DID YOU READ

Nat Faxon and Jim Rash on the Story Behind The Way, Way Back

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On a trip to Lake Michigan one summer, Jim Rash’s stepfather asked him to rate himself on a scale of one to ten — the then-fourteen-year-old Rash thought he was a six, and his not-so-helpful stepdad informed him that he was a three. This real-life hurtful moment provides the basis for Rash’s latest film, The Way, Way Back — co-written and co-directed with the Oscar winner’s creative partner, Nat Faxon. (The two last paired on The Descendants).

“The very first scene in the movie is true, that horrible conversation, verbatim,” Rash told IFC. “It’s not like it led to this horrible summer vacation, nor did it lead to the amazing one depicted in this film, but it’s about the connections we have with people, whether it’s for a split second, for a summer, or for the period that they’re married to your mother, and how they give you something, even if you didn’t realize it at the time.”

The fourteen-year-old in the film, Duncan (played by Liam James from The Killing) is offended by the ranking, which in the film is given by Trent (Steve Carell), his mom’s boyfriend, in order to try to urge the teenager to get out and participate in life more often, instead of just hanging around the house, i.e. his beach house where he wants some alone time with the mother (Toni Collette) that summer. At a later point, Duncan finds a bicycle and makes his way to the other end of town, where he discovers a water park called Water Wizz, and a quirky water park manager named Owen (Sam Rockwell) who offers him a job, takes him under his wing, and gets him to, yes, participate in life.

“It’s the same message, but in a more nurturing way,” Rash said. “However you feel about what Trent said, Duncan took it to heart and acted on it, perhaps in rebellion, but he still did it. Sometimes someone we don’t look back fondly on might have given us some words of wisdom we didn’t expect. Because weirdly, what Duncan does is what both Trent and Owen were alluding to, regardless of the tact that wasn’t there when Trent said it.”

It took Rash and Faxon eight years to get the film off the ground — Shawn Levy (Real Steel) was even proposed as a director at one point before the pair managed to snag that job for themselves. “You have to have patience,” Rash said. “Little Miss Sunshine took four years. We had the opportunity to make it fast the wrong way, but we went for the long route.”

Along the way, Rash and Faxon were offered the screenwriting gig for The Descendants, based off the unproduced script they wrote for this one. (Alexander Payne’s company Ad Hominem had read it, and brought them aboard to adapt its tonally similar dysfunctional family story). Still, they kept hoping to get The Way, Way Back started. Rash and Faxon cast Allison Janney as a booze-cruise neighbor first, and then started looking for the water park manager who would provide the heart of the story. Jake Gyllenhaal was considered before they found Sam Rockwell. “We met with Jake, but he didn’t work out,” Rash said. “But it was great to meet him and talk about it.” Rockwell, however, got the inspiration of Bill Murray in Meatballs for his character right off the bat in the first phone meeting, which helped seal the deal.

And then once The Way, Way Back got its own little dose of Little Miss Sunshine casting — courtesy of Carell and Collette, now playing lovers instead of siblings, it got the needed traction as far as financing was concerned. “With Trent, we wanted to go against type,” Rash said. “We wanted to be a real, true, tragic male character, not a villain. And we tried to find great and perfect people.” To make it easier for Carell to accept the gig, Rash and Faxon even moved production to be near his summer home.

Although the film starts with Rash’s “sad memory,” Faxon said he brought “the happy ones” to the table. “I was fortunate enough to spend most of my summers on Nantucket Island,” he said, “and there was a whole crew and community of people I saw three months a year. You’d change in the other nine months, but you’d go back to that special summer place, and it would all be the same somehow.” Creating a sense of community, as Duncan learns to do at his odd job at the Water Wizz park, is something Faxon did while working odd summer jobs in Nantucket. One of his jobs involved collating newspapers at the local rag, The Inquirer and Mirror, in the basement with five elderly women. “No TV, no music, just gossiping!” he laughed. (It also helped him learn to become a storyteller, he said: “Lots to draw from.”)

Even though Rash has long since learned to “get out there,” and has channeled his life lesson into this summer comedy, Faxon said that his creative partner still tends to retreat into his shell. “Every night in L.A., I’m telling Jim he needs to get out and come to a party,” Faxon laughed.

“It’s hard for me!” Rash protested. “It’s like a boy in the bubble. If I had a bubble, I’d be better off.”

“I’m your bubble, Jim,” Faxon offered.

“He’s my bubble,” Rash agreed.

The Way, Way Back is in theaters now.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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