DID YOU READ

15 Facts About The Matrix That Will Shatter Your Reality (Well, Not Really)

THE MATRIX, Carrie-Anne Moss, Keanu Reeves, 1999. ©Warner Bros./courtesy Everett Collection

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Prepare to enter The Matrix with these 15 little-known facts about the Wachowskis’ mind-bending 1999 film.

1. The film started as a comic book.

Filmmakers Lana (then known as Larry) and Andy Wachowski originally conceived the storyline for The Matrix as a comic. They had both previously written comic books for Marvel.


2. The unnamed city you see in The Matrix is Sydney, Australia.

The production shot the entire film—both interior sets and exteriors—in Australia for tax purposes, significantly lowering the film’s budget. However, all the street names are taken from locations in Chicago, where the Wachowskis grew up.


3. The studio didn’t want the Wachowskis to direct.

Warner Brothers originally thought the Wachowskis, who had no directorial experience, were unqualified to direct The Matrix. To prove their mettle, the Wachowskis wrote and directed the crime thriller Bound, which became a modest hit.


4. Martial arts choreographer Yuen Woo-ping created the film’s elaborate stunts and wirework.

The Wachowskis specifically enlisted Yuen’s talents because they loved his work on the 1994 Hong Kong martial arts film Fist of Legend.


5. Both Will Smith and Nicolas Cage formally turned down the role of Neo.

Tom Cruise, Johnny Depp, and Leonardo DiCaprio were all also considered before the filmmakers settled on Keanu Reeves for the part.


6. Russell Crowe, Sean Connery, and Samuel L. Jackson could’ve been Morpheus.

When they declined, Laurence Fishburne took the role.


7. The actors had to brush up on their philosophy before production began.

The Wachowskis had all the lead actors read “Simulacra and Simulation” by Jean Baudrillard, “Out of Control” by Kevin Kelly, and “Introducing Evolutionary Psychology” by Dylan Evans and Oscar Zarate in order to better understand the world of the movie. In the film, Neo actually hides his illegal computer files in a copy of Baudrillard’s book.


8. The filmmakers color-coded the movie.

Every scene that takes place within the computer world of the Matrix was given a green tint, while all the scenes that take place within the real world have a blue tint. In fact, the only time the color green appears in the real world-set scenes is in the Matrix code on the ship’s computer screen.

9. Hugo Weaving didn’t have to look far for inspiration for his character.

He modeled Agent Smith’s voice after the Wachowskis themselves.


10. The lead actors trained every day for four months in order to pull off the fight scenes.

Just like the Hong Kong martial arts movies that influenced them, the Wachowskis wanted the actors—not stunt people—to be the ones fighting onscreen.


11. Keanu Reeves had cervical spine surgery prior to the training period that forced him to wear a neck brace throughout.

This rendered it impossible for Reeves to kick effectively, so Yuen Woo-ping had to adjust his choreography accordingly. In the finished film, Neo hardly kicks at all.


12. Hugo Weaving had to undergo hip surgery after being injured during fight training.

This completely shifted the shooting schedule, and Weaving’s fight scenes were completed at the end of the production in order to allow time for him to heal.


13. Neo and Trinity’s three-minute lobby shootout took 10 days to shoot.

No CGI was used—all of the explosions and gunfire were practical effects.


14. The sunglasses for each character were custom-designed by Blinde Design.

They weren’t available to purchase until the film’s sequels (The Matrix Reloaded and The Matrix Revolutions) were released.


15. The iconic “Bullet Time” effect was conceived and created specially for The Matrix.

The famous swirling shot of Neo’s gravity-defying backbend was made using a rig that contained 120 individual digital still cameras and two film cameras. The still images were carefully stitched together to create the shot frame by frame. The first test shot of the Bullet Time effect gave a nearly 360-degree view of an exploding trash can.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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