DID YOU READ

15 Things You Probably Didn’t Know About Terminator 3: Rise of the Machines

TERMINATOR 3: RISE OF THE MACHINES, Kristanna Loken, Arnold Schwarzenegger, 2003, (c) Warner Brother

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It’s judgment day all over again! Here are some facts you may not have known about Terminator 3: Rise of the Machines.

1. Arnold Came Back… But at a Price

Arnold Schwarzenegger was paid $29.25 million to star T3.


2. And His List of Demands Was Extensive

His contract stipulated that in order to reprise his role as The Terminator, $1.5 million of the budget should be set aside for private jets, a fully-equipped gym, deluxe hotel suites, limousines, and personal bodyguards for his personal benefit at all times during production. On top of that, Arnold also received 20 percent of gross receipts on ticket sales, DVDs, TV rights, game licensing, and in-flight movie licensing on the movie worldwide.


3. James Cameron and Linda Hamilton Didn’t Return

Cameron, who wrote and directed the first two movies, opted out of participating in the third entry; he felt he had told the entire story he wanted to tell with these characters. Director Jonathan Mostow took over for Cameron.

Hamilton, meanwhile, was offered a part in T3 to reprise her role as Sarah Connor, but she declined. “I knew my character arc was so complete in the first two, and in the third one it was a negligible character,” she told MTV News. “She died halfway through and there was no time to mourn her. It was kind of disposable, so I said no thank you.”


4. The Movie Used Lots of Practical Effects

Effects artist Stan Winston and his studio, which created the Terminators in the first two movies, returned for T3; the special effects house designed the new T-X skeleton for the movie. And though there are CG shots of the Terminators in the film, all of the T-1 robots were fully functioning robots. Three were built for the production; it took a team of five off-screen puppeteers to operate each one-ton robot.


5. There Were a Lot of Costume Changes

Despite the fact that Schwarzenegger appears in the iconic leather-clad getup as The Terminator, there were five separate wardrobe prototypes made for the T-X before her final red leather costume was OK’d by Mostow.


6. The Script Was Kept Under Wraps

Actor Nick Stahl wasn’t given the complete script before he auditioned.


7. The Filmmakers Had a Tough Time Finding an Actress to Play T-X

They looked at a whopping 10,000 actresses before finding Kristanna Loken.


8. Loken Had a Unique Audition

Because she rarely speaks in the film and must act as if she were a robot, the majority of Loken’s audition to play the T-X consisted of her walking down a hallway, stopping, and turning to shoot a threatening look at the casting directors.

9. Terminator Training Was a Killer

Loken put on over 15 pounds of muscle to portray the T-X. She also trained with mime coach Thorsten Heinze, a long-time collaborator of world-famous mime Marcel Marceau, to create the robotic villain’s movements. Schwarzenegger—who was 56 when T3 was released—worked out three hours a day for three months before shooting began to bulk up his Terminator physique.


10. John Connor’s Companion, Kate Brewster, Was Originally Played by Kate Bush

She was replaced by Claire Danes a month into shooting.


11. The Production Created an Entire Street for One Scene…

Several city blocks used during the crane chase sequence were created because the production needed a level of destruction that wouldn’t be possible on a real street.


12. …and Schwarzenegger Footed Part of the Bill

During the crane chase sequence, The Terminator—hanging from the crane—swings through an entire building façade. The studio didn’t want to foot the bill for the sequence, so Arnold Schwarzenegger put up his own money to complete the scene.


13. The Most-Used Location Was the Back of a Truck

Despite all the locations used in the film, the set where they shot the most was the back of the animal hospital truck. Four entire production days were dedicated to shooting scenes that took place there.


14. You May Have Seen Some of the Robots Somewhere Before

The mini-Hunter-Killer robots didn’t debut in T3—they first appeared in the Universal Studios ride T2 3-D: Battle Across Time. Don’t go looking for them on the ride now, though; it closed in 2012.


15. The Attention to Detail Was Impeccable

The shot of the T-X melting took an entire year to complete.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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