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Roman Coppola on “A Glimpse Inside the Mind of Charles Swan III,” Bill Murray and wanting to work with Kristen Stewart

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IFC: Maybe he just draws it to him. One of my favorite moments of the movie was when you had the actors and crew recite their names at the end instead of having end credits. Why did you decide to do that, and how many times did you have to film it?

RC: I remember writing that as I was doing the script, like, “Oh, what would be a unique way to end the picture that would be in the spirit of what the movie kind of represents?” To me it’s kind of a collective of people coming together and making this. It felt kind of like a play, and a curtain call is very common in the theater — not that this is particularly theatre-like, my movie, but it’s kind of familiar. In fact I met someone who was like, “Every movie should have an end sequence like that,” and I thought, “Oh, that would be kind of cool, as it is in the theater.”

There’s a movie called “Candy” that inspired it. This movie is by Christian Marquand in which at the end of the film you see all the characters sort of some together out of the context of the story but just sort of as the actors. That inspired the idea and it was sort of a thank you and a way to acknowledge my crew and the whole team of people. I like the notion. It was a little sentiment to me that maybe only I care about but, in the story, these two characters Charlie and Ivana will probably never see each other again. It’s clearly over, and yet Charlie Sheen as an actor and Katheryn Winnick as an actress kind of came together as friends and meeting one another in the context of the movie, and I thought there was something kind of charming about they say farewell to each other but in the end they’re kind of holding hands, together again. It was a neat notion to me to acknowledge that there’s a new relationship that was born out of this. That meant something to me.

In terms of how many takes, we left ourselves plenty of time because it was a pretty ambitious shot and there was the sunset. I actually got a really great take which is the one we used, but I kept shooting a few more because the light kept going down deeper and deeper into the sunset. But I think ultimately we did like 23 takes and I probably used take 16 or something like that.

IFC: I know it might be a strange thing to pick out but it was strangely personal. Usually the end credits are so impersonal, I just thought it was an interesting way of bringing the cast and crew to the audience.

RC: Yeah. It means a lot to me because my little daughter’s in there and my longtime girlfriend and my crew. All the people who came together to help me out got to sort of take a bow, so to me it is rather personal. I’m glad you see it that way.

IFC: We’re huge fans of Bill Murray here at IFC and I know you mentioned you’ve worked with him many times and know him personally. How does the man compare to the legend?

RC: He is a titan, meaning he is larger than life. He is not just a regular human. He’s tall. He has such presence. He comes in the room and he just sweeps everyone up in his charisma and his spell. He’s just a one-of-a-kind, larger-than-life guy. I’ve gotten to know him and also privileged to hang out and see him and stuff, but he definitely evokes a feeling of awe. I’m just going to gush, but he obviously is a person to be around. He’s so incredibly funny and witty and he’s very generous and warm. All the things you would hope for, he is.

IFC: You’ve worked with and known a lot of great filmmakers. Are there any who you think inspired this film the most?

RC: I would say that there’s a few. Movies are very, what’s the word… they can be anything. It’s really magic. There’s certain filmmakers that have shown me, as I see their movies, I think, “Wow, a movie can really be anything or take you anywhere and evoke all sorts of feelings and spark your senses.” So movies that my film kind of aspires to that use sort of that freedom is a movie like “Stardust Memories” or “Annie Hall,” which are of course Woody Allen movies. He’s obviously one of the greats, we all know that. If you look at “Annie Hall” and you look at all the places it goes, it’s really staggering. It’s really just so free, so that really inspired me.

I love Bob Fosse in particular. “All That Jazz” is a movie that I always could just watch again and again, and it similarly has certain fractured narrative and use of fantasy and feeling rather free. I think both those filmmakers owe a debt to [Federico] Fellini. [He] is one of those master filmmakers who is particularly in touch with a sense of fancy and flights of fancy and fantasy and feeling that freedom, that malleability that film can sort of take you anywhere. So a film like “8 1/2” is something that really, deeply impressed me and kind of relates to things I’ve done, so those are the things that come to mind from more a sense of structure and sense of mis-en-scene.

IFC: “The Bling Ring,” which you produce, seems to continue Sophia Coppola’s trend of exploring fame and celebrity and the obsession with it. As a member of the Hollywood elite looking out, what do you think of that topic?

