DID YOU READ

“Arrested Development” casting director describes how the Bluth family came to be

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Michael Bluth could have been played by Ben Schenkman. Think about that as you binge-watch season four of “Arrested Development” this week.

One of the previous casting directors for 20th Century Fox, Marcia DeBonis, told IFC that her proudest achievement was placing the three New York hires: Will Arnett as G.O.B., Tony Hale as Buster, and Jessica Walter as Lucille — and not getting her way when it came to the part of Michael. “Ben Schenkman came in for the part of Michael, and we sent in the tape for him, and they wanted to fly him out, to test him, and a week later, they suddenly started testing Jason Bateman instead,” she recalled. “I was furious, and I called them, and they said they would still test Ben, but that if they didn’t test Jason that week, they were going to lose him. And I was like, ‘Who the fuck is Jason Batemen?’ Because, remember, this was his comeback. And sure enough, they loved him, and Ben didn’t even get to test.”

Of course, once she saw the finished product, “I realized I was wrong and Jason couldn’t have been more perfect for it,” she said. “I was apologizing to everyone, ‘I’m sorry I was such a bitch!’ because I had been apoplectic about it.”

DeBonis, however, had previously had someone else in mind for Michael Bluth — Will Arnett. DeBonis had known him “forever,” but she wasn’t aware of his capacity for comedy. “He was beautiful,” she said, “but because he was so cute, I wrongly judged him as the cute guy.” At first, she thought he would be a good fit, but Arnett wasn’t available because was in the middle of a play, so she let it go. But three or four weeks into the casting process, “Arrested Development” was still having a hard time finding someone for G.O.B., and so they started checking on people who previously weren’t available but whose schedules might have freed up. And with the table reads already in progress, the part needed to be cast right away. Luckily, Arnett’s part in the play was over, so in the space of a day, “we got him in [for a cold reading] that afternoon, and he totally got it, very much by the seat of his pants,” DeBonis said. “And he made Gob what he was. I didn’t get what G.O.B. was — the arrogance of being a dick and still being likeable, clueless with an edge, with something still vulnerable about him in a weird way — until he did it. I didn’t know how funny it was, until he did it.”

Walter, DeBonis had to convince to test for the show, because she was more of an “actor of reputation” than the others being considered. “I don’t think she understood the tone of the show at first,” DeBonis said. “Nowadays, everything’s a mockumentary, but back then, there wasn’t a lot. So I got the first breakdown, which was a very bare bones run-and-gun piece, with a loosie-goosie feel, and I said to her, ‘This is like ‘Spinal Tap.’ Because the Christopher Guest movies were the closest thing to this. And once I explained that to her, she totally got it.”

Hale, DeBonis discovered doing a funny dance to Styx’s “Mr. Roboto” in a Volkswagen commercial, an origin that was later used as a joke on “Arrested Development.” “I was like, ‘That guy is so funny!'” she recalled. “I tracked him down, and I was just smitten with him. I thought he was so special.” DeBonis had tried Hale for a number of parts over the years but he was never quite right (“he’s interesting and off,” she said), but this was one where she knew he would be just right. “They wanted off!” she said with glee. “Finally, here was a part where Tony wouldn’t be considered too offbeat.” Hale was the first person she put on tape for consideration for Buster, and then the network flew him out for his audition. Buster wasn’t a big role in the pilot, but he added some “deep-seated sweetness” to the mix of abrasive characters, and what Hale brought to the character was a way to make Buster seem “more clueless than dumb,” DeBonis said. “You just want to take care of him.”

“I never thought in a million years that this pilot would get picked up,” she said, laughing. “It was so new and different and unique, and sometimes new and unique just doesn’t get picked up. So the fact that this all worked was a great surprise.”

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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