DID YOU READ

Ron Perlman on getting girlie for “Frankie Go Boom” and his hedonistic “Pacific Rim” character

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Every now and then, a supporting role comes along that has the potential to be one of the most memorable parts of a film. “Pulp Fiction” had Christopher Walken’s watch-hiding former prisoner of war, “Tropic Thunder” had Tom Cruise’s slimy studio exec, and any movie in which Bill Murray had a supporting role had, well… whatever role Murray played.

“Frankie Go Boom,” the new comedy from “Around the Bend” director Jordan Roberts, has a transsexual computer hacker played by Ron Perlman.

Yes, you read that correctly.

The film stars Perlman’s “Sons of Anarchy” and “Pacific Rim” cast mate Charlie Hunnam as Frankie, a struggling writer who’s been pranked, ridiculed, and otherwise tormented by his brother, Bruce (Chris O’Dowd), throughout his entire life. When Bruce secretly records Frankie’s embarrassing one-night stand with the daughter of a crazy, gun-toting former celebrity (Chris Noth), the prank puts both of them in crosshairs when the tape ends up online. Their only hope to avoid catching a bullet – and saving Frankie’s relationship with the girl (Lizzy Caplan) – may lie with Phyllis (Perlman), an expert hacker who recently began life as a woman.

IFC spoke with Perlman about his gender-bending part in the hilarious “Frankie Go Boom,” as well as his role in Guillermo Del Toro’s “Pacific Rim,” which also stars Hunnam.

IFC: This is one of those times when the old question “How did you get connected with this project?” probably has a great story, so…

RON PERLMAN: [Laughs] Well, this was Charlie Hunnam’s summer project one year between seasons of “Sons of Anarchy.” He gave me a call and said, “The director would like to know if you’d consider doing this.” I read the script looking at another character, but I got to the point where Phyllis enters the film and sticks his/her hand in… You know what? I don’t even know how to refer to Phyllis at this point. You’d think I’d know by now… But he/she sticks her hand in Frankie’s face. And the gesture of having Jax Teller [Hunnam’s character in “Sons of Anarchy”] kiss the hand of Clay Morrow [Perlman’s “Sons” character] in that scene, and the image of that in my twisted imagination, it was delicious enough for me to pursue the idea of making it a reality. So I looked at my to-do list and it said, “Take out the garbage,” “Repair the sink,” and “Play a woman.” So it was one of those things I could cross off the list.

IFC: How did you go about getting into character? Did you get any tips on how to play a woman?

PERLMAN: I just let it wash over me. The fact of the matter is, I had just finished making the movie “Drive,” and I think I finished at 3:30 in the morning and then went to work at 7AM to do my one day on “Frankie Go Boom.” So I knew I wouldn’t have much time to do anything but learn the lines, but I was going to have hours of getting various body parts shaved, waxing the old eyebrows, trying on the wig, figuring out which bosom is going to look best in a particular ensemble, and so forth… So hopefully by the end of that process and the time that I had to dwell on it, a starlet would be born.

IFC: Did you have any input on Phyllis’ wardrobe or makeup or anything?

PERLMAN: The makeup portion I had no input on. I just sat there absolutely delighted to watch it happen. The girls who designed the costumes, they were phenomenal people, and they were all basically working for free because it was such a low-budget film. They found so much glee in presenting these choices to me: the clothes, the wig, the nail polish color, the shoes, the bra, what went into the bra, what came out of the bra, etc. It was just a lot of fun. I’m probably the ugliest woman of all time at the end of the day, no matter how many hours you spend caring for all these decisions. I mean, seriously – I could haunt a house. We weren’t looking to replace Tony Curtis in “Some Like It Hot,” is what I’m saying. We had to take what god had given me, which was not much.

IFC: This seems like one of those films in which everyone was ad-libbing all the time and doing all sorts of things that would make it hard not to crack up in the middle of a scene…

PERLMAN: [Laughs] Yeah, it was very difficult. I had never met Chris O’Dowd before this, but I had seen his work and was a huge fan of his. So I shook his hand when I met him and introduced myself. I said,”Hi, Chris. It’s very nice to meet you. Can I ask you a question?” And he said, “Sure. Anything, Ron.” And you have to imagine him saying that in this beautiful Irish brogue. So I said, “Would you mind if, when you walk through the door in this scene, I kiss you right on the mouth?” You could just see him wanting to say, “Yes. Yes, I would mind.” Every fibre in his being was telling him to say, “Please, please don’t do that, Ron.” But he was such a gentleman that he said, “Well, if that’s what you feel like you really need to do, I guess you can…” And I said, “Good. Thanks!” before he had time to reconsider.

IFC: And that was your first conversation with him?

PERLMAN: Yeah, I’ve never broken the ice like that before, and hopefully never again. [Laughs]

IFC: So it seems like you and Charlie Hunnam are in everything together these days. Is this an intentional thing, or just one of those weird convergences in Hollywood?

PERLMAN: Yeah, we’re going to be making “On The Road To West Hollywood” next together. I’m going to do a little standup, he’s going to do a little singing. We’re going to be the new Hope and Crosby of the 21st century. [Laughs]

IFC: I would watch that.