RC: That’s really a great question for Sophia to answer. She works in a very intuitive way so this is more of a concept, talking about that. I think it’s sort of the job of the viewer or the job of the critical world to consider, analyze and discuss themes or ideas. But just working with her, she gets something in her head and is like, “Ah, there’s something I like about this,” or, “Something is interesting about this,” and it’s very rare and frankly like never that it’s a discussion about concept. Like, “Oh, this is a story of our time.” But artists that are sensitive; art is like a membrane that sort of picks those things up, so I think it’s very reasonable to say that it’s a reflection of our sort of celebrity-obsessed culture and sort of a comment on it, certainly. I guess the distinction I’m trying to make is that’s not really the intention.

It’s a world that interests her and I think many people are fascinated by celebrity and we can all be above it, like, “Oh, I don’t really care,” but then you read something on TMZ and you want to read it, and People magazine, you see it on the airplane and you read it cover to cover. It’s just everyone seems to have this curiosity about fame. I don’t think it’s anything new. It’s certainly always been the case that there are those noted people that seem to kind of represent ideas. There’s the good guys, the bad guys, the villains, and you just sort of read into it. Anyways, I’m going sideways, but it’s actually playing very soon in Cannes and has an opening night slot so the world will get a chance to check out soon.

IFC: Lastly, I’m just curious if you have anything in the works right now that you plan to direct or write or produce?

RC: You know, I don’t really know. I don’t have an exciting answer for you. It took a lot of time and process to make this movie. It was very much a handmade movie in that I was very involved with all the phases and I did it with a lot of sweat and help from people that are close to me and so I’m kind of sort of taking a little breather. I’m expecting a baby soon and will enjoy that. Anyway, longwinded answer but I don’t really know. I’m kind of in that state of mind where you start to look around and you read something in the newspaper and you’re like, “Oh, is that a story kernel?” I’m in that state of receptive curiosity of something that will maybe pop into my mind soon.

IFC: Is there anyone specific that you’d like to work with going forward?

RC: I met Kristen Stewart not long ago because I was involved with “On the Road” and I found her to be so charming and interesting. That is someone I admire. Johnny Depp is such a talented person. I could just go on and on. But I don’t have any plans or designs. I’m just like everyone else; there’s these people that of course you’d like to work with.

Watch an exclusive bonus clip from “A Glimpse Inside the Mind of Charles Swan III” below!

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What did you think of “A Glimpse Inside the Mind of Charles Swan III”? Did you like the casting of Charlie Sheen? Tell us in the comments section below or on Facebook and Twitter.

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The Break-Up

Watch Bill Hader and Other SNL Favorites Break Character

Catch Bill Hader on the new season of Documentary Now! premiering September 14th at 10P on IFC.

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Photo Credit: NBC/YouTube

Aw, Friday. A day of happy hours that begin at 4PM and “too rotten to miss” movies like Bill & Ted’s Bogus Journey on IFC’s Rotten Fridays. A truly magical day where the possibilities are endless and the regrets are just around the corner. So as we partake in the pre-weekend, sit back and enjoy another gaggle of funny videos to run out the clock.

From a despondent croissant to unintended giggling on SNL, here are the five best videos of the week.

1. SNL Cast Breaks Up

Saturday Night Live head honcho Lorne Michaels famously decries ad-libbing during the live runs — though with hilarious folks like Will Ferrell and Documentary Now!‘s Bill Hader, there are bound to be some unscripted moments that cause the cast to lose it during a sketch. Some of the greatest SNL moments involve the players or guests breaking character, as this compilation clearly shows. (Fortunately, the shame of ruining the scene has been replaced by video viralbility.)


2. Croissant Man

Pity the breakfast pastry, for its existential ennui is too much for this world. In this short courtesy of the NY Television Festival, our favorite light and flakey morning pal waxes melodramatically to his therapist and compatriots regarding the hopeless, Sartre-level gloom that hangs over every search for Life’s purpose. (Click here to see more great shorts from the NYTVF.)


3. That Time Ray Charles Beat Willie Nelson in Chess

For your guaranteed smile of the day, here’s the tale of a game of chess between crooners Ray Charles and Willie Nelson. Turns out ol’ Ray was a bona fide chess master on par with Bobby Fischer — or maybe he was just good at evening the field by making them play in the dark. As Willie puts it, “He kicked my ass three games in a row!”


