You have to wonder what a filmmaker like Wes Anderson would have done with “The Kings of Summer.” A likeable but disposable coming-of-age comedy that was one of the buzzed-about hits of this year’s Sundance Film Festival, the indie movie follows three outcast Ohio teens as they decide to escape society and live out in the woods in a ramshackle house they built themselves. Directed by first-time feature filmmaker Jordan Vogt-Roberts, “The Kings of Summer” boasts some of the deadpan melancholy one associates with Anderson’s best work, but it doesn’t have quite the same bite or insight. It’s quirky, but not in any way that’s really memorable.
Nick Robinson plays Joe, the leader of this geeky trio. Raging with hormones and uncomfortable around his newly-widowed father (Nick Offerman, slightly less ornery than on “Parks & Recreation”), Joe has decided that he needs a break, figuring that some time in the wilderness will clear his head. Joining him on this adventure is his best friend Patrick (Gabriel Basso) and a deeply odd guy named Biaggio (Moises Arias) whose short stature and quietly strange disposition make him almost more of a mascot than a companion.
Working from a script by first-timer Chris Galletta, Vogt-Roberts has set out to craft a comedy about the seemingly endless freedom of summer during your youth, spiking the jokes with a determinedly off-kilter tone that values improvisational bits and throwaway gags. (The cast also includes Alison Brie, Tony Hale and Megan Mullally.) “The Kings of Summer” is a salute to the warm-weather months, but Vogt-Roberts wants to undercut the nostalgia a bit, allowing for an emotional undercurrent to run underneath the laughs without permitting the proceedings to get too goopy.
Unfortunately, despite some distinctive camerawork that makes the boys’ adventure feel almost like a dream, “The Kings of Summer” remains frustratingly conventional. Predictably, their imagined Eden is ruined by the presence of a potential romantic interest. Erin Moriarty plays Kelly, Joe’s true love who starts to take a shine to Patrick, causing the sort of complications one would expect. But the problem comes from the utter ordinariness of these three. With the exception of the increasingly bizarre Biaggio, the movie’s central characters are mostly sweet, dull sorts: They’re all nice enough, but the filmmakers haven’t dug deeply enough to make any of them particularly compelling. It’s a soft, safe movie in which even the kids’ parents aren’t really that bad, just mildly annoying, which makes Joe and Patrick’s desire for independence not all that urgent.
There’s an argument to be made that a lackadaisical teen comedy like “The Kings of Summer” is a modest rebuke to the over-amped shenanigans of button-pushing peers like “Project X” and “21 & Over.” (And to be fair, it’s also probably a more “realistic” portrait of young love than Anderson’s finely tuned eccentricity in “Moonrise Kingdom” or “Rushmore.”) But as the film pleasantly ambles along, you may wish it had more shock value or wit. It’s an underdog tale that never really asserts itself.
Spend Valentine's Day weekend with IFC's Underworld movie marathon.
Posted by Emmy Potter on Photo Credit: Screen Gems/courtesy Everett Collection
Romance takes many forms, and that is especially true when you have a thirst for blood or laser beams coming out of your eyes. It doesn’t matter if you’re a werewolf, a superhero, a clone, a time-traveler, or a vampire, love is the one thing that infects us all. Read on to find out why Romeo and Juliet have nothing on these supernatural star-crossed lovers, and be sure to catch IFC’s Underworld movie marathon this Valentine’s Day weekend.
1. Cyclops/Jean Grey/Wolverine, X-Men series
The X-Men franchise is rife with romance, but the steamiest “ménage à mutant” may just be the one between Jean Grey (Famke Janssen), Cyclops (James Marsden), and Wolverine (Hugh Jackman). Their triangle is a complicated one as Jean finds herself torn between the two very different men while also trying to control her darker side, the Phoenix. This leads to Jean killing Cyclops and eventually getting stabbed through her heart by Wolverine in X-Men: The Last Stand. Yikes! Maybe they should change the name to Ex-Men instead?
2. Willow/Tara, Buffy the Vampire Slayer
Joss Whedon gave audiences some great romances on Buffy the Vampire Slayer — including the central triangle of Buffy, Angel, and Spike — but it was the love between witches Willow (Alyson Hannigan) and Tara (Amber Benson) that broke new ground for its sensitive and nuanced portrayal of a LGBT relationship.
