DID YOU READ

Chris Gethard on the Best Comedy Advice He’s Ever Heard

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As any comedian will tell you, getting laughs on stage is no easy feat. But getting laughs in a coffee and crepe shop? Unless you’re good—no, make that great—it’s next to impossible. For IFC’s web series Comedy Drop, Chris Gethard was able to pull it off. To find out how, we spoke with Chris about joke writing, dealing with nerves and the best comedy advice he’s ever heard.

Aside from Comedy Drop, where was the strangest—or most interesting—place you’ve done stand up?

I’m a fan of music and have become pretty locked in with the local punk scene, and have been asked to host a number of music shows as a comedian. This is fun, but it’s also tough because no one really wants to listen to a comedian at a rock show. I hosted a show for WFMU once – and WFMU is definitely a literate, smart, laid back crowd – at the Bell House. They went ape shit on me. One guy stood four feet in front of the stage and every time I tried to speak shouted the words “PLAY FUCKING MUSIC.” These were like, dorky record collector types. I couldn’t believe they had that much rage in them.

Where was the first place you ever performed?

I’d been doing improv and sketch for years, and my friend Joe Mande started pushing me to try stand up. He invited me to do his show down at Riffifi, which was a great bar that had stand up shows every night. It was a really fantastic place to perform. I felt safe there, and knowing my friend Joe was hosting the show and looking out for me made me feel okay about it, though I was intensely nervous.

Those nerves reflected themselves in a specific tick – for some reason, I kept putting my hand in my back pocket. It was a compulsive fear based thing, I didn’t realize I was doing it. The jokes went okay – it was my first time, so they weren’t good by any stretch, but I didn’t feel awful about it.

My friend Joe got on stage and immediately started tearing me to pieces for putting my hand in my pocket. He riffed for like two straight minutes on what I possibly could have been doing – had I lost the punchlines to my jokes back there? Was I picking something out of my butt? His improvised commentary on my physical demeanor on stage got roughly 100 times more laughs than any joke I actually told.

I didn’t do stand up again for like eighteen months.

Performing in front of crowds—especially ones not expecting comedy—has to be tough. Do you have any rituals to shake pre-show jitters?

At this point, I am happy to say I’m at a place where I can remind myself that nothing really matters and failure is fun. I both succeed and fail on stage on a regular basis, and I honestly think being met with silence is a fun process and I know it leads to a lot of growth. So that makes jitters sort of null and void. Nothing matters.

How do you approach joke writing? Do you hunker down and write, or does inspiration need to find you first?

All of my jokes are generally storytelling style, which means I usually have to live life and keep my eyes peeled for the weirdness my days throw at me. Then I go on stage and tell the stories in loose formats, keeping my ears open to what crowds respond to and seeing if my angles and opinions on those things strike a chord. Then I refine my viewpoints on them and tighten them up and look for punchlines. I really only write by getting on stage and talking and refining, as opposed to sitting down and writing. It takes a long time but it’s my style.

Is a joke ever fully “ready,” or is it always “in progress”?

Always in progress. I have an improv background, so I’m always really happy to cut and run and look for new punchlines along the way.

What is the best piece of stand up advice you’ve ever heard?

There’s so much advice that goes so far, both from people I actually know or just by knowing my history and hearing stuff passed down through generations. Here’s one that actually had a profound effect on me: Mike Birbiglia recently told me to start with the joke. That sounds simple, but for a storyteller I’m always slogging through exposition. That’s sometimes how idiotic I am. “Oh right, start with the funny part and they’ll get hooked in sooner. Makes sense.” But you do build these jokes that have all these moving parts, and you think people need to know all this context to understand, and they don’t. Really if you can get them laughing, they’ll then buy into the context. Start with the context and you might lose them before you get to the joke. Reading this back makes me realize how much I should already have known that, but I’ve been writing more complex stories lately and getting tangled up in them. Mike is easily one of the best storyteller comedians out there and he saw it, pinpointed it, and handed me a note that is going to save me months and months of figuring out why I can’t get jokes as tight as I want them.

What’s a joke that makes you laugh, or smile, every time?

The Louis C.K. “Give Me Back My Jacket” joke always gets me. I would love to be able to tell a story this well.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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