DID YOU READ

Nat Faxon and Jim Rash on the Story Behind The Way, Way Back

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On a trip to Lake Michigan one summer, Jim Rash’s stepfather asked him to rate himself on a scale of one to ten — the then-fourteen-year-old Rash thought he was a six, and his not-so-helpful stepdad informed him that he was a three. This real-life hurtful moment provides the basis for Rash’s latest film, The Way, Way Back — co-written and co-directed with the Oscar winner’s creative partner, Nat Faxon. (The two last paired on The Descendants).

“The very first scene in the movie is true, that horrible conversation, verbatim,” Rash told IFC. “It’s not like it led to this horrible summer vacation, nor did it lead to the amazing one depicted in this film, but it’s about the connections we have with people, whether it’s for a split second, for a summer, or for the period that they’re married to your mother, and how they give you something, even if you didn’t realize it at the time.”

The fourteen-year-old in the film, Duncan (played by Liam James from The Killing) is offended by the ranking, which in the film is given by Trent (Steve Carell), his mom’s boyfriend, in order to try to urge the teenager to get out and participate in life more often, instead of just hanging around the house, i.e. his beach house where he wants some alone time with the mother (Toni Collette) that summer. At a later point, Duncan finds a bicycle and makes his way to the other end of town, where he discovers a water park called Water Wizz, and a quirky water park manager named Owen (Sam Rockwell) who offers him a job, takes him under his wing, and gets him to, yes, participate in life.

“It’s the same message, but in a more nurturing way,” Rash said. “However you feel about what Trent said, Duncan took it to heart and acted on it, perhaps in rebellion, but he still did it. Sometimes someone we don’t look back fondly on might have given us some words of wisdom we didn’t expect. Because weirdly, what Duncan does is what both Trent and Owen were alluding to, regardless of the tact that wasn’t there when Trent said it.”

It took Rash and Faxon eight years to get the film off the ground — Shawn Levy (Real Steel) was even proposed as a director at one point before the pair managed to snag that job for themselves. “You have to have patience,” Rash said. “Little Miss Sunshine took four years. We had the opportunity to make it fast the wrong way, but we went for the long route.”

Along the way, Rash and Faxon were offered the screenwriting gig for The Descendants, based off the unproduced script they wrote for this one. (Alexander Payne’s company Ad Hominem had read it, and brought them aboard to adapt its tonally similar dysfunctional family story). Still, they kept hoping to get The Way, Way Back started. Rash and Faxon cast Allison Janney as a booze-cruise neighbor first, and then started looking for the water park manager who would provide the heart of the story. Jake Gyllenhaal was considered before they found Sam Rockwell. “We met with Jake, but he didn’t work out,” Rash said. “But it was great to meet him and talk about it.” Rockwell, however, got the inspiration of Bill Murray in Meatballs for his character right off the bat in the first phone meeting, which helped seal the deal.

And then once The Way, Way Back got its own little dose of Little Miss Sunshine casting — courtesy of Carell and Collette, now playing lovers instead of siblings, it got the needed traction as far as financing was concerned. “With Trent, we wanted to go against type,” Rash said. “We wanted to be a real, true, tragic male character, not a villain. And we tried to find great and perfect people.” To make it easier for Carell to accept the gig, Rash and Faxon even moved production to be near his summer home.

Although the film starts with Rash’s “sad memory,” Faxon said he brought “the happy ones” to the table. “I was fortunate enough to spend most of my summers on Nantucket Island,” he said, “and there was a whole crew and community of people I saw three months a year. You’d change in the other nine months, but you’d go back to that special summer place, and it would all be the same somehow.” Creating a sense of community, as Duncan learns to do at his odd job at the Water Wizz park, is something Faxon did while working odd summer jobs in Nantucket. One of his jobs involved collating newspapers at the local rag, The Inquirer and Mirror, in the basement with five elderly women. “No TV, no music, just gossiping!” he laughed. (It also helped him learn to become a storyteller, he said: “Lots to draw from.”)

Even though Rash has long since learned to “get out there,” and has channeled his life lesson into this summer comedy, Faxon said that his creative partner still tends to retreat into his shell. “Every night in L.A., I’m telling Jim he needs to get out and come to a party,” Faxon laughed.

“It’s hard for me!” Rash protested. “It’s like a boy in the bubble. If I had a bubble, I’d be better off.”

“I’m your bubble, Jim,” Faxon offered.

“He’s my bubble,” Rash agreed.

The Way, Way Back is in theaters now.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.