DID YOU READ

Roman Coppola on “A Glimpse Inside the Mind of Charles Swan III,” Bill Murray and wanting to work with Kristen Stewart

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Roman Coppola has been involved in the Hollywood scene for decades, but he rarely is found directly behind the camera. After helming his directorial debut “GQ” in 2001, he has acted primarily as a co-writer, music video director and producer on projects for people like Wes Anderson and his sister Sophia Coppola instead of directing his own features. That changed in 2011 when it was announced that he would tackle the independent movie “A Glimpse Inside the Mind of Charles Swan III,” which he also wrote and was producing.

Years have passed and, after making its premiere at the Rome Film Festival and having a limited run in theaters, “A Glimpse Inside the Mind of Charles Swan III” was released on Blu-ray on May 14. IFC had a chance to talk with Coppola about the movie, the actors he chose to work with and what he plans on working on next.

IFC: Why is this the story that you wanted to tell?

RC: What can I say? Projects sort of choose you. People ask, “Oh, why’d you do this?” “Why’d you choose that?” I find it hard to really answer genuinely because you get something kind of in your mind and it’s an intuitive feeling. In this case, there was a character. I had a sense of this guy that I thought would be a fun to see portrayed. And then he got dumped and how does he react to that? He is kind of a very imaginative kind of character in how he sees things and to use to that as an opportunity to have these kinds of flights of fancy and have the experience of the movie reflect the feeling of what it’s like to be dumped and how your mind is kind of crazed and kaleidoscopic, fractured thoughts. It’s not really an answer I can give, why I chose that. It just sort of chose me. It’s just the character interested me in that world, but it did start with the character and the feeling, this vibe of this kind of cool guy who can’t keep it together when he got dumped.

IFC: What led you to casting Charlie Sheen in that lead role? Did you always know you wanted him, or was there someone else you were considering?

RC: I wrote it without really anyone in mind. As you’re writing, you always think, “Oh, it could be this person or that person,” and you’re sort of open to thinking of people, but I didn’t really have an actor in mind. It wasn’t until I kind of got into the casting process — who could I get to portray this? — that I thought of Charlie. To me, it was sort of a no-brainer in that I needed someone who was the right age, so mid-40s. I needed someone who is handsome and is charming, someone who had wit and this kind of sense of humor, and someone who’s a fine actor, and someone that, to me and maybe people won’t agree with me, but a freshness that you hadn’t really seen on the screen. There’s something fun about presenting someone that has a freshness in a way, and I just thought Charlie had all those qualities in terms of being, as I said, a very good actor, very charming, the right age.

The fact that I knew him personally — I haven’t seen him in many years, but we as kids we were pals during “Apocalypse Now” — that’s also something that means something to me. When you’re trying to make a movie, to reach out to people you have a rapport with and you know, you have sense of who they are, [is nice]. Obviously Jason [Schwartzman] is in the movie, and Patricia Arquette is someone who was part of our family; she was married to my cousin [Nicolas Cage]. Bill Murray is someone who I’ve worked with over the years, so there was a comfort and I think an asset of working with someone who I had this connection to.

IFC: It’s interesting that you call it a “freshness,” because I definitely do feel like we’ve seen a new side of Charlie Sheen since he came out of this difficult time in his life.

RC: I wouldn’t want to make any proclamations, but I think it’s great that you see it that way. It’s interesting because, to me, I think he gives a very good performance in the movie. I think he’s very charming. He’s just a witty guy. I think he’s fun to watch. I think that one of the challenges to the movie — and to me, I see him as the character. He’s Charles Swan III. You know, he’s embodying this character, but I think a lot of people seem, my impression, to have a hard time kind of divorcing all their kind of Internet kind of notions about someone. It’s hard for people to let go of that, so I sort of invite people to say, “Hey look, this is an actor portraying the role.” I think a lot has been made, at least presented to me, like, “Oh Charlie, that’s an odd choice,” or, “Why him?” To me it’s like, he’s so obvious. He’s a great talent. He’s got such charm and wit. It’s so obvious to me, but I guess that’s kind of why I’m just a different person than everyone else.

IFC: Well the parallel obviously is in the name, too. It’s weird seeing him onscreen being called “Charlie” or “Charles” and having to disconnect that.

RC: It’s funny because in “Two and a Half Men” he also plays “Charlie,” in his new show [“Anger Management”] he plays “Charlie,” and I wrote the character “Charlie” as just a name, so that’s a weird interesting coincidence.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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