DID YOU READ

Jeff Garlin on Improv, Little League, and Dealin’ with Idiots

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The world of youth sports can be a stressful, challenging experience, filled with awkward social interactions and unexpected life lessons. And that’s just among the parents.

In his new film, Dealin’ with Idiots, veteran comedian Jeff Garlin explores the strange world of Little League — specifically, the eccentric parents, guardians, and coaches that populate the periphery of such leagues — with some help from a few friends and the real-world characters that inspired the film. The film features an impressive cast of familiar actors (including Fred Willard, Bob Odenkirk, Timothy Olyphant, Gina Gershon, and Kerri Kenney) ad-libbing their way through bizarre interactions with fictional comedian Max Morris (played by Garlin), who has made it his mission to learn what these weird people are like when they’re not anywhere near a baseball field.

IFC spoke with Garlin about the film, which he starred in and directed.

IFC: So, I can probably guess the answer to this, but where did the whole idea for the movie come from?

JEFF GARLIN: Going to my son’s little league games!

IFC: Were the people there really this weird?

GARLIN: They were actually worse, because they weren’t funny and they had no redeeming qualities.

IFC: It seems like a good chunk of the film is improvised. Is that the case?

GARLIN: It’s not a good chunk. The whole thing was improvised.

IFC: Wow. Okay, so as a director, do you find it’s easy to direct a project with everyone improvising and ad-libbing? I mean, you never know what to expect from any take or what direction it will go…

GARLIN: Well, that’s what I like doing. That’s what I enjoy most.

IFC: Was there ever a point when you thought, “Man, I wish I had scripted something here…”?

GARLIN: There’s always going to be scenes you think would’ve been better scripted. That’s always going to happen. That happened on Curb Your Enthusiasm every couple of episodes. So maybe there were one or two things I wish I could’ve scripted.

IFC: I imagine there must have been some surprises during filming with the way certain elements developed. Was there anything that really surprised you as you were making the film?

GARLIN: It all surprised me, because I’m so entertained by everybody in the movie. I was surprised by everything they did and said.

IFC: The cast is fantastic. How did you connect each of the actors with the roles they played?

GARLIN: As I start writing things, I begin thinking about who would be good for what. I got only positive feedback from everybody in terms of wanting to do it, and as time wore on and we got closer to filming they said, “I want to talk to you about my character.” I said, “Just do what you want and we’ll adjust it there.”

IFC: That’s a pretty amazing amount of flexibility with the story. It seems like it would be a daunting task to make a film that’s so loose and unscripted…

GARLIN: Not daunting for me.

IFC: With all of that improvising, you must have accumulated a lot of footage. How much footage did you end up with?

GARLIN: My first cut was almost two hours, but I liked making it shorter [and] making it funnier.

IFC: Did you learn anything about the Little League experience while you were making this?

GARLIN: No, I learned nothing, to be honest with you.

IFC: Huh. Okay, I expected some sort of insightful answer there about what the experience taught you…

GARLIN: Right, I know! You expect I would’ve learned something, but I learned nothing.

IFC: So would you recommend the Little League experience to other parents?

GARLIN: I recommend nothing. I don’t know anything. I wouldn’t recommend it one way or another. They’d have to be motivated on their own with that one.

IFC: So what else do you have going on these days?

GARLIN: I’m still continuing on with my podcast, By The Way. I also have a new show on ABC called The Goldbergs, and I have a documentary I’m producing called Finding Vivian Maier.

IFC: What’s the documentary about?

GARLIN: It’s about an unknown, but now known, street photographer.

IFC: How did you get involved with the film?

GARLIN: I read about it.

IFC: Anything more you can tell us about it? It sounds interesting…

GARLIN: It’s sort of a mystery and a biography because this woman was a nanny and never put her pictures out publicly, and now that they’ve been discovered she’s considered one of the world’s most famous street photographers. But she died before all this happened.

IFC: That sounds fascinating. But before we’re through here, let’s change gears a bit. I feel like Curb Your Enthusiasm, which you produced and had a recurring role in, was this great product of its time and so unique. I’m not sure there’s any show right now that’s really filling that void, either — or even could, for that matter. Are there any shows that remind you of Curb Your Enthusiasmin some ways these days?

GARLIN: I think that you have something like Girls, for example, that’s very real and interesting and different from what’s going on. I also think Veep is similar to Curb Your Enthusiasm, so yeah, I think they’re out there.

IFC: So, after making Dealin’ With Idiots, can we expect to see on that side of the camera more often? Did you enjoy the experience?

GARLIN: I love it. It’s very creative. It’s very exciting. There’s nothing negative about it.

Dealin’ with Idiots is out in limited release now and available digitally via Amazon and iTunes. You can find out more about Jeff’s current and upcoming projects at JeffGarlin.com.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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