DID YOU READ

Gore Vidal: The Last Patrician Comedian

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“A narcissist is someone better looking than you are,” is one of the many quips that made Gore Vidal one of the funniest men on the planet during his lengthy sojourn. Of all the documentaries about comedians at the Tribeca Film Festival this year – Richard Pryor, Moms Mabley, immediately come to mind – it is the documentary about Gore Vidal, “The United States of Amnesia” that made on me the strongest impression.

What’s that? You never thought of Gore Vidal as a comedian, per se? Perhaps more of a literati, a polemicist, an intellectual, you say? And yet it is impossible to extricate the comedic side, the acid wit, from the politics. Go ahead: I dare you — try. Have you ever heard Gore talk about human sexuality? Have you ever heard Vidal describe Charlton Heston’s limited acting range? Gore Vidal, particularly on the lecture circuit, was one of the smartest stand-up comedians of all time, employing impersonations as well as improvised skits illustrating, always, the stupidity of politicians. The stupidity of the ruling class – which Gore was born into – is his favorite target. It was with the honey of comedy that Gore administered his medication, a frank political populist message delivered to the masses. Vidal was “occupying Wall Street” decades before the movement sprung up around him and he was still preaching its gospel after everyone went home.

The film begins on a morbid note: Gore, intoning with that patrician accent, as he stands over the grave he will soon occupy in Washington DC. The tomb is half full, already occupied by Howard Austen, his partner of five decades. The film doesn’t remain as maudlin throughout. The cinematography, as well as archived film footage from a memorable life on two continents (Ravello, Italy; Venice; Beverly Hills) as well as interviews with friends and sometimes foes – Vidal had quite a few of those — is beautifully done. The film features candid vérité footage of Vidal in his final days, and while he is brilliantly witty, there is also a sense of sadness because he is about to die, that he doesn’t believe in an afterlife, and that the country he loves so much – these United States – is in rough shape.

At the screening during the Tribeca Film Festival rarely a minute went by without Vidal’s on-screen commentary eliciting raucous laughter from the knowledgeable fans, critics and VIPs assembled. Even Robert DeNiro, the festival’s founder, has said that the film stands out. Nicholas Wrathall, the film’s director, had full access to Gore Vidal’s last months and captures the man in full, winding down his worldly affairs, moving out of his house overlooking the Atlantic Ocean in Ravello, Italy because he can no longer walk unaided. The film briefly looks backwards at Vidal’s vivid life. But Wrathall mainly focuses on the last days, allowing Vidal and his contemporaries to give their impressions of his life and times. It is like Gore presiding and present at his own wake. That is something that every author craves.

The cinematography is exquisite. The directors of photography: Derek Wiesenhahn, Joel Schwartzberg, Armando De’Ath do a fine job of capturing everything from that gloomy cemetery in Washington where the film begins to the unique natural light of Venice. Everything is gloriously vivid, and the archival footage blends seamlessly into the meat of the film, the present, where Gore Vidal is getting ready to exit stage left.

Gore Vidal was, in many ways, the last patrician comic. . “As I looked back over my life,” Gore Vidal once said, “I realized that I enjoyed nothing–not art, not sex–more than going to the movies.” When he died, at age 86, in 2012, Nicholas Wrathall was still editing this documentary. It is to all of our benefit that this winding down of affairs was captured for posterity. Vidal’s lived an extraordinary life on two continents: he wrote great books, he threw legendary parties, he spoke great truths honeyed with a sparkling wit. Nicholas Wrathall had the luck to be at the right place at the right time, but also the great skill and the help of solid collaborators to present the Gore Vidal story.

Are you a fan of Gore Vidal? Tell us in the comments section below or on Facebook and Twitter.

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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