DID YOU READ

Ron Perlman on getting girlie for “Frankie Go Boom” and his hedonistic “Pacific Rim” character

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Every now and then, a supporting role comes along that has the potential to be one of the most memorable parts of a film. “Pulp Fiction” had Christopher Walken’s watch-hiding former prisoner of war, “Tropic Thunder” had Tom Cruise’s slimy studio exec, and any movie in which Bill Murray had a supporting role had, well… whatever role Murray played.

“Frankie Go Boom,” the new comedy from “Around the Bend” director Jordan Roberts, has a transsexual computer hacker played by Ron Perlman.

Yes, you read that correctly.

The film stars Perlman’s “Sons of Anarchy” and “Pacific Rim” cast mate Charlie Hunnam as Frankie, a struggling writer who’s been pranked, ridiculed, and otherwise tormented by his brother, Bruce (Chris O’Dowd), throughout his entire life. When Bruce secretly records Frankie’s embarrassing one-night stand with the daughter of a crazy, gun-toting former celebrity (Chris Noth), the prank puts both of them in crosshairs when the tape ends up online. Their only hope to avoid catching a bullet – and saving Frankie’s relationship with the girl (Lizzy Caplan) – may lie with Phyllis (Perlman), an expert hacker who recently began life as a woman.

IFC spoke with Perlman about his gender-bending part in the hilarious “Frankie Go Boom,” as well as his role in Guillermo Del Toro’s “Pacific Rim,” which also stars Hunnam.

IFC: This is one of those times when the old question “How did you get connected with this project?” probably has a great story, so…

RON PERLMAN: [Laughs] Well, this was Charlie Hunnam’s summer project one year between seasons of “Sons of Anarchy.” He gave me a call and said, “The director would like to know if you’d consider doing this.” I read the script looking at another character, but I got to the point where Phyllis enters the film and sticks his/her hand in… You know what? I don’t even know how to refer to Phyllis at this point. You’d think I’d know by now… But he/she sticks her hand in Frankie’s face. And the gesture of having Jax Teller [Hunnam’s character in “Sons of Anarchy”] kiss the hand of Clay Morrow [Perlman’s “Sons” character] in that scene, and the image of that in my twisted imagination, it was delicious enough for me to pursue the idea of making it a reality. So I looked at my to-do list and it said, “Take out the garbage,” “Repair the sink,” and “Play a woman.” So it was one of those things I could cross off the list.

IFC: How did you go about getting into character? Did you get any tips on how to play a woman?

PERLMAN: I just let it wash over me. The fact of the matter is, I had just finished making the movie “Drive,” and I think I finished at 3:30 in the morning and then went to work at 7AM to do my one day on “Frankie Go Boom.” So I knew I wouldn’t have much time to do anything but learn the lines, but I was going to have hours of getting various body parts shaved, waxing the old eyebrows, trying on the wig, figuring out which bosom is going to look best in a particular ensemble, and so forth… So hopefully by the end of that process and the time that I had to dwell on it, a starlet would be born.

IFC: Did you have any input on Phyllis’ wardrobe or makeup or anything?

PERLMAN: The makeup portion I had no input on. I just sat there absolutely delighted to watch it happen. The girls who designed the costumes, they were phenomenal people, and they were all basically working for free because it was such a low-budget film. They found so much glee in presenting these choices to me: the clothes, the wig, the nail polish color, the shoes, the bra, what went into the bra, what came out of the bra, etc. It was just a lot of fun. I’m probably the ugliest woman of all time at the end of the day, no matter how many hours you spend caring for all these decisions. I mean, seriously – I could haunt a house. We weren’t looking to replace Tony Curtis in “Some Like It Hot,” is what I’m saying. We had to take what god had given me, which was not much.

IFC: This seems like one of those films in which everyone was ad-libbing all the time and doing all sorts of things that would make it hard not to crack up in the middle of a scene…

PERLMAN: [Laughs] Yeah, it was very difficult. I had never met Chris O’Dowd before this, but I had seen his work and was a huge fan of his. So I shook his hand when I met him and introduced myself. I said,”Hi, Chris. It’s very nice to meet you. Can I ask you a question?” And he said, “Sure. Anything, Ron.” And you have to imagine him saying that in this beautiful Irish brogue. So I said, “Would you mind if, when you walk through the door in this scene, I kiss you right on the mouth?” You could just see him wanting to say, “Yes. Yes, I would mind.” Every fibre in his being was telling him to say, “Please, please don’t do that, Ron.” But he was such a gentleman that he said, “Well, if that’s what you feel like you really need to do, I guess you can…” And I said, “Good. Thanks!” before he had time to reconsider.

IFC: And that was your first conversation with him?

PERLMAN: Yeah, I’ve never broken the ice like that before, and hopefully never again. [Laughs]

IFC: So it seems like you and Charlie Hunnam are in everything together these days. Is this an intentional thing, or just one of those weird convergences in Hollywood?

PERLMAN: Yeah, we’re going to be making “On The Road To West Hollywood” next together. I’m going to do a little standup, he’s going to do a little singing. We’re going to be the new Hope and Crosby of the 21st century. [Laughs]

IFC: I would watch that.

PERLMAN: [Laughs] Well, thank you. But really, it’s just one thing leading to another. You get in these circles and then somehow can’t find your way out. [Laughs] The whole thing with Guillermo Del Toro falling in love with Charlie and putting him in “Pacific Rim” was highly coincidental. Charlie had made “Children of Men” with Alfonso Cuaron, and Cuaron is Del Toro’s best friend. Alfonso had great things to say about Charlie, and Guillermo was looking for a way to work with Charlie for a long time, and it just so happened that when “Pacific Rim” came up it was the perfect opportunity for them to collide. And Guillermo has made a promise to both the world and me – and I don’t think he cares what the world thinks, but I’m never going to let him out of it – that whenever he makes a movie in English, Ron Perlman will be in it. I’m sure one day that string is going to end, but he found a way to put me in “Pacific Rim,” so there you have it.

IFC: We haven’t seen much of you in the “Pacific Rim” trailers so far, so what can you tell us about Hannibal Chau, your character in the film?

PERLMAN: If you give it some thought and think about the idea of an unwieldy Jew from Brooklyn named Hannibal Chau, you’ll probably come to the conclusion that he’s full of shit. And sure enough, he won’t disappoint you. He’s completely full of shit. He’s a man of immense appetites – a hedonist. He likes money a lot and he’ll do anything for it. The situation in the movie has made him a kind of war profiteer. He has an arrangement with the government whereby he has the rights to harvest and reap the benefits of fallen kaiju [massive alien creatures] remains. So he’s doing the government a service by removing these things’ bodies, but he’s doing himself a service by breaking them down and using them for various purposes in the name of vanity. For instance, he sells kaiju bone powder for $500 a pound, because it’s supposedly 150 times more potent than viagra.

IFC: What else is coming up for you?

PERLMAN: We just started shooting the new season of “Sons of Anarchy” yesterday, so that will keep me busy for the next five months. I’m also launching my own indie film company. We’re about to announce a co-production with another production entity to do five movies with them. The first movie we do on our own will be one I’m directing called “Wooden Lake.” It’s in the process of casting, and that will all be announced in the next couple of months. I’ll start shooting that the minute “Sons” comes down in November.

“Frankie Go Boom” is available now on DVD and Blu-Ray, and stars Charlie Hunnam, Chris O’Dowd, Chris Noth, Lizzy Caplan, and Ron Perlman. The film is written and directed by Jordan Roberts.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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