DID YOU READ

Maggie Carey Talks Dirty About The To Do List

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For every movie about a guy’s quest to lose his virginity, there’s a girl’s story left untold — but The To Do List has that on the top of its list to remedy. Our heroine, Brandy Klark, played with much aplomb by Aubrey Plaza, is her graduating high school class’ valedictorian, but she has a singular goal to achieve before she starts college — and it’s to sleep with hot older guy about town Rusty Waters (played by Scott Porter). Since she’s a virgin, her plan is to get some experience under her belt first, so she makes a checklist of every sexual practice she’s ever heard of, with the goal to acquire skills she thinks it would be necessary to finally “graduate” in this arena.

“People said, ‘Aubrey’s too pretty. Guys would just sleep with her, no problem,'” the film’s writer/director Maggie Carey told IFC. “But she doesn’t want just any boy. She wants a hot college boy, and she has no way to wow him. She’s inarticulate in front of him.”

Brandy, however, is far from inarticulate in front of everybody else. She’s the quintessential high-achieving smart girl at school, who in any other movie or sitcom would be portrayed as a nerd, even if she’s a cute nerd. Think Carol Seavers on Growing Pains, Jesse on Saved by the Bell, Willow on Buffy the Vampire Slayer, Tracy Flick in Election, Hermione Granger in the Harry Potter series. Some of these girls are referenced visually in the film, which takes place in 1993, since the costume designer actually tracked down wardrobe items from Saved by the Bell and Beverly Hills, 90210. “When Rachel Bilson shows up at the pool with a great black and white print with the midriff showing, that was something Donna would have worn,” Carey said.

Although these girls did sometimes get the hot guy (or hot girl, in Willow’s case), they usually had some degree of romantic feeling about it. The ones who were a little more cynical about it — Stacy in Fast Times at Ridgemont High, Ferris and Angel in Little Darlings — had to pay a price of sorts for their nonchalance.”One thing that was very important to me is that losing it wasn’t a bad thing,” Carey said. “I didn’t want Brandy to regret it. It didn’t happen as she thought it would, or the way she expected it would, but she was in control. The audience never had to be worried for her, so you’re not uncomfortable.”

Some of Brandy’s first experiences with making out, digital stimulation, and hand jobs are with her male study partner Cameron (played by Johnny Simmons). From his perspective, this constitutes a romance, but not in Brandy’s eyes.

“That was something that even when I was trying to get the movie financed, marketed, and tested, people kept calling it a romantic comedy,” Carey laughed. “But this is not romantic! This is a comedy comedy, not a romantic comedy. Don’t get me wrong. I love romantic comedies, but that’s not what this is. Brandy is stereotypically male, and Cameron is stereotypically female, because he’s sappy about it, and she’s more methodical, treating sex like she’s studying for a test.”

Hence her penchant for wanting to get the terminology right. A funny discussion between Brandy’s friends (played by Alia Shawkat and Sarah Steele) is a debate about what to call a particular sex act, pre-Internet when you couldn’t look up sex slang on Google. “It’s the one most people kept asking me about, when I sent out a draft of the script for feedback,” Carey said. “Fingerbang. One person said, ‘No, I think it’s called, ‘Fingerblasted.’ Another would write back, ‘I think it’s fingerbombed.’ So I turned that into the argument in the movie.” (The term that confused Carey most growing up? “Pearl necklace. No one was doing it, but people would make jokes about it, and you’d be like, ‘What is that? What? No thank you!'”)

During one of these feedback sessions, Michael Cera came up with an alternate title for the film — The Fuck-It List. “That was a pretty brilliant title,” Carey chuckled. “We actually were going to call the film The Hand Job at one point, and then once we started location scouting at schools, we realized we couldn’t keep it.”

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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