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Meet the 2014 Indie Spirit Award Nominees

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The Film Independent Spirit Awards have announced the nominees for their 29th annual celebration of independent film. Actor and comedian Patton Oswalt will host the ceremony when it takes place in a tent on the beach in Santa Monica. The event will air exclusively on IFC, Saturday March 1st at 10:00 pm ET/PT.

BEST FEATURE

12 Years a Slave
PRODUCERS: Dede Gardner, Anthony Katagas, Jeremy Kleiner, Steve McQueen, Arnon Milchan, Brad Pitt, Bill Pohlad
All Is Lost
PRODUCERS: Neal Dodson, Anna Gerb
Frances Ha
PRODUCERS: Noah Baumbach, Scott Rudin, Rodrigo Teixeira, Lila Yacoub
Inside Llewyn Davis
PRODUCERS: Ethan Coen, Joel Coen, Scott Rudin
Nebraska
PRODUCERS: Albert Berger, Ron Yerxa

BEST DIRECTOR

Shane Carruth Upstream Color
J.C. Chandor All Is Lost
Steve McQueen 12 Years a Slave
Jeff Nichols Mud
Alexander Payne Nebraska

BEST SCREENPLAY

Woody Allen for Blue Jasmine
Julie Delpy, Ethan Hawke & Richard Linklater for Before Midnight
Nicole Holofcener for Enough Said
Scott Neustadter & Michael H. Weber for The Spectacular Now
John Ridley for 12 Years a Slave

BEST FIRST FEATURE

Blue Caprice
Concussion
Fruitvale Station
Una Noche
Wadjda

BEST FIRST SCREENPLAY

Lake Bell for In A World
Joseph Gordon-Levitt for Don Jon
Bob Nelson for Nebraska
Jill Soloway for Afternoon Delight
Michael Starrbury for The Inevitable Defeat of Mister and Pete

JOHN CASSAVETES AWARD
Given to the best feature made for under $500,000.

Computer Chess
WRITER/DIRECTOR: Andrew Bujalski
PRODUCERS: Houston King & Alex Lipschultz
Crystal Fairy
WRITER/DIRECTOR: Sebastiàn Silva
PRODUCERS: Juan de Dios Larraín & Pablo Larraín
Museum Hours
WRITER/DIRECTOR: Jem Cohen
PRODUCERS: Paolo Calamita & Gabriele Kranzelbinder
Pit Stop
WRITER/DIRECTOR: Yen Tan
WRITER: David Lowery
PRODUCERS: Jonathan Duffy, James M. Johnston, Eric Steele, Kelly Williams
This is Martin Bonner
WRITER/DIRECTOR: Chad Hartigan
PRODUCER: Cherie Saulter

BEST FEMALE LEAD

Cate Blanchett for Blue Jasmine
Julie Delpy for Before Midnight
Gaby Hoffmann for Crystal Fairy
Brie Larson for Short Term 12
Shailene Woodley for The Spectacular Now

BEST MALE LEAD

Bruce Dern for Nebraska
Chiwetel Ejiofor for 12 Years a Slave
Oscar Isaac for Inside Llewyn Davis
Michael B. Jordan for Fruitvale Station
Matthew McConaughey for Dallas Buyers Club
Robert Redford for All Is Lost

BEST SUPPORTING FEMALE

Melonie Diaz for Fruitvale Station
Sally Hawkins for Blue Jasmine
Lupita Nyong’o for 12 Years a Slave
Yolonda Ross for Go For Sisters
June Squibb for Nebraska

BEST SUPPORTING MALE

Michael Fassbender for 12 Years a Slave
Will Forte for Nebraska
James Gandolfini for Enough Said
Jared Leto for Dallas Buyers Club
Keith Stanfield for Short Term 12

BEST CINEMATOGRAPHY

Sean Bobbitt for 12 Years a Slave
Benoit Debie for Spring Breakers
Bruno Delbonnel for Inside Llewyn Davis
Frank G. DeMarco for All Is Lost
Matthias Grunsky for Computer Chess

BEST EDITING

Shane Carruth & David Lowery for Upstream Color
Jem Cohen & Marc Vives for Museum Hours
Jennifer Lame for Frances Ha
Cindy Lee for Una Noche
Nat Sanders for  Short Term 12

BEST DOCUMENTARY 

20 Feet From Stardom
DIRECTOR/PRODUCER: Morgan Neville
PRODUCERS: Gil Friesen & Caitrin Rogers

After Tiller
DIRECTORS/PRODUCERS: Martha Shane & Lana Wilson

Gideon’s Army
DIRECTOR/PRODUCER: Dawn Porter
PRODUCER: Julie Goldman

The Act of Killing
DIRECTOR/PRODUCER: Joshua Oppenheimer
PRODUCERS: Joram Ten Brink, Christine Cynn, Anne Köhncke, Signe Byrge Sørensen, Michael Uwemedimo

The Square
DIRECTOR: Jehane Noujaim
PRODUCER: Karim Amer

BEST INTERNATIONAL FILM 

A Touch of Sin
(China)
DIRECTOR: Jia Zhang-Ke

Blue is the Warmest Color
(France)
DIRECTOR: Abdellatif Kechiche

Gloria
(Chile)
DIRECTOR: Sebastián Lelio

The Great Beauty
(Italy)
DIRECTOR: Paolo Sorrentino

The Hunt
(Denmark)
DIRECTOR: Thomas Vinterberg

ROBERT ALTMAN AWARD

Given to one film’s director, casting director, and its ensemble cast

Mud
Director: Jeff Nichols

Casting Director: Francine Maisler

Ensemble Cast: Joe Don Baker, Jacob Lofland, Matthew McConaughey, Ray McKinnon, Sarah Paulson, Michael Shannon, Sam Shepard, Tye Sheridan, Paul Sparks, Bonnie Sturdivant, Reese Witherspoon

17th ANNUAL PIAGET PRODUCERS AWARD

The 17th annual Producers Award, sponsored by Piaget, honors emerging producers who, despite highly limited resources demonstrate the creativity, tenacity, and vision required to produce quality, independent films. The award includes a $25,000 unrestricted grant funded by Piaget.
Toby Halbrooks & James M. Johnston
Jacob Jaffke
Andrea Roa
Frederick Thornton

20th ANNUAL SOMEONE TO WATCH AWARD

The 20th annual Someone to Watch Award recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.
My Sister’s Quinceañera

DIRECTOR: Aaron Douglas Johnston

Newlyweeds

DIRECTOR: Shaka King

The Foxy Merkins
DIRECTOR: Madeline Olnek

19th ANNUAL STELLA ARTOIS TRUER THAN FICTION AWARD

The 19th annual Truer Than Fiction Award, sponsored by Stella Artois, is presented to an emerging director of non-fiction features who has not yet received significant recognition. The award includes a $25,000 unrestricted grant.

Kalyanee Mam for A River Changes Course

Jason Osder for  Let the Fire Burn

Stephanie Spray & Pacho Velez for Manakamana

The Film Independent Spirit Awards will air on IFC on Saturday March 1st at 10:00 pm ET/PT.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.