DID YOU READ

15 Things You Probably Didn’t Know About Terminator 3: Rise of the Machines

TERMINATOR 3: RISE OF THE MACHINES, Kristanna Loken, Arnold Schwarzenegger, 2003, (c) Warner Brother

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It’s judgment day all over again! Here are some facts you may not have known about Terminator 3: Rise of the Machines.

1. Arnold Came Back… But at a Price

Arnold Schwarzenegger was paid $29.25 million to star T3.


2. And His List of Demands Was Extensive

His contract stipulated that in order to reprise his role as The Terminator, $1.5 million of the budget should be set aside for private jets, a fully-equipped gym, deluxe hotel suites, limousines, and personal bodyguards for his personal benefit at all times during production. On top of that, Arnold also received 20 percent of gross receipts on ticket sales, DVDs, TV rights, game licensing, and in-flight movie licensing on the movie worldwide.


3. James Cameron and Linda Hamilton Didn’t Return

Cameron, who wrote and directed the first two movies, opted out of participating in the third entry; he felt he had told the entire story he wanted to tell with these characters. Director Jonathan Mostow took over for Cameron.

Hamilton, meanwhile, was offered a part in T3 to reprise her role as Sarah Connor, but she declined. “I knew my character arc was so complete in the first two, and in the third one it was a negligible character,” she told MTV News. “She died halfway through and there was no time to mourn her. It was kind of disposable, so I said no thank you.”


4. The Movie Used Lots of Practical Effects

Effects artist Stan Winston and his studio, which created the Terminators in the first two movies, returned for T3; the special effects house designed the new T-X skeleton for the movie. And though there are CG shots of the Terminators in the film, all of the T-1 robots were fully functioning robots. Three were built for the production; it took a team of five off-screen puppeteers to operate each one-ton robot.


5. There Were a Lot of Costume Changes

Despite the fact that Schwarzenegger appears in the iconic leather-clad getup as The Terminator, there were five separate wardrobe prototypes made for the T-X before her final red leather costume was OK’d by Mostow.


6. The Script Was Kept Under Wraps

Actor Nick Stahl wasn’t given the complete script before he auditioned.


7. The Filmmakers Had a Tough Time Finding an Actress to Play T-X

They looked at a whopping 10,000 actresses before finding Kristanna Loken.


8. Loken Had a Unique Audition

Because she rarely speaks in the film and must act as if she were a robot, the majority of Loken’s audition to play the T-X consisted of her walking down a hallway, stopping, and turning to shoot a threatening look at the casting directors.

9. Terminator Training Was a Killer

Loken put on over 15 pounds of muscle to portray the T-X. She also trained with mime coach Thorsten Heinze, a long-time collaborator of world-famous mime Marcel Marceau, to create the robotic villain’s movements. Schwarzenegger—who was 56 when T3 was released—worked out three hours a day for three months before shooting began to bulk up his Terminator physique.


10. John Connor’s Companion, Kate Brewster, Was Originally Played by Kate Bush

She was replaced by Claire Danes a month into shooting.


11. The Production Created an Entire Street for One Scene…

Several city blocks used during the crane chase sequence were created because the production needed a level of destruction that wouldn’t be possible on a real street.


12. …and Schwarzenegger Footed Part of the Bill

During the crane chase sequence, The Terminator—hanging from the crane—swings through an entire building façade. The studio didn’t want to foot the bill for the sequence, so Arnold Schwarzenegger put up his own money to complete the scene.


13. The Most-Used Location Was the Back of a Truck

Despite all the locations used in the film, the set where they shot the most was the back of the animal hospital truck. Four entire production days were dedicated to shooting scenes that took place there.


14. You May Have Seen Some of the Robots Somewhere Before

The mini-Hunter-Killer robots didn’t debut in T3—they first appeared in the Universal Studios ride T2 3-D: Battle Across Time. Don’t go looking for them on the ride now, though; it closed in 2012.


15. The Attention to Detail Was Impeccable

The shot of the T-X melting took an entire year to complete.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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