Willow is smart and confident and isn’t even sure of her sexuality when she first meets Tara at college in a Wiccan campus group. As the two begin experimenting with spells, they realize they’re also falling for one another and become the show’s most enduring, happy couple. At least until Tara’s death in season six, a moment that still brings on the feels.
3. Selene/Michael, Underworld series
The Twilight gang pales in comparison (both literally and metaphorically) to the Lycans and Vampires of the stylish Underworld franchise. If you’re looking for an epic vampire/werewolf romance set amidst an epic vampire/werewolf war, Underworld handily delivers in the form of leather catsuited Selene (Kate Beckinsale) and shaggy blonde hunk Michael (a post-Felicity Scott Speedman). As they work together to stop the Vampire/Lycan war, they give into their passions while also kicking butt in skintight leather. Love at first bite indeed.
4. Spider-man/Mary Jane Watson, Spider-man
After rushing to the aid of beautiful girl-next-door Mary Jane Watson (Kirsten Dunst), the Amazing Spider-man is rewarded with an upside-down kiss that is still one of the most romantic moments in comic book movie history. For Peter Parker (Tobey Maguire), the shy, lovable dork beneath the mask, his rain-soaked makeout session is the culmination of years of unrequited love and one very powerful spider bite. As the films progress, Peter tries pushing MJ away in an attempt to protect her from his enemies, but their web of love is just too powerful. And you know, with great power, comes great responsibility.
5. Molly/Sam, Ghost
When it comes to supernatural romance, you really can’t beat Molly and Sam from the 1990 hit film Ghost. Demi Moore goes crazy for Swayze like the rest of us, and the pair make pottery sexier than it’s ever been.
When Sam is murdered, he’s forced to communicate through con artist turned real psychic, Oda Mae Brown (Whoopi Goldberg in her Academy Award-winning role) to warn Molly she is still in danger from his co-worker, Carl (a pre-Scandal Tony Goldwyn). Molly doesn’t believe Oda is telling the truth, so Sam proves it by sliding a penny up the wall and then possessing Oda so he and Molly can share one last romantic dance together (but not the dirty kind). We’d pay a penny for a dance with Patrick Swayze ANY day.
6. Cosima/Delphine, Orphan Black
It stands to reason there would be at least one complicated romance on a show about clones, and none more complicated than the one between clone Cosima (Tatiana Maslany) and Dr. Delphine Cormier (Evelyne Brochu) on BBC America’s hit drama Orphan Black.
Cosima is a PhD student focusing on evolutionary developmental biology at the University of Minnesota when she meets Delphine, a research associate from the nefarious Dyad Institute, posing as a fellow immunology student. The two fall in love, but their happiness is brief once Dyad and the other members of Clone Club get involved. Here’s hoping Cosima finds love in season four of Orphan Black. Girlfriend could use a break.
7. Aragorn/Arwen, Lord of the Rings
On a picturesque bridge in Rivendell amidst some stellar mood-lighting and dreamy Elvish language with English subtitles for us non-Middle Earthlings, Arwen (Liv Tyler) and Aragorn (Viggo Mortensen) bind their souls to one another, pledging to love each other no matter what befalls them.
Their courtship is a matter of contention with Arwen’s father, Elrond (Hugo Weaving), who doesn’t wish to see his daughter suffer over Aragorn’s future death. The two marry after the conclusion of the War of the Ring, with Aragorn assuming his throne as King of Gondor, and Arwen forgoing her immortality to become his Queen. Is it too much to assume they asked Frodo to be their wedding ring-bearer?
8. Lafayette/Jesus, True Blood
True Blood quickly became the go-to show for supernatural sex scenes featuring future Magic Mike strippers (Joe Manganiello) and pale Nordic men with washboard abs (Hi Alexander Skarsgård!), but honestly, there was a little something for everyone, including fan favorite Bon Temps medium, Lafayette Reynolds (Nelsan Ellis).
In season three, Lafayette met his mother’s nurse, Jesus, and the two began a relationship. As they spend more time together and start doing V (short for Vampire Blood), they learn Jesus is descended from a long line of witches and that Lafayette himself has magical abilities. However, supernatural love is anything but simple, and after the pair join a coven, Lafayette becomes possessed by the dead spirit of its former leader. This relationship certainly puts a whole new spin on possessive love.
