DID YOU READ

15 Surprising Facts About Beetlejuice

BEETLEJUICE

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Thanks to its bonkers blend of comedy and horror, Beetlejuice was a big hit and helped establish director Tim Burton as a unique artist in Hollywood. But there were plenty of quirks and obstacles that came with bringing this ghost with the most to the big screen, as well as some stellar benefits to its success.

1. Early drafts of the script were far less whimsical.

Screenwriter Michael McDowell’s original script was far darker than the final script, which was rewritten by screenwriters Larry Wilson and Warren Skaaren. Originally it imagined Beetlejuice as a winged demon whose human form was that of a small Middle Eastern man, and his plan for the Deetzes was more about rape and murder than mischief and marriage. Also, the Maitlands’ car crash was far more gruesome.


2. An early draft offered a Maitland home for everyone.

The original ending of McDowell’s screenplay had Beetlejuice being destroyed by an exorcism and the Maitlands’ house shrinking down to the size of Adam’s model town. Instead of sharing their home with the Deetz family, they move into the model house and renovate it to look like their full-scale version did before the family arrived. Also, the Deetz parents move back to New York, leaving Lydia to be raised by the Maitlands in Connecticut.


3. Skaaren was picked by Burton to bring in playfulness and music.

Part of the rewrites by Warren Skaaren included specific music suggestions, like Lydia lip-syncing to Percy Sledge’s “When a Man Loves a Woman.” The final film substituted R&B songs for calypso music like Harry Belafonte’s hits “Day-O” and “Jump in the Line (Shake, Senora).”


4. Sammy Davis Jr. was Burton’s first choice for Beetlejuice.

Director Tim Burton originally wanted Rat Pack-member Sammy Davis Jr.—who was 63-years-old at the time—to play Beetlejuice. Producer David Geffen suggested actor Michael Keaton, who was ultimately chosen and would go on to appear in two other Burton films—Batman and Batman Returns.


5. It’s an Oscar winner.

Makeup artist Ve Neill and her team won the 1989 Best Makeup Academy Award.


6. Angelica Huston was very nearly Delia Deetz.

Angelica Huston was originally cast to play Delia Deetz, but she bowed out due to an illness. Actress Catherine O’Hara initially declined Burton’s offer for the part, but accepted after Burton flew out to meet with and personally to convince her to take it. O’Hara met and eventually married production designer Bo Welch while working on Beetlejuice.


7. Geena Davis and Michael Keaton needed no convincing.

Both Geena Davis and Michael Keaton immediately signed on to the film after meeting with Burton, but he allegedly had to beg Golden Era Hollywood star Sylvia Sidney to play the afterlife detective, Juno. Sidney would go on to work with Burton again on the 1996 alien invasion comedy Mars Attacks!


8. Lots of actresses rejected the role of Lydia.

Actresses Lori Loughlin, Diane Lane, Sarah Jessica Parker, Brooke Shields, Justine Bateman, Molly Ringwald, and Jennifer Connelly turned down the role of Lydia Deetz. Juliette Lewis auditioned, but Wynona Ryder won the part once Burton saw her performance in the teen dramedy Lucas.

9. Beetlejuice was nearly called Scared Sheetless.

Warner Bros. executives didn’t like the name Beetlejuice and pushed to have it changed to House Ghosts. Burton jokingly suggested Scared Sheetless as an alternate name, and was appalled when Warner Bros. actually considered it.


10. Beetlejuice was named after a star.

Beetlejuice was named for Betelgeuse, a star in the constellation Orion.


11. “Day-O” played at Otho’s real-life funeral.

Harry Belafonte’s song “Day-O,” which is in the film’s memorable song and dance number, was the final song played at the memorial for actor Glenn Shadix (who played Otho in the film), who died in 2010.


12. Beetlejuice is barely in his own movie.

Beetlejuice only appears in 17.5 minutes of the 92-minute film.


13. Test audiences encouraged a happier ending.

Test audiences responded to Keaton’s green-haired ghoul so well that Burton’s team went back to create an upbeat epilogue that featured Beetlejuice hassling a sawed-in-half woman before being hexed by a witch doctor. An earlier draft had him stuck in the Maitlands’ model town and plagued by sandworms.


14. Beetlejuice inspired an animated series.

A cartoon spinoff was inspired by Beetlejuice and ran for 94 episodes. The show completely re-imagined the relationship between Lydia Deetz and the titular character, having Beetljuice take her on wild adventures in the Neitherworld. The Maitlands don’t exist in this spinoff, but Lydia got a cast of classmates as well as ghoulish friends like a skeleton bodybuilder and a tap-dancing spider.


15. A Beetlejuice sequel is in the works–again!

The box office success of Beetlejuice inspired the development of a sequel in 1990 called Beetlejuice Goes Hawaiian. However, Batman Returns became Burton’s priority at the time, and the sequel’s prospects went cold until 2011, when Warner Bros. hired Dark Shadows scribe Seth Grahame-Smith to produce a new take on Beetlejuice 2. Keaton, Ryder, and Burton are all in talks to be involved in the potential sequel.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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