DID YOU READ

Roman Coppola on “A Glimpse Inside the Mind of Charles Swan III,” Bill Murray and wanting to work with Kristen Stewart

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IFC: Maybe he just draws it to him. One of my favorite moments of the movie was when you had the actors and crew recite their names at the end instead of having end credits. Why did you decide to do that, and how many times did you have to film it?

RC: I remember writing that as I was doing the script, like, “Oh, what would be a unique way to end the picture that would be in the spirit of what the movie kind of represents?” To me it’s kind of a collective of people coming together and making this. It felt kind of like a play, and a curtain call is very common in the theater — not that this is particularly theatre-like, my movie, but it’s kind of familiar. In fact I met someone who was like, “Every movie should have an end sequence like that,” and I thought, “Oh, that would be kind of cool, as it is in the theater.”

There’s a movie called “Candy” that inspired it. This movie is by Christian Marquand in which at the end of the film you see all the characters sort of some together out of the context of the story but just sort of as the actors. That inspired the idea and it was sort of a thank you and a way to acknowledge my crew and the whole team of people. I like the notion. It was a little sentiment to me that maybe only I care about but, in the story, these two characters Charlie and Ivana will probably never see each other again. It’s clearly over, and yet Charlie Sheen as an actor and Katheryn Winnick as an actress kind of came together as friends and meeting one another in the context of the movie, and I thought there was something kind of charming about they say farewell to each other but in the end they’re kind of holding hands, together again. It was a neat notion to me to acknowledge that there’s a new relationship that was born out of this. That meant something to me.

In terms of how many takes, we left ourselves plenty of time because it was a pretty ambitious shot and there was the sunset. I actually got a really great take which is the one we used, but I kept shooting a few more because the light kept going down deeper and deeper into the sunset. But I think ultimately we did like 23 takes and I probably used take 16 or something like that.

IFC: I know it might be a strange thing to pick out but it was strangely personal. Usually the end credits are so impersonal, I just thought it was an interesting way of bringing the cast and crew to the audience.

RC: Yeah. It means a lot to me because my little daughter’s in there and my longtime girlfriend and my crew. All the people who came together to help me out got to sort of take a bow, so to me it is rather personal. I’m glad you see it that way.

IFC: We’re huge fans of Bill Murray here at IFC and I know you mentioned you’ve worked with him many times and know him personally. How does the man compare to the legend?

RC: He is a titan, meaning he is larger than life. He is not just a regular human. He’s tall. He has such presence. He comes in the room and he just sweeps everyone up in his charisma and his spell. He’s just a one-of-a-kind, larger-than-life guy. I’ve gotten to know him and also privileged to hang out and see him and stuff, but he definitely evokes a feeling of awe. I’m just going to gush, but he obviously is a person to be around. He’s so incredibly funny and witty and he’s very generous and warm. All the things you would hope for, he is.

IFC: You’ve worked with and known a lot of great filmmakers. Are there any who you think inspired this film the most?

RC: I would say that there’s a few. Movies are very, what’s the word… they can be anything. It’s really magic. There’s certain filmmakers that have shown me, as I see their movies, I think, “Wow, a movie can really be anything or take you anywhere and evoke all sorts of feelings and spark your senses.” So movies that my film kind of aspires to that use sort of that freedom is a movie like “Stardust Memories” or “Annie Hall,” which are of course Woody Allen movies. He’s obviously one of the greats, we all know that. If you look at “Annie Hall” and you look at all the places it goes, it’s really staggering. It’s really just so free, so that really inspired me.

I love Bob Fosse in particular. “All That Jazz” is a movie that I always could just watch again and again, and it similarly has certain fractured narrative and use of fantasy and feeling rather free. I think both those filmmakers owe a debt to [Federico] Fellini. [He] is one of those master filmmakers who is particularly in touch with a sense of fancy and flights of fancy and fantasy and feeling that freedom, that malleability that film can sort of take you anywhere. So a film like “8 1/2” is something that really, deeply impressed me and kind of relates to things I’ve done, so those are the things that come to mind from more a sense of structure and sense of mis-en-scene.

IFC: “The Bling Ring,” which you produce, seems to continue Sophia Coppola’s trend of exploring fame and celebrity and the obsession with it. As a member of the Hollywood elite looking out, what do you think of that topic?

RC: That’s really a great question for Sophia to answer. She works in a very intuitive way so this is more of a concept, talking about that. I think it’s sort of the job of the viewer or the job of the critical world to consider, analyze and discuss themes or ideas. But just working with her, she gets something in her head and is like, “Ah, there’s something I like about this,” or, “Something is interesting about this,” and it’s very rare and frankly like never that it’s a discussion about concept. Like, “Oh, this is a story of our time.” But artists that are sensitive; art is like a membrane that sort of picks those things up, so I think it’s very reasonable to say that it’s a reflection of our sort of celebrity-obsessed culture and sort of a comment on it, certainly. I guess the distinction I’m trying to make is that’s not really the intention.

It’s a world that interests her and I think many people are fascinated by celebrity and we can all be above it, like, “Oh, I don’t really care,” but then you read something on TMZ and you want to read it, and People magazine, you see it on the airplane and you read it cover to cover. It’s just everyone seems to have this curiosity about fame. I don’t think it’s anything new. It’s certainly always been the case that there are those noted people that seem to kind of represent ideas. There’s the good guys, the bad guys, the villains, and you just sort of read into it. Anyways, I’m going sideways, but it’s actually playing very soon in Cannes and has an opening night slot so the world will get a chance to check out soon.

IFC: Lastly, I’m just curious if you have anything in the works right now that you plan to direct or write or produce?

RC: You know, I don’t really know. I don’t have an exciting answer for you. It took a lot of time and process to make this movie. It was very much a handmade movie in that I was very involved with all the phases and I did it with a lot of sweat and help from people that are close to me and so I’m kind of sort of taking a little breather. I’m expecting a baby soon and will enjoy that. Anyway, longwinded answer but I don’t really know. I’m kind of in that state of mind where you start to look around and you read something in the newspaper and you’re like, “Oh, is that a story kernel?” I’m in that state of receptive curiosity of something that will maybe pop into my mind soon.

IFC: Is there anyone specific that you’d like to work with going forward?

RC: I met Kristen Stewart not long ago because I was involved with “On the Road” and I found her to be so charming and interesting. That is someone I admire. Johnny Depp is such a talented person. I could just go on and on. But I don’t have any plans or designs. I’m just like everyone else; there’s these people that of course you’d like to work with.

Watch an exclusive bonus clip from “A Glimpse Inside the Mind of Charles Swan III” below!

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What did you think of “A Glimpse Inside the Mind of Charles Swan III”? Did you like the casting of Charlie Sheen? Tell us in the comments section below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
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Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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