PERLMAN: [Laughs] Well, thank you. But really, it’s just one thing leading to another. You get in these circles and then somehow can’t find your way out. [Laughs] The whole thing with Guillermo Del Toro falling in love with Charlie and putting him in “Pacific Rim” was highly coincidental. Charlie had made “Children of Men” with Alfonso Cuaron, and Cuaron is Del Toro’s best friend. Alfonso had great things to say about Charlie, and Guillermo was looking for a way to work with Charlie for a long time, and it just so happened that when “Pacific Rim” came up it was the perfect opportunity for them to collide. And Guillermo has made a promise to both the world and me – and I don’t think he cares what the world thinks, but I’m never going to let him out of it – that whenever he makes a movie in English, Ron Perlman will be in it. I’m sure one day that string is going to end, but he found a way to put me in “Pacific Rim,” so there you have it.

IFC: We haven’t seen much of you in the “Pacific Rim” trailers so far, so what can you tell us about Hannibal Chau, your character in the film?

PERLMAN: If you give it some thought and think about the idea of an unwieldy Jew from Brooklyn named Hannibal Chau, you’ll probably come to the conclusion that he’s full of shit. And sure enough, he won’t disappoint you. He’s completely full of shit. He’s a man of immense appetites – a hedonist. He likes money a lot and he’ll do anything for it. The situation in the movie has made him a kind of war profiteer. He has an arrangement with the government whereby he has the rights to harvest and reap the benefits of fallen kaiju [massive alien creatures] remains. So he’s doing the government a service by removing these things’ bodies, but he’s doing himself a service by breaking them down and using them for various purposes in the name of vanity. For instance, he sells kaiju bone powder for $500 a pound, because it’s supposedly 150 times more potent than viagra.

IFC: What else is coming up for you?

PERLMAN: We just started shooting the new season of “Sons of Anarchy” yesterday, so that will keep me busy for the next five months. I’m also launching my own indie film company. We’re about to announce a co-production with another production entity to do five movies with them. The first movie we do on our own will be one I’m directing called “Wooden Lake.” It’s in the process of casting, and that will all be announced in the next couple of months. I’ll start shooting that the minute “Sons” comes down in November.

“Frankie Go Boom” is available now on DVD and Blu-Ray, and stars Charlie Hunnam, Chris O’Dowd, Chris Noth, Lizzy Caplan, and Ron Perlman. The film is written and directed by Jordan Roberts.

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Forget Oscar

Find Your Spirit Animal

The Spirit Awards are LIVE this Saturday at 2p PT/5p ET.

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In just a few precious days, the greatest, most epic, most star-studded awards ceremony of the year comes to IFC.

And please, we’re definitely not talking about the Oscars. We’re talking about the Spirit Awards. Hosted by iconic comedy duo Nick Kroll and John Mulaney, it’s a relatively under-the-radar awards show with serious cred. And if the past is any indicator, we’re in for a wild night.

If you feel like doing your homework, you can find a full list of nominees and performance excerpts here. It reads like a who’s who of everyone that matters – those larger-than-life personalities with status that borders on mythological. Our celebrity spirit animals, if you will.

This isn’t hyperbole. Literally everyone who takes the stage at the awards show is spirit animal material. Let’s see if we can help you find yours…

Do you

Live in someone else’s shadow despite shining like the sun? Do you inexplicably vandalize your pretty-boy good looks with a sloppy-joe man bun and a repellent pubic-hair beard? Do you think sounding stoned and sounding thoughtful are kinda the same thing?

Congratulations, your spirit animal is Casey Affleck.

He’s the self-canonized patron saint of anyone who’s got the goods but doesn’t give a damn.

Do you

Have mid-length hair and exude a certain feminine masculinity that is universally appealing? Are you drawn to situations that promise little to nothing in the way of grooming or hygiene as a transparently self-conscious attempt to conceal your radiant inner glow? Does that fail miserably?

Way to go, your spirit animal is Viggo Mortensen.

He’s the yoga teacher of actors, in that what should make him super nasty only increases his curb appeal.

Do you

Get zero recognition for work that everyone knows is unrivaled? Do you inspire greatness in others yet get shortchanged when it comes to your own acclaim? Are you a goddam B-52 bomber in an industry of biplanes?

Bingo, your spirit animal is Annette Bening.

What does it take for this artist to win an Oscar? Honestly now, if her performance in 20th Century Women doesn’t earn her every award on the planet, consider it proof that the Universe truly is a cold dark void absent of reason or compassion.

Do you

Walk into a room full of strangers and walk out with a room full of friends? Have you been hiding under the radar just waiting for the right moment to leap out into the spotlight and stay there FOREVER? Do you possess the almost messianic ability to elevate Shia LaBeouf’s on-screen charisma?

You guessed it (or not), your spirit animal is 100% Sasha Lane.

If you haven’t seen American Honey, then you haven’t heard of her. She came out of the blue with a performance both subtle and powerful, and now she’s going to be in all the movies from this moment on. Or she should be, at any rate.

Don’t see your spirit animal there? Worry not. There are many more nominees to choose from, and you can see them all (yes, including Shia LaBeouf) during the Independent Spirit Awards, this Saturday at 2pm PT/5pm ET only on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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