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DID YOU READ

15 Things You Probably Didn’t Know About Braveheart

BRAVEHEART, Mel Gibson, 1995. TM and Copyright (c) 20th Century Fox Film Corp. All rights reserved.

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You remember Mel Gibson’s award-winning performance as William Wallace, but these nuggets about the creation of Braveheart may enrich your repeat viewings.

1. Screenwriter Randall Wallace first had the idea on a vacation to Edinburgh.

He saw statues of William Wallace (no relation) and Robert the Bruce adorning Edinburgh Castle and asked a tour guide who they were. The guide proceeded to tell the screenwriter about their story. Wallace was immediately inspired to write a screenplay about the famed warriors.


2. But Wallace didn’t immediately start his research.

Wallace opted to do specific historical research after he completed his screenplay because he wanted to capture the drama of the story first and input historical details later. Wallace brushes off claims of the movie’s historical inaccuracy by saying that the script is only his dramatic interpretation.


3. Mel Gibson didn’t want a title sequence.

The director opted against including a main title sequence because he felt the film should launch right into the story. Nevertheless, famous designer Kyle Cooper created a brief title sequence for the film. Cooper would go on to do the noted title sequences for films like Se7en, Spider-Man, Iron Man, and American Horror Story.


4. There’s a little Spartacus in Gibson’s direction.

Gibson’s main inspirations for Braveheart were sword-and-sandal epics he watched growing up, like El Cid and Spartacus.


5. Gibson worked in order.

The first shot in the movie was the first shot that he filmed.


6. James Robinson, who plays Young William, hadn’t acted in a movie before Braveheart.

At one of the casting calls in Glasgow, Gibson asked another young actor there if he knew anybody who would be good for the movie, and the young actor referred Gibson to Robinson.


7. Mel Gibson’s brother makes an appearance.

The director’s brother, Donal Gibson, plays the leader of one of the clans that joins up with William Wallace at the midpoint of the movie.


8. Mad Max influenced the battle scenes.

Gibson admits that he borrowed the cinematic techniques for most of the violent shots in the movie—like shooting at different speeds or using jump cuts to emphasize the violence—from his Mad Max director George Miller. He also admittedly borrowed ideas and techniques for more atmospheric shots from director Peter Weir (who directed Gibson in Gallipoli and The Year of Living Dangerously).

9. Gibson had no choice but to star as William Wallace.

Gibson was relatively new to directing and was known more as an actor when he took on Braveheart – at that point his only directing credit was the small drama The Man Without a Face. Because of his onscreen fame, Paramount Pictures would allegedly only agree to let Gibson direct the movie if he starred in it.


10. Gibson didn’t have actors read lines when they auditioned.

Instead, he sat down and talked to each actor over tea.


11. Gibson brought in actual members of the Wallace clan as extras.

They’re standing around Wallace during the opening shots of battles.


12. There’s a subtle Shakespeare reference in the film’s most famous speech.

William Wallace’s famous “Freedom” speech was heavily inspired by King Henry’s “St. Crispin’s Day Speech” from the Shakespeare play Henry V.


13. The distinctive face paint—called “woad”— is actually an anachronism.

It was never worn in battle at the time the movie takes place.


14. Gibson’s woad went through some revisions.

Gibson originally wanted to have St. Andrew’s Cross (a symbol of Scotland that appears on its contemporary flag) as the woad design on his face, but the film’s makeup artist, Lois Burwell, suggested the now iconic half-face-covering design. Good call by Burwell – she won the Oscar for Best Makeup for Braveheart.


15. Some of the warriors were real-life soldiers.

The production used reserve soldiers from the Irish territorial army as extras during the battle scenes. To save money, the same group played both Scottish and English forces and simply changed costumes depending on the angles Gibson wanted to shoot.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.