4. Why Jump Scares Suck

Ever since primitive man leapt out of a bush to scare his friend, jump scares have been employed as a cheap and easy way to jolt your audience. As YouTuber Jack Nugent explains in the latest Now You See It video, it’s far more difficult to instill a growing sense of dread and suspense than just simply having a cat screech across the foreground of a dimly lit basement.


5. Best Supporting Weirdo

“Here’s to the crazy ones,” Steve Jobs famously said, paying homage to the oddballs and misfits who stand out from the pack and, more often than not, define their surroundings. In this rapid-fire supercut, some of our favorite nutjobs (like Beetlejuice, Cameron Frye and Death) are paid homage for keeping pop culture protagonists on edge and the audience entertained.

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Rotten Journey

5 Reasons Bill and Ted’s Bogus Journey Is Too Rotten to Miss

Have an excellent time with Bill & Ted's Bogus Journey tonight at 8P during IFC's Rotten Fridays.

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Photo Credit: Orion Pictures/Everett Collection

We live in an age of unimaginative sequels. Filmmakers know the easiest way to cash in is to trot out the same plot and characters and hope we don’t notice. Which is why what we need now more than ever is Bill & Ted’s Bogus Journey, airing tonight at 8P as part of IFC’s Rotten Fridays.

Sure, the 1991 sequel to Bill & Ted’s Excellent Adventure (coincidentally airing on IFC tonight at 6P before Bogus Journey) scored a meager 54% on the Rotten Tomatoes. (Even before the “Tomatometer” was a thing, Bogus Journey was the definition of a lackluster sequel.) But its mix of head-scratching craziness (Robots! Aliens! William Sadler as Death!) and solid gags (“You sunk my Battleship!”) have earned the flick a cult following among fans of oddball sequels. Before you tune in tonight, check out some reasons why Bill & Ted’s Bogus Journey earns the coveted title of being one of IFC and Rotten Tomatoes’ movies that are “too rotten to miss.”

5. It’s Visually Most Triumphant.

Bogus Journey
Orion Pictures

The first movie may be a classic, but there’s no doubt the look of this scorned sequel took things to a whole other level. Instead of resting on Excellent Adventure‘s laurels, new director Peter Hewitt decided to go for broke creatively, offering up a vivid visual style that highlighted the film’s themes of life, death, failure and regret. While it may not be the popular opinion, there’s no doubt that as pure eye candy Bogus blew the first flick out of the water. Just ask Michael Wilmington, who wrote in the Los Angeles Times that “Bogus Journey is better than the original: more imaginative, more opulent, wilder and freer, more excitingly visualized.” Righteous review, dude!


4. Evil Bill and Ted Robots? Excellent!

Bogus Journey robots
Orion Pictures/Everett Collection

Bill and Ted have to be two of the most loveable doofuses to ever grace the silver screen, so it shouldn’t come as a shock that seeing them go full-on bad guy is a real treat. The evil robot clones of Bill and Ted still have their sleepy-eyed, stoner outlook on life — they just also happen to be bad to the bone. This fun twist brings new life to the franchise, another example of how screenwriters Chris Matheson and Ed Solomon really mixed things up. Plus, they rock!


3. Bill and Ted Go To Hell. Outstanding!

Bogus Journey
Orion Pictures

If Tim Burton ever directed a Freddy Krueger movie, it might end up looking something like Bill and Ted’s journey to Hell. While the sequence is righteously funny — with an unending descent into Hades going from terrifying to boring in the blink of an eye — it also has a dark, nightmarish quality that’s like an M.C Escher painting that knows your deepest, darkest secrets. Alex Winter’s turn as young Bill’s toothless “Granny Preston” wanting a kiss still gives us nightmares.


2. The Grim Reaper is Bodacious.

Bogus Journey
Orion Pictures

William Sadler, who’s played everything from a badass terrorist in Die Hard 2 to a loveable convict in The Shawshank Redemption, kills it as, well, Death. Heavily influence by Ingmar Bergman’s The Seventh Seal, Sadler plays the Grim Reaper as a stoic force of nature who learns to loosen up thanks to some righteous new friends. The scene where Bill and Ted best him in a batch of board games may seem a bit broad at first blush, but what are Ted “Theodore” Logan and Bill S. Preston, Esq. supposed to do? Play chess?


