DID YOU READ

“Arrested Development” casting director describes how the Bluth family came to be

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Michael Bluth could have been played by Ben Schenkman. Think about that as you binge-watch season four of “Arrested Development” this week.

One of the previous casting directors for 20th Century Fox, Marcia DeBonis, told IFC that her proudest achievement was placing the three New York hires: Will Arnett as G.O.B., Tony Hale as Buster, and Jessica Walter as Lucille — and not getting her way when it came to the part of Michael. “Ben Schenkman came in for the part of Michael, and we sent in the tape for him, and they wanted to fly him out, to test him, and a week later, they suddenly started testing Jason Bateman instead,” she recalled. “I was furious, and I called them, and they said they would still test Ben, but that if they didn’t test Jason that week, they were going to lose him. And I was like, ‘Who the fuck is Jason Batemen?’ Because, remember, this was his comeback. And sure enough, they loved him, and Ben didn’t even get to test.”

Of course, once she saw the finished product, “I realized I was wrong and Jason couldn’t have been more perfect for it,” she said. “I was apologizing to everyone, ‘I’m sorry I was such a bitch!’ because I had been apoplectic about it.”

DeBonis, however, had previously had someone else in mind for Michael Bluth — Will Arnett. DeBonis had known him “forever,” but she wasn’t aware of his capacity for comedy. “He was beautiful,” she said, “but because he was so cute, I wrongly judged him as the cute guy.” At first, she thought he would be a good fit, but Arnett wasn’t available because was in the middle of a play, so she let it go. But three or four weeks into the casting process, “Arrested Development” was still having a hard time finding someone for G.O.B., and so they started checking on people who previously weren’t available but whose schedules might have freed up. And with the table reads already in progress, the part needed to be cast right away. Luckily, Arnett’s part in the play was over, so in the space of a day, “we got him in [for a cold reading] that afternoon, and he totally got it, very much by the seat of his pants,” DeBonis said. “And he made Gob what he was. I didn’t get what G.O.B. was — the arrogance of being a dick and still being likeable, clueless with an edge, with something still vulnerable about him in a weird way — until he did it. I didn’t know how funny it was, until he did it.”

Walter, DeBonis had to convince to test for the show, because she was more of an “actor of reputation” than the others being considered. “I don’t think she understood the tone of the show at first,” DeBonis said. “Nowadays, everything’s a mockumentary, but back then, there wasn’t a lot. So I got the first breakdown, which was a very bare bones run-and-gun piece, with a loosie-goosie feel, and I said to her, ‘This is like ‘Spinal Tap.’ Because the Christopher Guest movies were the closest thing to this. And once I explained that to her, she totally got it.”

Hale, DeBonis discovered doing a funny dance to Styx’s “Mr. Roboto” in a Volkswagen commercial, an origin that was later used as a joke on “Arrested Development.” “I was like, ‘That guy is so funny!'” she recalled. “I tracked him down, and I was just smitten with him. I thought he was so special.” DeBonis had tried Hale for a number of parts over the years but he was never quite right (“he’s interesting and off,” she said), but this was one where she knew he would be just right. “They wanted off!” she said with glee. “Finally, here was a part where Tony wouldn’t be considered too offbeat.” Hale was the first person she put on tape for consideration for Buster, and then the network flew him out for his audition. Buster wasn’t a big role in the pilot, but he added some “deep-seated sweetness” to the mix of abrasive characters, and what Hale brought to the character was a way to make Buster seem “more clueless than dumb,” DeBonis said. “You just want to take care of him.”

“I never thought in a million years that this pilot would get picked up,” she said, laughing. “It was so new and different and unique, and sometimes new and unique just doesn’t get picked up. So the fact that this all worked was a great surprise.”

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

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IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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