DID YOU READ

15 Things You Probably Didn’t Know About Dominion: Prequel to the Exorcist

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You remember being scared by the original The Exorcist, but you may not have known these stories about its terrifying prequel.

1. The director changed late in the game.

John Frankenheimer was originally brought on to direct the prequel, but he had to withdraw due to health concerns. He passed away a month after bowing out.


2. Production didn’t go too smoothly.

Paul Schrader took the helm from Frankenheimer. Schrader had nearly completed Dominion in 2002 when the studio pulled the plug over concerns that his prequel wasn’t scary enough.


3. That’s when things got complicated.

After the studio axed Schrader’s film, an entirely new prequel, this time directed by Renny Harlin, went into production. This new film, Exorcist: The Beginning, used the same sets and much of the same cast as Dominion. It failed both critically and financially upon its release, so in an effort to recoup their investment the studio gave Schrader just $35,000 to complete his version on top of the original $30 million budget.


4. The hiatus stopped the music.

Because Schrader was forced to shelve the movie, the score was left incomplete. Composer Angelo Badalamenti finished some of the music, but the rest was completed by heavy metal band Dog Fashion Disco, who were introduced to Schrader by his son.


5. Liam Neeson originally had a part.

Neeson was slated to play Father Merrin, but he dropped out because of scheduling conflicts with Martin Scorsese’s Gangs of New York.


6. There’s a Swedish influence.

Taking inspiration from the original Exorcist, Schrader cast actor Stellan Skarsgård as Father Merrin because he felt Skarsgård is the best Swedish actor of his generation—just as he thought Max von Sydow (the original actor who played Merrin in The Exorcist) was the best Swedish actor of his generation.


7. Production spanned two continents.

The film’s exteriors were shot on a set built 45 minutes outside of Marrakesh in Morocco, and the interiors were shot at the famed Cinecittà studios in Rome. Production lasted 10 weeks, with five in Morocco and five in Rome.


8. Kenyan politics disrupted the whole shoot.

Schrader originally sought to shoot the film where the story actually takes place, in modern day Turkana County, Kenya, but it proved to be implausible because of the area’s war-torn and unstable political situation.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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