DID YOU READ

“Arrested Development” casting director describes how the Bluth family came to be

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Michael Bluth could have been played by Ben Schenkman. Think about that as you binge-watch season four of “Arrested Development” this week.

One of the previous casting directors for 20th Century Fox, Marcia DeBonis, told IFC that her proudest achievement was placing the three New York hires: Will Arnett as G.O.B., Tony Hale as Buster, and Jessica Walter as Lucille — and not getting her way when it came to the part of Michael. “Ben Schenkman came in for the part of Michael, and we sent in the tape for him, and they wanted to fly him out, to test him, and a week later, they suddenly started testing Jason Bateman instead,” she recalled. “I was furious, and I called them, and they said they would still test Ben, but that if they didn’t test Jason that week, they were going to lose him. And I was like, ‘Who the fuck is Jason Batemen?’ Because, remember, this was his comeback. And sure enough, they loved him, and Ben didn’t even get to test.”

Of course, once she saw the finished product, “I realized I was wrong and Jason couldn’t have been more perfect for it,” she said. “I was apologizing to everyone, ‘I’m sorry I was such a bitch!’ because I had been apoplectic about it.”

DeBonis, however, had previously had someone else in mind for Michael Bluth — Will Arnett. DeBonis had known him “forever,” but she wasn’t aware of his capacity for comedy. “He was beautiful,” she said, “but because he was so cute, I wrongly judged him as the cute guy.” At first, she thought he would be a good fit, but Arnett wasn’t available because was in the middle of a play, so she let it go. But three or four weeks into the casting process, “Arrested Development” was still having a hard time finding someone for G.O.B., and so they started checking on people who previously weren’t available but whose schedules might have freed up. And with the table reads already in progress, the part needed to be cast right away. Luckily, Arnett’s part in the play was over, so in the space of a day, “we got him in [for a cold reading] that afternoon, and he totally got it, very much by the seat of his pants,” DeBonis said. “And he made Gob what he was. I didn’t get what G.O.B. was — the arrogance of being a dick and still being likeable, clueless with an edge, with something still vulnerable about him in a weird way — until he did it. I didn’t know how funny it was, until he did it.”

Walter, DeBonis had to convince to test for the show, because she was more of an “actor of reputation” than the others being considered. “I don’t think she understood the tone of the show at first,” DeBonis said. “Nowadays, everything’s a mockumentary, but back then, there wasn’t a lot. So I got the first breakdown, which was a very bare bones run-and-gun piece, with a loosie-goosie feel, and I said to her, ‘This is like ‘Spinal Tap.’ Because the Christopher Guest movies were the closest thing to this. And once I explained that to her, she totally got it.”

Hale, DeBonis discovered doing a funny dance to Styx’s “Mr. Roboto” in a Volkswagen commercial, an origin that was later used as a joke on “Arrested Development.” “I was like, ‘That guy is so funny!'” she recalled. “I tracked him down, and I was just smitten with him. I thought he was so special.” DeBonis had tried Hale for a number of parts over the years but he was never quite right (“he’s interesting and off,” she said), but this was one where she knew he would be just right. “They wanted off!” she said with glee. “Finally, here was a part where Tony wouldn’t be considered too offbeat.” Hale was the first person she put on tape for consideration for Buster, and then the network flew him out for his audition. Buster wasn’t a big role in the pilot, but he added some “deep-seated sweetness” to the mix of abrasive characters, and what Hale brought to the character was a way to make Buster seem “more clueless than dumb,” DeBonis said. “You just want to take care of him.”

“I never thought in a million years that this pilot would get picked up,” she said, laughing. “It was so new and different and unique, and sometimes new and unique just doesn’t get picked up. So the fact that this all worked was a great surprise.”

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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