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“Star Trek Into Darkness” Review: J.J. Abrams’ sequel sets phasers to familiar

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J.J. Abrams accomplished what many thought impossible with his 2009 reboot of the “Star Trek” franchise that simultaneously recast the main characters and created a fresh start for future films, so there’s been no shortage of interest in what he’d do for an encore with “Star Trek Into Darkness.”

While hardcore fans and armchair Trekkies alike speculated about the plot and potential cast of characters in the second installment of the rebooted franchise, the real question at the heart of it all boiled down to this: Would the new “Star Trek” follow the course laid out by the previous franchise, or would the crew of the USS Enterprise boldly go where their predecessors had never gone before?

If “Into Darkness” is any indication, the answer is mostly the former, with a little bit of the latter to keep things interesting.

Without revealing too many of the film’s surprises, “Star Trek Into Darkness” finds James T. Kirk (Chris Pine) booted out of the captain’s chair by Starfleet after a routine exploratory expedition takes a bad turn. His demotion doesn’t last long, though, and he soon finds himself commanding the crew of the Enterprise with Spock (Zachary Quinto) at his side, in pursuit of a terrorist named John Harrison (Benedict Cumberbatch). Harrison’s one-man mission to destroy Starfleet takes the crew of the Enterprise and their quarry across the far reaches of space and into Klingon territory, and sheds light on some dark secrets that could bring the universe to the brink of war.

In some ways, “Into Darkness” is an improvement on its predecessor, taking the outer-space action and ambitious effects sequences of “Star Trek” to the next level and upping the visual ante. The spaceship battles are more intense, the stunts are more fantastic, and even the villain gets an upgrade with Sherlock star Cumberbatch.

Eric Bana’s villainous Romulan miner Nero served as a nice foil for Kirk and the Enterprise crew in the previous film, but his character never managed to stand out from the events unfolding around him. The opposite is true for Cumberbatch’s turn as Harrison, who commands your attention every moment he’s on the screen and also provides a nice distraction from some of the flaws in the film. In fact, the “Sherlock” actor is such a powerful presence in the film that it does him a disservice when his character’s true identity – a classic character from the original television series – is finally revealed.

Rather than letting the audience sit back and enjoy the fascinating character that Cumberbatch is crafting, the film’s big “surprise” removes any uncertainty regarding his motives and what his future holds. It’s all too bad, really, because in the run-up to the big reveal, Cumberbatch manages to give the rebooted “Star Trek” universe an original, memorable villain that differentiates it from everything that came before – much like The Borg did for “Star Trek: The Next Generation.”

In tying this particular character’s identity to the past, “Into Darkness” misses a great opportunity to give the rebooted franchise its own identity.

As for the returning cast, the entire crew of the Enterprise gets a bit more time to establish themselves in their roles, and it serves each of them well – particularly when it comes to Kirk and Spock and their relationship. While Simon Pegg is a bit underused as Chief Engineer Montgomery “Scotty” Scott, we do get a bit more time with Karl Urban’s version of Dr. Leonard “Bones” McCoy, who hams it up with his trademark metaphors and curmudgeonly spin on the events transpiring around him. Where the first film went a long way toward selling audiences on the new cast, “Into Darkness” finds the actors settling into their roles a bit more comfortably – particularly John Cho (as Sulu), who continues to be one of the standouts in the new-generation “Star Trek” cast.

As a science-fiction adventure for summer-movie audiences, “Into Darkness” does a nice job of providing all the excitement and explosive moments one expects from a blockbuster of this sort, but it might try a little too hard to hit the obligatory beats for fans of the franchise. At times, the amount of catchphrases and call-outs to the past becomes a bit distracting, with each famous line inviting comparison to the previous actor’s delivery and tugging you out of the moment.

“Into Darkness” also suffers some technical issues that could be worth considering when you decide which version of the film to see. While the IMAX format serves the scope of the story well, the 3-D treatment creates a lot of blur whenever the camera pans over a detailed environment. This is especially frustrating during some of the action scenes set against lush backgrounds, as there’s a real sense that the setting would make the sequence even more epic if it wasn’t so blurred. If you’ve had problems with films presented in IMAX 3D in the past, “Into Darkness” will probably offer more of the same.

Still, despite its technical issues and some missed opportunities, “Star Trek Into Darkness” manages to deliver as an effects-fueled summer blockbuster that both advances the new franchise and tells a wildly entertaining story. Most importantly, it leaves fans looking forward to exploring more strange new worlds, new life forms, and new civilizations with the crew of the USS Enterprise.

“Star Trek Into Darkness” hits theaters May 17, and stars Chris Pine, Zachary Quinto, Benedict Cumberbatch, and Zoe Saldana, among others. The film is directed by J.J. Abrams.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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