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DID YOU READ

15 Facts About The Matrix That Will Shatter Your Reality (Well, Not Really)

THE MATRIX, Carrie-Anne Moss, Keanu Reeves, 1999. ©Warner Bros./courtesy Everett Collection

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Prepare to enter The Matrix with these 15 little-known facts about the Wachowskis’ mind-bending 1999 film.

1. The film started as a comic book.

Filmmakers Lana (then known as Larry) and Andy Wachowski originally conceived the storyline for The Matrix as a comic. They had both previously written comic books for Marvel.


2. The unnamed city you see in The Matrix is Sydney, Australia.

The production shot the entire film—both interior sets and exteriors—in Australia for tax purposes, significantly lowering the film’s budget. However, all the street names are taken from locations in Chicago, where the Wachowskis grew up.


3. The studio didn’t want the Wachowskis to direct.

Warner Brothers originally thought the Wachowskis, who had no directorial experience, were unqualified to direct The Matrix. To prove their mettle, the Wachowskis wrote and directed the crime thriller Bound, which became a modest hit.


4. Martial arts choreographer Yuen Woo-ping created the film’s elaborate stunts and wirework.

The Wachowskis specifically enlisted Yuen’s talents because they loved his work on the 1994 Hong Kong martial arts film Fist of Legend.


5. Both Will Smith and Nicolas Cage formally turned down the role of Neo.

Tom Cruise, Johnny Depp, and Leonardo DiCaprio were all also considered before the filmmakers settled on Keanu Reeves for the part.


6. Russell Crowe, Sean Connery, and Samuel L. Jackson could’ve been Morpheus.

When they declined, Laurence Fishburne took the role.


7. The actors had to brush up on their philosophy before production began.

The Wachowskis had all the lead actors read “Simulacra and Simulation” by Jean Baudrillard, “Out of Control” by Kevin Kelly, and “Introducing Evolutionary Psychology” by Dylan Evans and Oscar Zarate in order to better understand the world of the movie. In the film, Neo actually hides his illegal computer files in a copy of Baudrillard’s book.


8. The filmmakers color-coded the movie.

Every scene that takes place within the computer world of the Matrix was given a green tint, while all the scenes that take place within the real world have a blue tint. In fact, the only time the color green appears in the real world-set scenes is in the Matrix code on the ship’s computer screen.

9. Hugo Weaving didn’t have to look far for inspiration for his character.

He modeled Agent Smith’s voice after the Wachowskis themselves.


10. The lead actors trained every day for four months in order to pull off the fight scenes.

Just like the Hong Kong martial arts movies that influenced them, the Wachowskis wanted the actors—not stunt people—to be the ones fighting onscreen.


11. Keanu Reeves had cervical spine surgery prior to the training period that forced him to wear a neck brace throughout.

This rendered it impossible for Reeves to kick effectively, so Yuen Woo-ping had to adjust his choreography accordingly. In the finished film, Neo hardly kicks at all.


12. Hugo Weaving had to undergo hip surgery after being injured during fight training.

This completely shifted the shooting schedule, and Weaving’s fight scenes were completed at the end of the production in order to allow time for him to heal.


13. Neo and Trinity’s three-minute lobby shootout took 10 days to shoot.

No CGI was used—all of the explosions and gunfire were practical effects.


14. The sunglasses for each character were custom-designed by Blinde Design.

They weren’t available to purchase until the film’s sequels (The Matrix Reloaded and The Matrix Revolutions) were released.


15. The iconic “Bullet Time” effect was conceived and created specially for The Matrix.

The famous swirling shot of Neo’s gravity-defying backbend was made using a rig that contained 120 individual digital still cameras and two film cameras. The still images were carefully stitched together to create the shot frame by frame. The first test shot of the Bullet Time effect gave a nearly 360-degree view of an exploding trash can.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.