DID YOU READ

10 great comedies that premiered at Cannes

moonrise-kingdom

Posted by on

On May 15, the 66th edition of the Cannes Film Festival will begin, kicking off 12 days of premieres of some of the year’s most heavily anticipated movies, including “Only God Forgives” (the new thriller from “Drive” director Nicolas Winding Refn) and the Coen brothers’ “Inside Llewyn Davis.” Because of its prestige among cineastes, Cannes has a reputation for featuring the crème de la crème of world cinema, playing host to towering, ambitious movies like “The Tree of Life” or “Amour.” As a result, some might assume that the festival turns its nose up at comedies, which isn’t true at all. Here’s a look back at 10 stellar comedies that got their official world premiere at Cannes, leaving off such classics as “M*A*S*H,” “Ed Wood” and “Being There,” which all screened at the festival after their theatrical release. As you’ll notice from this list, the Croisette prefers their laughs with a dark edge.

“Barton Fink” (1991)

Coen brothers movies are a frequent sight at Cannes, and while many of them have had comedic elements, the funniest of the bunch was “Barton Fink,” which was awarded Best Director, Best Actor (for John Turturro) and the Palme d’Or for the best film in the competition. Its central character probably wouldn’t consider it a comedy, though. Fink (Turturro), a celebrated East Coast playwright recently moved to Hollywood to become a screenwriter, discovers that his dreams of making easy riches in the movie business are obstructed by writer’s block, murder, and a creepily friendly neighbor (Coen regular John Goodman). A cutting satire of ego and ambition, “Barton Fink” was written by the Coens while they were stuck on their script for “Miller’s Crossing.” Rarely has creative exhaustion been this exhilarating.

“About Schmidt” (2002)

The Schmidt in question is Warren Schmidt (Jack Nicholson), a professional paper-pusher who’s approaching his retirement with a lot more dread than excitement. Life only gets worse after his wife dies suddenly, he discovers that she was having an affair, and his distant daughter (Hope Davis) announces she’s marrying a total moron (Dermot Mulroney). What could be a tragedy is instead turned into a deft, sneakily touching comedy in the hands of “Election” and “The Descendants” director Alexander Payne. Containing one of Nicholson’s best late-career performances, “About Schmidt” even makes writing letters to starving kids in Africa hilarious.

“Punch-Drunk Love” (2002)

This Paul Thomas Anderson film will probably be the only time Adam Sandler shows up at Cannes. “Punch-Drunk Love” is a deeply anxious romantic comedy about a Valley man (Sandler) suffering from extreme emotional issues who falls into an unlikely courtship with a woman (Emily Watson) who seems slightly off in her own way. A precursor to last year’s “Silver Linings Playbook,” which also dealt with love among misfits, “Punch-Drunk Love” was misunderstood and underrated at the time, but its jittery score, unpredictable performances and confident idiosyncrasies paved the way for Anderson’s bold follow-up films, “There Will Be Blood” and “The Master.”

“Broken Flowers” (2005)

Filmmaker Jim Jarmusch has made several appearances at Cannes. (This year, he brings “Only Lovers Left Alive,” a vampire drama with Tilda Swinton.) His 2005 entry, “Broken Flowers,” is a deadpan comedy that makes you laugh so you don’t cry. It follows what happens when an aging ladies’ man (Bill Murray) gets an anonymous note in the mail stating that he’s the father of her son. This quirky road movie draws lots of smart, subtle laughs out of Murray’s reunion with several former lovers (including Sharon Stone and Jessica Lange), suggesting that sometimes it’s best not to revisit the past.

“The Death of Mr. Lazarescu” (2005)

Director Cristi Puiu’s dark comedy helped launch a wave of Romanian films that became the toast of international cinema. (Another entry, 2007’s “4 Months, 3 Weeks and 2 Days” from director Christian Mungiu, won the Palme d’Or.) “The Death of Mr. Lazarescu” tells the seemingly sad story of retiree Lazarescu (Ioan Fiscuteanu) over the course of one harrowing night as he tries to receive medical care for extreme stomach pains. An indictment of government bureaucracy, the film quickly becomes a nightmare of indifference and incompetence that is incredibly funny, no matter how bleak the points are that Puiu is making.

“Dogtooth” (2009)

You’ll never see “Rocky IV” the same after watching this twisted Greek film about one of cinema’s strangest families. The father (Christos Stergioglou) has decided that he wants to “protect” his three children from the outside world, building a fence around their yard and creating elaborate stories to make them believe that there are dangers beyond the borders of their property. (“Rocky IV” is one of the few films they’ve seen.) The only problem is that the older kids are well into puberty and so … well, let’s just say that a father’s influence can only go so far. Director Yorgos Lanthimos created a film that you’d describe as a jet-black comedy or one freaky psychological horror movie — and you’d be right either way.

“Up” (2009)

“Shrek” made history in 2001 by being the first animated movie in almost 50 years to premiere at Cannes. But with all due respect to the green ogre, “Up” is the better comedy, serving as the festival’s opening film eight years later. Though it’s fair to complain that the movie peaks with its beautifully moving opening sequence, which chronicles the decades-long romance between Carl and Ellie, “Up” is an endless visual wonder that represents Pixar’s customary balance of laughs and soul.

“The Artist” (2011)

“The Artist” defied a few movie truisms, including the belief that Cannes doesn’t have much interest in comedies or that the Academy Awards wouldn’t give their top prize to one. Before this film, director Michel Hazanavicius and star Jean Dujardin were simply the men responsible for the cult-hit “OSS 117” spy-movie spoofs. That all changed with “The Artist,” a sweet homage to the bygone silent-movie era as Dujardin played a beloved leading man swept aside by the advent of talkies. Perhaps the movie was nothing more than a one-joke premise done with boundless affection, but audiences simply couldn’t resist.

“Midnight in Paris” (2011)

Woody Allen famously refuses to let his films be part of a festival’s competition slate, a principled decision that might have cost his acclaimed 2005 Cannes entry “Match Point” a prize or two. Unperturbed, he screened “Midnight in Paris” as Cannes’ opening night film six years later, an appropriate choice for a festival that takes place in France. Winning Allen his fourth Oscar, for Best Original Screenplay, “Midnight in Paris” became his biggest hit in America by a wide margin, chronicling the exploits of a struggling modern-day writer (Owen Wilson at his best) who finds himself magically transported to Paris in the 1920s, a period the writer has always adored. Allen’s textbook mixture of wistful romance and funny one-liners ensues.

“Moonrise Kingdom” (2012)

Following up his underrated animated gem “Fantastic Mr. Fox,” director Wes Anderson returned to live action with this gentle love story about two tweens — Sam (Jared Gilman) and Suzy (Kara Hayward) — who decide to ditch their elders and run off together. “Moonrise Kingdom” features big names like Bruce Willis, Bill Murray and Edward Norton, but they seem completely superfluous in comparison to the touching, awkward romance that sprouts between Sam and Suzy. Because it’s Anderson, the movie looks like nothing else out there, and its wry comic tone is just right.

You can follow Tim Grierson on Twitter.

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet