DID YOU READ

10 Things You Didn’t Know About John Hughes

SIXTEEN CANDLES, Molly Ringwald, Director John Hughes, Mark Schoeffling, 1984. (c)Universal Pictures

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Few directors get the opportunity to define a genre like John Hughes did with the teen comedy. Throughout the 1980s, he laid the groundwork for the modern high school flick, and in celebration we’ll share some interesting factoids about his life and movies.

10. He Wrote Under a Pseudonym

Hughes was insanely prolific in comparison to most A-level screenwriters, so to keep from saturating the market he used the name “Edmond Dantes” for his weaker material like the Beethoven movies.

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9. His First Screenplay Was a Jaws Parody

In the 1970s, the way into the comedy world was through the pages of the National Lampoon. Publisher Matty Simmons gave Hughes his first Hollywood break by hiring him to write Jaws 3, People 0, an aborted spoof of the killer shark films.

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8. The Breakfast Club Confessions Were Improvised

John Hughes showed a great deal of trust in his teenage actors, and one of the most affecting bits in The Breakfast Club – where the kids tell each other why they’re in detention – was completely improvised by each actor.

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7. Hughes Wrote The Breakfast Club in Two Days

Hughes was a notoriously fast writer, leaving behind dozens of unproduced movies after his death. During his productive peak, he was known to knock out a whole screenplay in a weekend.

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6. He Put Cue Cards on John Candy’s Head

During the sequence in Uncle Buck where Macaulay Culkin interrogates Buck, the script’s dialogue was written on index cards and placed on John Candy’s head so Culkin could get his lines off quickly without having to worry about memorization.

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5. He Almost Made a Live-Action Peanuts Movie

In 1992, Warner Brothers bought the film rights to classic comic strip Peanuts for Hughes to turn into a live-action flick, but after Dennis The Menace bombed the project was shelved.

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4. He Made Robert Downey Jr. So Mad He Pooped in a Trailer

Weird Science was one of Downey’s first breakthrough roles, but working with Hughes was so aggravating that the young actor took a dump on the floor of co-star Kelly LeBrock’s trailer out of spite.

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3. The License Plates in Sixteen Candles Have Hidden Messages

Jake’s car has a plate reading 21850 – 2/18/1950 is John Hughes’s birthday. Samantha’s grandparents have a car that is licensed V58, a reference to “Vacation ’58,” the Hughes short story that inspired National Lampoon’s Vacation.

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2. Hughes Fired a Guy Over Pizza

A Spy article published in 1993 shared numerous stories about Hughes’s difficulty to work with, claiming that he fired a prop supervisor on Curly Sue because, after innumerable takes of a pizza eating scene, he ran out of cheese pizza and had to substitute sausage.

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1. Many of His Movies Were Supposed to Have Sequels

The wave of 80s nostalgia that peaked in the mid-2000s spawned talk of sequels to The Breakfast Club and Ferris Bueller’s Day Off that would revisit the characters at later points in their lives, but they never materialized.

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Take a trip to Shermer, IL this Saturday with Sixteen Candles, The Breakfast Club, Uncle Buck and Weird Science airing all day on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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