1. The Dudes Truly Become Wyld Stallyns.

Bogus Journey Wyld Stallyns
Orion Pictures

One of the few shortcomings from the most unrivaled first film is that we never really get to see the boys become rock legends. Thanks to some time traveling shortcuts — and a 16-month sabbatical of guitar lessons and baby making — Bogus Journey ends with the Wyld Stallyns finally living up to their righteous reputation, ready to make the music that will put an end to war and poverty and align the planets into universal harmony. Also, it’s excellent for dancing.

Catch Bill & Ted’s Bogus Journey this Friday at 8P on IFC’s Rotten Fridays!

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Choose or Lose

The Funniest Political Comedies From the ’90s

Documentary Now! tackles '90s politics with "The Bunker," premiering September 14th at 10P on IFC.

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Photo Credit: 20th Century Fox/Everett Collection

While this election season seems like the greatest source of political comedy ever, it’s got nothing on the ’90s. During the original recipe Clinton Era, there were a large number of films that shined a light on the dark humor of politics.

As we gear up for the September 14th premiere of “The Bunker,” the season premiere episode of Documentary Now! that takes a look back at the tumultuous 1992 Ohio Governor race, let’s flashback to a simpler time when Donald Trump was just a rich guy happy to be in Home Alone 2. It was the time of flannel shirts, Beavis and Butt-head and politicians with their heads up their own butts. Grab some Crystal Pepsi and check out the funniest political comedies of the ’90s.

10. My Fellow Americans (1996)

Legendary actors James Garner and Jack Lemmon play two politically opposite ex-Presidents thrust together in an attempt to prove that the current President (played by Dan Aykroyd) is behind a bribery scandal that Lemmon’s Pres. Kramer is being framed for. My Fellow Americans was supposed to star Lemmon and his Grumpy Old Men costar Walter Matthau, who backed out of the project due to health problems. As great a duo as they were, James Garner seemed like the perfect choice for Pres. Douglas — with his natural Southern charm, his character is like an older Bill Clinton.


9. The Distinguished Gentleman (1992)

The Distinguished Gentleman might be the last movie you would shout out if you were ever on Family Feud and “Eddie Murphy movies” was a category, but it’s still a fun comedy with Eddie bringing the cool factor that made him a huge star in the ’80s. Here Murphy plays a con man who decides to run for a Florida Congressional seat because he shares the same name as the congressman in his district up for re-election who just died of a heart attack. After getting the backing of a Florida seniors organization (the Silver Foxes), Murphy’s appropriately named Thomas Jefferson Johnson runs as the “name you know” and ends up winning. He starts out buying into the idea of “playing the game” in order to get paid by lobbyists but eventually ends up changing his con-man ways. Hey, it’s a ’90s Eddie Murphy comedy. Things tended to work out in Eddie’s favor.


8. Black Sheep (1996)

The second buddy road trip comedy starring Chris Farley and David Spade suffers from being compared to the much funnier Tommy Boy, but there are still some hilarious moments here. Farley, in one of his final roles, plays Mike Donnelly, a well-meaning but goofy mess who manages to repeatedly muck up his brother’s campaign for Governor. Casting Tim Matheson, of Animal House fame, as the smarter and handsomer brother was a great choice and Farley and Spade get into plenty of shenanigans including encountering Gary Busey as a crazed Vietnam Vet. The scene where Farley takes the stage at a “Rock the Vote” concert will have you snorting Crystal Pepsi out of your nose.


7. The American President (1995)

Before he created The West Wing, Aaron Sorkin honed his presidential speech writing skills with the screenplay for The American President, a romantic comedy where Michael Douglas’ single Prez romances Annette Bening’s plucky environmental lobbyist. Directed by rom-com master Rob Reiner, the movie is loaded with sweet and funny moments, like when Pres. Shepherd (Douglas) calls Sydney (Bening) to ask her out the first time and she hangs up thinking it’s a prank call. We even get a sneak peek of President Bartlett, as Martin Sheen turns up as Shepherd’s no-nonsense his Chief-of-Staff. Sorkin claims he wrote the screenplay during a time when he smoked a crack. If that’s the case, every screenwriter should be give that method a try.


