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DID YOU READ

Nat Faxon and Jim Rash on the Story Behind The Way, Way Back

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On a trip to Lake Michigan one summer, Jim Rash’s stepfather asked him to rate himself on a scale of one to ten — the then-fourteen-year-old Rash thought he was a six, and his not-so-helpful stepdad informed him that he was a three. This real-life hurtful moment provides the basis for Rash’s latest film, The Way, Way Back — co-written and co-directed with the Oscar winner’s creative partner, Nat Faxon. (The two last paired on The Descendants).

“The very first scene in the movie is true, that horrible conversation, verbatim,” Rash told IFC. “It’s not like it led to this horrible summer vacation, nor did it lead to the amazing one depicted in this film, but it’s about the connections we have with people, whether it’s for a split second, for a summer, or for the period that they’re married to your mother, and how they give you something, even if you didn’t realize it at the time.”

The fourteen-year-old in the film, Duncan (played by Liam James from The Killing) is offended by the ranking, which in the film is given by Trent (Steve Carell), his mom’s boyfriend, in order to try to urge the teenager to get out and participate in life more often, instead of just hanging around the house, i.e. his beach house where he wants some alone time with the mother (Toni Collette) that summer. At a later point, Duncan finds a bicycle and makes his way to the other end of town, where he discovers a water park called Water Wizz, and a quirky water park manager named Owen (Sam Rockwell) who offers him a job, takes him under his wing, and gets him to, yes, participate in life.

“It’s the same message, but in a more nurturing way,” Rash said. “However you feel about what Trent said, Duncan took it to heart and acted on it, perhaps in rebellion, but he still did it. Sometimes someone we don’t look back fondly on might have given us some words of wisdom we didn’t expect. Because weirdly, what Duncan does is what both Trent and Owen were alluding to, regardless of the tact that wasn’t there when Trent said it.”

It took Rash and Faxon eight years to get the film off the ground — Shawn Levy (Real Steel) was even proposed as a director at one point before the pair managed to snag that job for themselves. “You have to have patience,” Rash said. “Little Miss Sunshine took four years. We had the opportunity to make it fast the wrong way, but we went for the long route.”

Along the way, Rash and Faxon were offered the screenwriting gig for The Descendants, based off the unproduced script they wrote for this one. (Alexander Payne’s company Ad Hominem had read it, and brought them aboard to adapt its tonally similar dysfunctional family story). Still, they kept hoping to get The Way, Way Back started. Rash and Faxon cast Allison Janney as a booze-cruise neighbor first, and then started looking for the water park manager who would provide the heart of the story. Jake Gyllenhaal was considered before they found Sam Rockwell. “We met with Jake, but he didn’t work out,” Rash said. “But it was great to meet him and talk about it.” Rockwell, however, got the inspiration of Bill Murray in Meatballs for his character right off the bat in the first phone meeting, which helped seal the deal.

And then once The Way, Way Back got its own little dose of Little Miss Sunshine casting — courtesy of Carell and Collette, now playing lovers instead of siblings, it got the needed traction as far as financing was concerned. “With Trent, we wanted to go against type,” Rash said. “We wanted to be a real, true, tragic male character, not a villain. And we tried to find great and perfect people.” To make it easier for Carell to accept the gig, Rash and Faxon even moved production to be near his summer home.

Although the film starts with Rash’s “sad memory,” Faxon said he brought “the happy ones” to the table. “I was fortunate enough to spend most of my summers on Nantucket Island,” he said, “and there was a whole crew and community of people I saw three months a year. You’d change in the other nine months, but you’d go back to that special summer place, and it would all be the same somehow.” Creating a sense of community, as Duncan learns to do at his odd job at the Water Wizz park, is something Faxon did while working odd summer jobs in Nantucket. One of his jobs involved collating newspapers at the local rag, The Inquirer and Mirror, in the basement with five elderly women. “No TV, no music, just gossiping!” he laughed. (It also helped him learn to become a storyteller, he said: “Lots to draw from.”)

Even though Rash has long since learned to “get out there,” and has channeled his life lesson into this summer comedy, Faxon said that his creative partner still tends to retreat into his shell. “Every night in L.A., I’m telling Jim he needs to get out and come to a party,” Faxon laughed.

“It’s hard for me!” Rash protested. “It’s like a boy in the bubble. If I had a bubble, I’d be better off.”

“I’m your bubble, Jim,” Faxon offered.

“He’s my bubble,” Rash agreed.

The Way, Way Back is in theaters now.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.