DID YOU READ

15 Things You Probably Didn’t Know About Braveheart

BRAVEHEART, Mel Gibson, 1995. TM and Copyright (c) 20th Century Fox Film Corp. All rights reserved.

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You remember Mel Gibson’s award-winning performance as William Wallace, but these nuggets about the creation of Braveheart may enrich your repeat viewings.

1. Screenwriter Randall Wallace first had the idea on a vacation to Edinburgh.

He saw statues of William Wallace (no relation) and Robert the Bruce adorning Edinburgh Castle and asked a tour guide who they were. The guide proceeded to tell the screenwriter about their story. Wallace was immediately inspired to write a screenplay about the famed warriors.


2. But Wallace didn’t immediately start his research.

Wallace opted to do specific historical research after he completed his screenplay because he wanted to capture the drama of the story first and input historical details later. Wallace brushes off claims of the movie’s historical inaccuracy by saying that the script is only his dramatic interpretation.


3. Mel Gibson didn’t want a title sequence.

The director opted against including a main title sequence because he felt the film should launch right into the story. Nevertheless, famous designer Kyle Cooper created a brief title sequence for the film. Cooper would go on to do the noted title sequences for films like Se7en, Spider-Man, Iron Man, and American Horror Story.


4. There’s a little Spartacus in Gibson’s direction.

Gibson’s main inspirations for Braveheart were sword-and-sandal epics he watched growing up, like El Cid and Spartacus.


5. Gibson worked in order.

The first shot in the movie was the first shot that he filmed.


6. James Robinson, who plays Young William, hadn’t acted in a movie before Braveheart.

At one of the casting calls in Glasgow, Gibson asked another young actor there if he knew anybody who would be good for the movie, and the young actor referred Gibson to Robinson.


7. Mel Gibson’s brother makes an appearance.

The director’s brother, Donal Gibson, plays the leader of one of the clans that joins up with William Wallace at the midpoint of the movie.


8. Mad Max influenced the battle scenes.

Gibson admits that he borrowed the cinematic techniques for most of the violent shots in the movie—like shooting at different speeds or using jump cuts to emphasize the violence—from his Mad Max director George Miller. He also admittedly borrowed ideas and techniques for more atmospheric shots from director Peter Weir (who directed Gibson in Gallipoli and The Year of Living Dangerously).

9. Gibson had no choice but to star as William Wallace.

Gibson was relatively new to directing and was known more as an actor when he took on Braveheart – at that point his only directing credit was the small drama The Man Without a Face. Because of his onscreen fame, Paramount Pictures would allegedly only agree to let Gibson direct the movie if he starred in it.


10. Gibson didn’t have actors read lines when they auditioned.

Instead, he sat down and talked to each actor over tea.


11. Gibson brought in actual members of the Wallace clan as extras.

They’re standing around Wallace during the opening shots of battles.


12. There’s a subtle Shakespeare reference in the film’s most famous speech.

William Wallace’s famous “Freedom” speech was heavily inspired by King Henry’s “St. Crispin’s Day Speech” from the Shakespeare play Henry V.


13. The distinctive face paint—called “woad”— is actually an anachronism.

It was never worn in battle at the time the movie takes place.


14. Gibson’s woad went through some revisions.

Gibson originally wanted to have St. Andrew’s Cross (a symbol of Scotland that appears on its contemporary flag) as the woad design on his face, but the film’s makeup artist, Lois Burwell, suggested the now iconic half-face-covering design. Good call by Burwell – she won the Oscar for Best Makeup for Braveheart.


15. Some of the warriors were real-life soldiers.

The production used reserve soldiers from the Irish territorial army as extras during the battle scenes. To save money, the same group played both Scottish and English forces and simply changed costumes depending on the angles Gibson wanted to shoot.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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