DID YOU READ

Michael Cera and Alia Shawkat discuss sex and awkward love in “Arrested Development” season 4

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By Michael Rougeau

It’s been seven years since “Arrested Development’s” third season, and in the world inhabited by the Bluth family, just as much time will have passed when the series catches up with them in season 4. Michael Cera‘s George Michael and Alia Shawkat‘s Maeby Fünke are all grown up, and when IFC sat down with the actors behind the cousins-in-love during a recent press day with the cast, they said that their relationships with their family and with one another have changed in subtle ways.

“It’s kind of like in real life, like, it doesn’t really change at all,” Cera said. “You go home and you just regress right back into, like, the same rhythm with your family.”

“Exactly. Yeah, you’re able to maybe not text them as much, because parents don’t know how to text very well,” Shawkat said. She added that “there’s a little more, like, sexual experiences tossed in there,” now that they’re grown up and George Michael has entered college, “because adults have sex.”

“Just to shake things up,” Cera added. “Just because it’s part of the times. It would be weird not to include it. It’s now.” The duo stifled a burst of laughter.

IFC couldn’t help but ask: does that increased sexual experience have anything to do with the fact that by the end of season 3 of “Arrested Development,” George Michael and Maeby had discovered that they’re not actually related?

“Good segue,” Cera said, laughing. But he wouldn’t reveal how things between the awkward couple play out. Shawkat’s lips were sealed as well; both pretended they had forgotten what happens, swearing they were “not trying to be smug.” But smiles tugged at the corners of their mouths, giving them away.

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Neither had any trouble recalling favorite moments from past seasons, though. “I like when Buster has Franklin, the puppet, and he’s like yelling at Lucille. That makes me laugh so hard,” Cera said

“Because he’s, like, only able to express himself through the puppet,” Shawkat added.

“Yeah, just this bottled-up rage coming out,” Cera continued. “And you actually see a camera man. In that moment you see a snippet of a camera man but I guess they just kept it because it was like incredibly funny.”

Shawkat continued, “There’s a very few moments too where they actually, like, wink, like on the boat I think in the final episode — or was it the pilot? It’s one of the bookends — where he’s like running up the stairs and the camera guy, you see his feet. Because it is a documentary.”

“In the courtroom, the judge actually looks at the camera, acknowledges the camera at one point,” Cera added.

Season 4 of “Arrested Development” holds to a slightly different format than the show did in the past, with individual episodes focused on specific characters. There are other changes too, and Cera and Shawkat explained that there will be just as many new jokes as there are old ones making a return.

“There’s a lot of new ones. It’s harder for me to remember which old ones are called back than to think of, like, the new ones that become recurring this season,” Cera added. “There are some new jokes that are all throughout the season that make me laugh so hard.”

“Which I liked,” Shawkat added. “How did [show creator Mitch Hurwitz] say it? He didn’t want it to be, like, an old classics kind of thing? A best of.”

There are also plenty of new guest stars, and the duo said it was “really cool” seeing new characters come to life in the world of Bluths. “I got to work with Eli Vargas,” Shawkat said. “Great guy. Huge in Spain. He’s a heartthrob there. Who else? Terry Crews, he was really funny.”

“It’s really cool seeing new characters actually come into play, and like, because it brings out different quality in our characters,” she continued.

“That these people exist in that universe,” Cera interjected.

“Yeah exactly, like there’s other people in this world, and yeah, and they have such strange guest stars that they wrote in. It’s just, like, some weird shit,” Shawkat finished.

So will the on-again, off-again, awkward-forever couple finally get together in season 4?

“It’s hard to actually say what happens without giving, like, major story points away I think,” Cera explained.

Their relationship “evolves,” Shawkat said, but “it’s arrested in its change.”

“Arrested Development” season 4 will air on Netflix in its entirety beginning May 26. Keep an eye out for IFC’s interviews with the rest of the show’s cast as the premiere approaches.

What is your favorite recurring joke from “Arrested Development”? Tell us in the comments below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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