DID YOU READ

15 Monster-Sized Facts About Jaws

JAWS, Robert Shaw, Roy Scheider, Richard Dreyfuss, 1975

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Steven Spielberg’s monster fish tale became an instant classic following its 1975 release—and the story of its creation is just as interesting as the film itself. Savor Jaws even more knowing these 15 fascinating tidbits.

1. The film is adapted from author Peter Benchley’s bestselling novel of the same name.

Benchley based his thriller on a series of shark attacks that occurred off the coast New Jersey in 1916 and after an incident where a New York fisherman named Frank Mundus caught a 4,500-lb. shark off the coast of Montauk in 1964. Other title ideas Benchley had before settling on Jaws were The Stillness in the Water, The Silence of the Deep, Leviathan Rising, and The Jaws of Death.


2. Benchley himself makes a cameo in the film.

He plays the news reporter who addresses the camera on the beach. Benchley had previously worked as a news reporter for the Washington Post before penning Jaws.


3. The shark doesn’t fully appear in a shot until 1 hour and 21 minutes into the 2-hour film.

While the lack of shark appearances works to heighten the film’s tension, the real reason it isn’t shown is because the mechanical shark that was built rarely worked during filming. Director Steven Spielberg had to create inventive ways (like Quint’s yellow barrels) to shoot around the non-functional shark.


4. To create the fictional town of Amity, the film shot on location in Edgartown and Menemsha on Martha’s Vineyard in Massachusetts.

Strict land ordinances kept the production from building anywhere — Quint’s shack was the one and only set built for the movie, and the defaced Amity Island billboard had to be constructed, have the scenes around it shot, and taken down all in one day.


5. Spielberg nicknamed the shark “Bruce,” after his lawyer, Bruce Ramer.

Ramer also represents Demi Moore, Ben Stiller, and Clint Eastwood.


6. The opening sequence took three days to film.

To achieve the jolting motions of the shark attacking the swimmer, a harness with cables was attached to actress Susan Backlinie’s legs and was pulled by crewmembers back and forth along the shoreline. Spielberg didn’t alert Backlinie as to when she would be “attacked,” so her terrified reaction is genuine.


7. Richard Dreyfuss wasn’t Spielberg’s first choice to play oceanographer Matt Hooper.

Spielberg initially approached Jon Voight, Timothy Bottoms, and Jeff Bridges for the role. When none of them could commit, Spielberg’s friend George Lucas suggested Richard Dreyfuss, whom Lucas has directed in his film American Graffiti.


8. Roy Scheider was cast after eavesdropping on Spielberg at a party.

Scheider over-heard Spielberg talking to a friend at a Hollywood party about the scene where the shark leaps out of the water and onto Quint’s boat. Scheider was instantly enthralled, and asked Spielberg if he could be in the film. Spielberg loved Scheider from his role in the Academy Award winning film The French Connection, and later offered the actor the leading part of Chief Martin Brody.

9. Shaw’s performance was based on a real guy.

Shaw modeled Quint on Martha’s Vineyard native and fisherman Craig Kingsbury, a non-actor who appears as Ben Gardner in the film. Kingsbury helped Shaw with his accent and allegedly told Shaw old sea stories that the actor incorporated into his improvised dialogue as Quint.


10. Brody’s famous “You’re gonna need a bigger boat” line wasn’t in the script.

It was entirely improvised by Roy Scheider.


11. The film almost included a love triangle.

Early scripts included an affair between Hooper and Chief Brody’s wife.


12. Jaws was initially rated R by the MPAA.

After selected gruesome frames of the shot showing the severed leg of the man attacked by the shark in the estuary were trimmed down, the film was given a PG rating (the PG-13 rating wasn’t created until Spielberg’s own film, Indiana Jones and the Temple of Doom, nine years later).


13. The film’s iconic poster image was designed by artist Roger Kastel for the paperback edition of Benchley’s book.

Kastel modeled the image of the massive shark emerging from the bottom of the frame after a great white shark diorama at the American Museum of Natural History. The female swimmer at the top was actually a model that Kastel was sketching at his studio for an ad in Good Housekeeping. He asked her to stay a half-hour longer and had her pose for the image by lying on a stool and pretending to swim.


14. The sole music notes played for composer John Williams’ Jaws theme are E and F.

Jaws marked the second time Williams worked with Spielberg after his film The Sugarland Express, and Williams would go on to compose the music for every Spielberg movie up to the present.


15. Steven Spielberg didn’t direct the shot of the shark exploding.

In fact, he had already returned to Los Angeles after the film’s grueling shooting schedule to begin post-production on the film and left the shot up to the production’s second unit.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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