DID YOU READ

15 Monster-Sized Facts About Jaws

JAWS, Robert Shaw, Roy Scheider, Richard Dreyfuss, 1975

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Steven Spielberg’s monster fish tale became an instant classic following its 1975 release—and the story of its creation is just as interesting as the film itself. Savor Jaws even more knowing these 15 fascinating tidbits.

1. The film is adapted from author Peter Benchley’s bestselling novel of the same name.

Benchley based his thriller on a series of shark attacks that occurred off the coast New Jersey in 1916 and after an incident where a New York fisherman named Frank Mundus caught a 4,500-lb. shark off the coast of Montauk in 1964. Other title ideas Benchley had before settling on Jaws were The Stillness in the Water, The Silence of the Deep, Leviathan Rising, and The Jaws of Death.


2. Benchley himself makes a cameo in the film.

He plays the news reporter who addresses the camera on the beach. Benchley had previously worked as a news reporter for the Washington Post before penning Jaws.


3. The shark doesn’t fully appear in a shot until 1 hour and 21 minutes into the 2-hour film.

While the lack of shark appearances works to heighten the film’s tension, the real reason it isn’t shown is because the mechanical shark that was built rarely worked during filming. Director Steven Spielberg had to create inventive ways (like Quint’s yellow barrels) to shoot around the non-functional shark.


4. To create the fictional town of Amity, the film shot on location in Edgartown and Menemsha on Martha’s Vineyard in Massachusetts.

Strict land ordinances kept the production from building anywhere — Quint’s shack was the one and only set built for the movie, and the defaced Amity Island billboard had to be constructed, have the scenes around it shot, and taken down all in one day.


5. Spielberg nicknamed the shark “Bruce,” after his lawyer, Bruce Ramer.

Ramer also represents Demi Moore, Ben Stiller, and Clint Eastwood.


6. The opening sequence took three days to film.

To achieve the jolting motions of the shark attacking the swimmer, a harness with cables was attached to actress Susan Backlinie’s legs and was pulled by crewmembers back and forth along the shoreline. Spielberg didn’t alert Backlinie as to when she would be “attacked,” so her terrified reaction is genuine.


7. Richard Dreyfuss wasn’t Spielberg’s first choice to play oceanographer Matt Hooper.

Spielberg initially approached Jon Voight, Timothy Bottoms, and Jeff Bridges for the role. When none of them could commit, Spielberg’s friend George Lucas suggested Richard Dreyfuss, whom Lucas has directed in his film American Graffiti.


8. Roy Scheider was cast after eavesdropping on Spielberg at a party.

Scheider over-heard Spielberg talking to a friend at a Hollywood party about the scene where the shark leaps out of the water and onto Quint’s boat. Scheider was instantly enthralled, and asked Spielberg if he could be in the film. Spielberg loved Scheider from his role in the Academy Award winning film The French Connection, and later offered the actor the leading part of Chief Martin Brody.

9. Shaw’s performance was based on a real guy.

Shaw modeled Quint on Martha’s Vineyard native and fisherman Craig Kingsbury, a non-actor who appears as Ben Gardner in the film. Kingsbury helped Shaw with his accent and allegedly told Shaw old sea stories that the actor incorporated into his improvised dialogue as Quint.


10. Brody’s famous “You’re gonna need a bigger boat” line wasn’t in the script.

It was entirely improvised by Roy Scheider.


11. The film almost included a love triangle.

Early scripts included an affair between Hooper and Chief Brody’s wife.


12. Jaws was initially rated R by the MPAA.

After selected gruesome frames of the shot showing the severed leg of the man attacked by the shark in the estuary were trimmed down, the film was given a PG rating (the PG-13 rating wasn’t created until Spielberg’s own film, Indiana Jones and the Temple of Doom, nine years later).


13. The film’s iconic poster image was designed by artist Roger Kastel for the paperback edition of Benchley’s book.

Kastel modeled the image of the massive shark emerging from the bottom of the frame after a great white shark diorama at the American Museum of Natural History. The female swimmer at the top was actually a model that Kastel was sketching at his studio for an ad in Good Housekeeping. He asked her to stay a half-hour longer and had her pose for the image by lying on a stool and pretending to swim.


14. The sole music notes played for composer John Williams’ Jaws theme are E and F.

Jaws marked the second time Williams worked with Spielberg after his film The Sugarland Express, and Williams would go on to compose the music for every Spielberg movie up to the present.


15. Steven Spielberg didn’t direct the shot of the shark exploding.

In fact, he had already returned to Los Angeles after the film’s grueling shooting schedule to begin post-production on the film and left the shot up to the production’s second unit.

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Forget Oscar

Find Your Spirit Animal

The Spirit Awards are LIVE this Saturday at 2p PT/5p ET.

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In just a few precious days, the greatest, most epic, most star-studded awards ceremony of the year comes to IFC.

And please, we’re definitely not talking about the Oscars. We’re talking about the Spirit Awards. Hosted by iconic comedy duo Nick Kroll and John Mulaney, it’s a relatively under-the-radar awards show with serious cred. And if the past is any indicator, we’re in for a wild night.

If you feel like doing your homework, you can find a full list of nominees and performance excerpts here. It reads like a who’s who of everyone that matters – those larger-than-life personalities with status that borders on mythological. Our celebrity spirit animals, if you will.

This isn’t hyperbole. Literally everyone who takes the stage at the awards show is spirit animal material. Let’s see if we can help you find yours…

Do you

Live in someone else’s shadow despite shining like the sun? Do you inexplicably vandalize your pretty-boy good looks with a sloppy-joe man bun and a repellent pubic-hair beard? Do you think sounding stoned and sounding thoughtful are kinda the same thing?

Congratulations, your spirit animal is Casey Affleck.

He’s the self-canonized patron saint of anyone who’s got the goods but doesn’t give a damn.

Do you

Have mid-length hair and exude a certain feminine masculinity that is universally appealing? Are you drawn to situations that promise little to nothing in the way of grooming or hygiene as a transparently self-conscious attempt to conceal your radiant inner glow? Does that fail miserably?

Way to go, your spirit animal is Viggo Mortensen.

He’s the yoga teacher of actors, in that what should make him super nasty only increases his curb appeal.

Do you

Get zero recognition for work that everyone knows is unrivaled? Do you inspire greatness in others yet get shortchanged when it comes to your own acclaim? Are you a goddam B-52 bomber in an industry of biplanes?

Bingo, your spirit animal is Annette Bening.

What does it take for this artist to win an Oscar? Honestly now, if her performance in 20th Century Women doesn’t earn her every award on the planet, consider it proof that the Universe truly is a cold dark void absent of reason or compassion.

Do you

Walk into a room full of strangers and walk out with a room full of friends? Have you been hiding under the radar just waiting for the right moment to leap out into the spotlight and stay there FOREVER? Do you possess the almost messianic ability to elevate Shia LaBeouf’s on-screen charisma?

You guessed it (or not), your spirit animal is 100% Sasha Lane.

If you haven’t seen American Honey, then you haven’t heard of her. She came out of the blue with a performance both subtle and powerful, and now she’s going to be in all the movies from this moment on. Or she should be, at any rate.

Don’t see your spirit animal there? Worry not. There are many more nominees to choose from, and you can see them all (yes, including Shia LaBeouf) during the Independent Spirit Awards, this Saturday at 2pm PT/5pm ET only on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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