DID YOU READ

15 Little-Known Facts About 28 Weeks Later

28 WEEKS LATER, (aka TWENTY EIGHT WEEKS LATER), Robert Carlyle, 2007. TM & Copyright ©Fox Searchligh

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Make sure you don’t get infected while reading a few facts we thought you might not know about 28 Weeks Later.

1. THE ORIGINAL STORY FOR THE SEQUEL WAS COMPLETELY DIFFERENT

Titled 29 Days Later, the original sequel told the story of British marines attempting to rescue the Prime Minister and the Queen of England.


2. THE SEQUEL HAD A NEW DIRECTOR

Instead of returning to the director’s seat to follow up his 2002 film 28 Days Later, Danny Boyle directed 2007’s Sunshine.


3. DANNY BOYLE DID MAKE A DIRECTING CAMEO

He directed second unit footage of the opening scene.


4. BOYLE ALSO MADE HIS MARK ON THE PLOT

He suggested the eye hemorrhage to denote asymptomatic virus carriers.


5. THE NEW DIRECTOR GOT THE JOB BECAUSE OF HIS PREVIOUS MOVIE

Boyle, who was an Executive Producer on 28 Weeks Later, sought out director Juan Carlos Fresnadillo to take his place because of Fresnadillo’s previous film, Intacto.


6. ROBERT CARLYLE WAS NO STRANGER

Before accepting the role of Don, Carlyle had previously worked with Boyle on Trainspotting and The Beach before turning down the Major Henry West part in 28 Days Later (a role that eventually went to actor Christopher Eccleston).


7. THE HOUSE FROM THE OPENING SCENE MAY SEEM FAMILIAR

It was the same home outside of London used in the film Children of Men.


8. THE DIRECTOR PUT IN A SMALL NOD TO HIS HOME COUNTRY

Andy wears a Real Madrid jersey – director Juan Carlos Fresnadillo is from Spain.

9. ACTRESS CATHERINE MCCORMACK WAS BUSY DURING PRODUCTION

McCormack appeared in the play “The 39 Steps” in London at the same time she shot the movie, which required limiting her takes to simplify her schedule.


10. PRODUCTION DESIGNERS USED LITERARY AND HISTORICAL INSPIRATION FOR THE SCENES OF POST-APOCALYPTIC LONDON

The empty and desolate street scenes were modeled after descriptions from Charles Dickens novels and from photos taken during the London Blitz from World War II.


11. THE FILMMAKERS CHEATED A BIT WITH POST-APOCALYPTIC SCENES

Most of the end scenes were shot “day for night” to make it look like all the lights were out in London. If they actually shot at night they would have had to use costly CGI to remove the lights from shots.


12. BUT THE FILMMAKERS STILL HAD A LOT OF CGI TO COMPLETE IN A SHORT PERIOD OF TIME

The production had to finish 400 CG shots in only two months.


13. THE PRODUCTION REALLY WENT UNDERGROUND

The film shot for two full weeks in London’s Charing Cross tube station.


14. THE INFECTED CAST HAD A REAL CULTURAL PEDIGREE

Everyone playing an infected person in the movie was required to have a movement-based artistic background. The final cast included ballet dancers, gymnasts, circus performers, and mimes.


15. THE FILM’S CODA WAS SHOT LAST

The filmmakers came up with the idea for the coda just two weeks before production wrapped. Fresnadillo traveled to Paris with a limited crew and only HD cameras to shoot it in one afternoon.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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