6. Wag the Dog (1997)

Before Dustin Hoffman joined Robert De Niro’s “circle of trust” in Meet the Fockers, the legendary actors co-starred in the David Mamet-scripted dark comedy Wag the Dog. You can’t capture the era of ’90s politics better than a film dealing with the cover-up of a Presidential sex scandal. Oddly, the movie actually came out before Monica Lewinsky and her dress entered the minds of Americans. Today, the plot of Wag the Dog might be an episode of Scandal, but if you look back to 1997, it was a biting political satire of what goes on behind-the-scenes of power and politics. De Niro plays D.C. spin-doctor Conrad Bean, who hires a Hollywood producer to stage a fake war in Albania as a distraction to help insure the President’s re-election. In a stellar cast that also includes Anne Heche and Woody Harrelson as a psychotic ex-soldier turned war hero, Hoffman stands out as a Hollywood bigwig who has a strong resemblance to Godfather producer Robert Evans. (Look for Bill Hader’s take on Evans in the new season of Documentary Now!.)


5. Bulworth (1998)

Warren Beatty was born with the looks of a guy who should run for Senate, and in Bulworth he plays a veteran senator who has lost his way and hires a hit man to kill him. Faced with his impending death, Senator Bulworth has an almost religious conversion to honesty and starts railing against the corruption of corporate money in politics. (We imagine Bernie Sanders has this one in his Netflix queue.) Like a lot of ’90s movies comedies, there is a gimmicky scene where Bulworth raps during a speech. Still, the film is so sharply written, the scene is both hilarious and a prescient look at the way white establishment types would go on to co-opt hip-hop culture.


4. Bob Roberts (1992)

If you love a good mockumentary with conservative folk songs (who doesn’t?), Bob Roberts is the movie for you. Tim Robbins wrote, directed and starred in this underrated comedy, which was inspired by a SNL sketch he had appeared in a few years earlier. Bob Roberts is a folk-singing, conservative self-made millionaire running for Congress in Pennsylvania who appears to be 100% All-American. Robbins is great at using his wholesome grin to mask the fact that his character is a drug smuggling tyrant with fits of rage. Look for everyone from Alan Rickman as Roberts’ campaign manager to a young Jack Black (see above) as a scarily enthusiastic fan.


3. Dick (1999)

Before the Watergate scandal informant was revealed, there were plenty of theories over the years as to who “Deep Throat” really was. The 1999 comedy Dick posits a possible alternate history of Nixon’s downfall as it follows two adorably upbeat and politically clueless teenage girls (energetically played by Kirsten Dunst and Michelle Williams) who randomly become “Tricky” Dick’s dog walkers after ending up meeting him on a White House field trip. Over the course of the rollicking disco-fied comedy the girls come in contact with every player in the infamous White House scandal, including a hilarious Woodward and Bernstein, played by Will Ferrell and Bruce McCulloch of Kids in the Hall fame. (The duo’s ’70s hair alone is worth watching for.) Dan Hedaya is perfectly cast as Nixon, showcasing a softer side of the infamous president after he unwittingly eats some pot cookies. An underrated comedy, Dick is a blast of ’70s fun and a great showcase for its cast of rising stars.


2. Dave (1993)

Dave is a classic everyman-turned-hero story with a winning Kevin Kline as an affable guy who just happens to be a dead-ringer for the leader of the free world. When Pres. Mitchell has a stroke while fooling around with his mistress, his Chief of Staff (Frank Langella) hatches a plan to temporarily have Kline’s Dave fill in for the President. Langella and Kline are great together, and the scene where Dave calls his accountant friend (played by Charles Grodin) to come over to the White House and balance the budget is just one of the sharp ways director Ivan Reitman and screenwriter Gary Ross (Big) poke fun at politics. Look for Sigourney Weaver, reteaming with Reitman after the Ghostbusters movies, as the First Lady who slowly begins to realize something is off about her Husband-in-Chief.


1. Election (1999)

If you think national politics is cutthroat, just wait until you meet high school president candidate Tracy Flick. Tracy, as played by Reese Witherspoon, is like a teenage version of Amy Poehler’s Leslie Knope, but without the likeable personality. Mathew Broderick hits all the right notes as the teacher who starts off being respected but finds his whole life falling apart while overseeing the election. A dark comedy that shows the downside of driven political candidates, Election is a film that remains topical with every new voting season.

Watch MTV’s Tabitha Soren covering the heated 1992 Ohio Governor race below. To find out who wins, catch the season premiere of Documentary Now! September 14th at 10P on IFC.

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