DID YOU READ

Get to Da Choppa! 15 Little-Known Facts About Predator

PREDATOR, from left: Carl Weathers, Arnold Schwarzenegger, 1987, TM & Copyright © 20th Century Fox F

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Before you “get to da choppa,” how about you take a look at a few fun tidbits we found about the 1987 Schwarzenegger action classic, Predator?

1. THE MOVIE WAS ALMOST TITLED HUNTER.

The name didn’t switch to Predator until after production.


2. THE PITCH FOR THE MOVIE NAME-DROPPED SOME RECOGNIZEABLE MOVIE HITS.

The screenwriters pitched Predator to studios as “Rocky meets Alien.”


3. THE FILM WAS SHOT ENTIRELY ON LOCATION SOUTH OF THE BORDER.

The fictional jungles of Val Verde are actually locations in Puerto Vallarta and Palenque, Mexico. However, because the Mexican jungle is deciduous, tons of fake leaves had to be added to the trees in order to make the jungle seem lush and inescapable.


4. SHANE BLACK WAS CAST FOR HIS SCRIPT EXPERTISE, NOT HIS ACTING CHOPS.

Black, who plays Hawkins, had previously written the screenplay for Lethal Weapon; he was covertly cast in the film so that he would be available to make on-the-fly and uncredited script changes while onset. Most famously, Black would later write and direct Iron Man 3.


5. PREDATOR IS PROFESSIONAL WRESTLER JESSE VENTURA’S FIRST MOVIE.

Ventura would later serve as the Governor of Minnesota from 1999 to 2003.


6. THE LOOK OF THE COMMANDOS WAS BASED ON THE SGT. ROCK COMICS.

Hawkins can be seen reading a Sgt. Rock comic in the end credits.


7. “OLD PAINLESS” SHOT BLANKS…

…but was still extremely deadly. The GE M134 Minigun wielded by Ventura’s character didn’t shoot live rounds, but for safety reasons, the cast and crew were required to stand at least 50 feet away when it was fired.


8. THE PREDATOR’S HEAT VISION ISN’T ACTUALLY HEAT VISION.

The filmmakers attempted to use actual heat vision for the Predator, but the specific camera proved impractical for the on-location shoot. Instead, normal footage was made into a negative image in post-production and exaggerated “heat vision” colors were added to create the effect.

9. THE PREDATOR’S GLOWING GREEN BLOOD WAS MADE FROM GLOW STICKS.

The filmmakers originally used an orange substance for the creature’s blood, figuring they would spiff it up with special effects in post production. But the orange goop looked so bad on camera, they decided they had to make a change. They wound up using the luminescent liquid from the inside of glow sticks, which they bought over the counter.


10. JEAN-CLAUDE VAN DAMME WAS THE ORIGINAL GUY IN THE PREDATOR SUIT.

The “Muscles from Brussels” was reportedly fired from the movie because he complained too much about how uncomfortable the suit was.


11. THE ORIGINAL DESIGN FOR THE PREDATOR WAS SCRAPPED IN THE MIDDLE OF PRODUCTION.

The original suit resembled a lanky, bug-eyed insect, but director John McTiernan thought it wasn’t scary enough. He halted production on the entire movie so it could be redesigned. Arnold Schwarzenegger personally tapped effects wizard Stan Winston to revamp the Predator design. Winston had previously designed Schwarzenegger’s famous robot skeleton in The Terminator.


12. JAMES CAMERON PARTLY INSPIRED THE CREATURE’S NEW DESIGN.

While on a flight during the production of Aliens, Cameron mentioned to Winston (who was sketching ideas for the new Predator) that he’d always wanted to see a monster with mandibles. Winston added the oral appendages to the final drawing of the updated Predator.


13. THE UPDATED PREDATOR SUIT WAS NO PICNIC TO WEAR.

The fully functioning suit weighed upwards of 200 pounds, which was a lot of weight for Kevin Peter Hall, the seven-foot-tall ballet dancer, martial arts expert, and actor they brought on to replace Van Damme.


14. THE BREAK IN PRODUCTION WAS A BLESSING IN DISGUISE.

The stop in production to redesign the Predator allowed the filmmakers to edit an hour of the movie together to show to the studio. They liked it so much that they gave the production more money to create bigger action sequences in the last third of the movie once filming picked back up again.


15. OPTIMUS PRIME AND THE PREDATOR HAVE THE SAME VOICE.

Peter Cullen, who is uncredited in Predator, provided the voice for both.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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