DID YOU READ

15 Nerdastic Facts About Scott Pilgrim vs. The World

SCOTT PILGRIM VS. THE WORLD, from left: Alison Pill, Michael Cera, 2010. Ph: Kerry Hayes/©Universal/

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Supercharge your next viewing of Edgar Wright’s comics-inspired film with these 15 little-known facts.

1. Edgar Wright waited six years before agreeing to direct.

The eventual executive producers of Scott Pilgrim vs. The World first approached Wright to make the film in 2004 after a screening of Wright’s first film, Shaun of the Dead, by giving him a copy of the first volume of author Brian Lee O’Malley’s graphic novel. Wright would go on to make 2007’s Hot Fuzz before settling on adapting Scott Pilgrim (which was released in 2010).


2. Brian Lee O’Malley named the character Scott Pilgrim after a song.

“Scott Pilgrim” is a 1998 song by Canadian band Plumtree. In the movie, Scott can be seen wearing one of their band t-shirts and their titular song appears on the soundtrack.


3. O’Malley and his wife, cartoonist Hope Larson, make cameos.

You can spot them at Lee’s Palace after Sex Bob-Omb come offstage.


4. Wright told the actors to not blink during takes.

He wanted to mimic the feel of Japanese anime.


5. The film is filled with hidden numerals tied to the sequential numbers of Ramona’s evil exes.

Matthew Patel has one chevron on his military jacket. Lucas Lee has the Tibetan symbol for “2” tattooed on his neck, wears a belt buckle made of two Xs, drives a car with the racing numeral 2, and also points at Scott with two fingers. Todd Ingram wears a t-shirt with the number 3 on the chest and with three stripes on the shoulders, and the trashcans in the alley where he fights Scott all have 3s on them. Scott fights Roxy in a nightclub called “4,” and Roxy also has four rips in her leggings. The Katayanagi Twins each have “5” and “6” stenciled on their cuffs and turn their volume up to the Japanese character for 11 (5+6=11, which is also a nod to the film Spinal Tap). Lastly, the logo for Gideon Graves’ G-Man Records is made of 7s turned on their sides. Scott meanwhile drinks Coke Zero and wears a T-shirt that says “Zero” on it because he isn’t an evil ex.


6. Scott’s Pac-Man story is true.

Pac-Man was originally called “Puck-Man” because of his hockey-puck-shape, but the name was changed in American markets to avoid unwanted vandalism.


7. Scott’s bass is a Rickenbacker 4003.

It costs $2,159 in US dollars or about $2,459 Canadian dollars.


8. Lucas Lee’s pompous final exchange with Scott happened to Edgar Wright in real life.

While backstage at a concert for the band The Hives, Wright told lead singer Pelle Almqvist he was a “big fan.” Almqvist responded, “Why wouldn’t you be?”

9. Ramona’s exact phone number is 212-664-7665.

This number often appears in films, including Munich, Definitely Maybe, and The Adjustment Bureau. It’s a real phone number that was acquired by Universal Studios to avoid the fake 555 area code normally used for phone numbers in films.


10. Real life bands wrote and performed the songs for the fictional bands in the movie.

Sex Bob-Omb’s songs were by Beck, Crash and the Boys’ songs were by Broken Social Scene, The Clash at Demonhead’s were by Metric, and The Katayanagi Twins’ songs were by Cornelius. Additional music, like the themes to the fictional video game Ninja Ninja Revolution, was written by hip-hop producer Dan the Automator.


11. The voice-overs in the film are all done by comedian Bill Hader.

Even the voice in Ninja Ninja Revolution.


12. All the animation in Ramona’s flashbacks was drawn by Edgar Wright’s brother Oscar.

He mimicked the style of Brian Lee O’Malley’s graphic novels.


13. The film includes a nod to Quentin Tarantino.

Edgar Wright said he included a close-up shot of Ramona’s feet during her date with Scott as a tribute to his friend and fellow director, who notoriously has a foot fetish. Mary Elizabeth Winstead, who plays Ramona Flowers, previously appeared in Tarantino’s film Death Proof.


14. Michael Cera and Mae Whitman (Roxy Richter) were lovers before they were enemies.

On screen, that is. They previously appeared together (and dated) on Arrested Development before they battled each other in Scott Pilgrim vs. The World.


15. In the original ending, Scott stays with Knives Chau instead of going with Ramona.

Wright, co-screenwriter writer Michael Bacall, and O’Malley all rewrote the final scene together and agreed that Scott should end up with Ramona since he’s been fighting for her all along.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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