strip version of Midnight Cowboy: Jon Voight plays a country boy coming to the big city – but instead of becoming a hooker, he becomes a superhero. (Two sides, same coin – am I right?)

Trans American Films

Trans American Films

At 77 minutes long, the kitschy humor starts to run thin, which could explain the crazy-ass turn no one saw coming: Fearless Frank, the lead character(!), leaps off a Chicago skyscraper and kills himself. (This isn’t some weird dream I had, it just sounds like one.) With Fearless Frank dead, he’s replaced by his evil doppelganger “False Frank.” This brooding look-alike (who’s covered with big scars, a la Frankenstein’s Monster) leaves the city and goes back to Frank’s home in the country.

In the final scene False Frank boards a rowboat and drifts up the river, an undeniable homage to Apocalypse Now (except that, y’know, Apocalypse Now wouldn’t be filmed for another 12 years).

Trans American Films

Trans American Films

With this bizarre third act, Fearless Frank is less like Midnight Cowboy meets The Caped Crusader and more like Coming Home, a far more acclaimed Jon Voight film that tells the story of a scarred Vietnam Vet’s homecoming. The camera holds on Frank’s crying face as the narrator offers this somber conclusion:

Everyone was proud of Frank. Ma and Pa were there, too. And although they felt that he had changed, they couldn’t tell how… they just drift onward, they do not seem to know where they’re going, nor do they care. And no one will ever see them again.

Trans American Films

Trans American Films

If this superhero story were any more bleak it could be DC’s next Zack Snyder-directed blockbuster.

The heavy plot twist makes Fearless Frank more than a one-note parody, but I’m guessing the biting satire might’ve been what kept it from getting a wide release in 1967. (That and the fact that it’s not very good.)

So there you have it, six movies that are secretly about Vietnam. Did we forget any? Let us know in the comments.

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.