9. Nymphadora Tonks/Remus Lupin, Harry Potter series
There are lots of sad characters in the Harry Potter series, but Remus Lupin ranks among the saddest. He was bitten by a werewolf as a child, his best friend was murdered and his other best friend was wrongly imprisoned in Azkaban for it, then THAT best friend was killed by a Death Eater at the Ministry of Magic as Remus looked on. So when Lupin unexpectedly found himself in love with badass Auror and Metamorphmagus Nymphadora Tonks (she prefers to be called by her surname ONLY, thank you very much), pretty much everyone, including Lupin himself, was both elated and cautiously hopeful about their romance and eventual marriage.
Sadly, the pair met a tragic ending when both were killed by Death Eaters during the Battle of Hogwarts, leaving their son, Teddy, orphaned much like his godfather Harry Potter. Accio hankies!
10. The Doctor/Rose Tyler, Doctor Who
Speaking of wolves, Rose “Bad Wolf” Tyler (Billie Piper) captured the Doctor’s hearts from the moment he told her to “Run!” in the very first episode of the re-booted Doctor Who series. Their affection for one another grew steadily deeper during their travels in the TARDIS, whether they were stuck in 1950s London, facing down pure evil in the Satan Pit, or battling Cybermen.
But their relationship took a tragic turn during the season two finale episode, “Doomsday,” when the Tenth Doctor (David Tennant) and Rose found themselves separated in parallel universes with no way of being reunited (lest two universes collapse as a result of a paradox). A sobbing Rose told a holographic transmission of the Doctor she loved him, but before he could reply, the transmission cut out, leaving our beloved Time Lord (and most of the audience) with a tear-stained face and two broken hearts all alone in the TARDIS.
Everybody knows Nick Offerman and Megan Mullally have true love. As far as Hollywood couples go, have always been pretty unusual about the way they express their mutual affection, though. Whether it be rapping about dicks together or being photographed in the nude with grapes, they’ll always make other famous pairings, even older ones, like Billy Bob Thornton and Angelina Jolie (who reportedly wore vials of each other’s blood) seem tame by comparison.
Well, Offerman stepped up his half of the game up on a recent Leno appearance, singing an original tune he penned for Mullally. The story behind the song is: She wanted a rainbow for her birthday, so he did the next best thing and wrote her a song about rainbows. That is, a filthy song about blow jobs and other, more inventive bedroom athletics with lyrics that work in puns and rhymes alluding to every color of the rainbow. For example: “You put me on trial and gave me life / But orange you glad I didn’t say banana / When you made me your bitch and I made you my wife.”
Describing it any further would sap its funniness and potential to surprise, so check this out. Also, know this: Usher, was on the show to promote his joining “The Voice” as a coach. After Offerman’s song, Usher was asked what he thought. After a beat, he offered, “Well, um… interesting.”
Judge for yourself.
Aren’t Offerman and Mullally just the cutest couple? Tell us in the comments below or on Facebook and Twitter.
Nick Offerman is very manly. Whether he’s playing Ron Swanson, manliest of men, on “Parks & Recreation” or working as a professional boat builder (he released an instructional DVD back in 2008 called “Canoe Building with Nick Offerman”), it’s clear that he has no shortage of the three Ts: Taxidermy, Tools and Testosterone. So when were looking for someone to bring to life Sharla’s uber-masculine dad Doug on “Out There,” Offerman was the natural choice. Luckily, he agreed and on this Friday’s episode we get to watch as Offerman explores his love of taxidermy on “Out There.”
When Chad’s (Ryan Quincy) dad Wayne (John DiMaggio) refuses to compete in their town’s annual father-and-son Hexathalon, Chad asks Sharla’s (Linda Cardellini) macho dad to compete with him instead. Doug has no problem taking Chad under his paternal wing and sharing with him his favorite hobby: taxidermy.
IFC’s original animated series “Out There” is created, written by and executive produced by Ryan Quincy, the Emmy®-award winning animation director and producer of “South Park.” Other notable voices appearing throughout the season include Pamela Adlon, Fred Armisen, Selma Blair, Linda Cardellini, Jemaine Clement, John DiMaggio, Megan Mullally, Nick Offerman, Ellen Page, Stephen Root, Jason Schwartzman and Sarah Silverman.
Watch Nick Offerman in this new clip from “Out There” and tune in for the full episode on Friday at 10/9c:
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“The Kings of Summer” review: a sweet but forgettable teen comedy
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