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SNL Sketch Showdown: Wayne’s World vs. More Cowbell

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Welcome to the “Saturday Night Live” Sketch Showdown. Every weekday, an IFC writer will determine the winner of a matchup between two classic “SNL” sketches. You can check out the full bracket here.

The Finals

The championship matchup of our “Saturday Night Live” bracket features a contrast in styles. On one side, you’ve got the premier sketch of the late ‘80s and early ‘90s that gave birth to a comedy franchise. On the other, you’ve got the best sketch of the 21st century, which, surprisingly (and happily), the show didn’t decide to spin off into a recurring bit. But they also have much in common. Both highlight their respective era’s biggest “SNL” star displaying everything that made them so beloved. Additionally, each sketch gave birth to ubiquitous catchphrases that have become so ingrained in the culture that some people might not even know where they originated anymore. Either one would be a worthy victor. But there can only be one winner…

The Matchup

Over the span of about five years, “Wayne’s World” appeared almost 20 times on “Saturday Night Live.” Developed from a character Mike Myers had honed on Canadian television, Wayne was a dorky, lovable suburban metal-head who hosts a cable-access show with his punching-bag buddy Garth (Dana Carvey). Each sketch found Wayne and Garth giddily mimicking the talk-show format — there were Top 10 lists and interview guests — and amusing each other with their litany of invented slang: “No way!”/“Way!”; “Schwing!”; “We’re not worthy!”

Especially in hindsight, you can see that these guys really were the satirical poster children for a fading, clichéd hard rock scene that was about to be swept aside by Nirvana. But don’t feel too bad for Wayne: Along the way, he got to make out with Madonna and jam with Aerosmith while Garth mostly tried to keep from hurling in excitement. Adding to the sketches’ legacy, they birthed two movies, including 1992’s “Wayne’s World,” still the highest-grossing “SNL” film ever. And it transitioned Myers into his film career, showcasing his boyish love for playing very silly, very quotable characters. (Austin Powers was just around the corner.)

While “Wayne’s World” became a long-running cultural institution, “More Cowbell” built its legend entirely on one skit. Clocking in at just less than six minutes, the sketch aired on April 8, 2000. Constructed like a “Behind the Music” segment, the sketch purports to show unearthed footage of the recording process for Blue Öyster Cult’s 1976 hit “(Don’t Fear) The Reaper.” On its surface, it’s not a very funny idea: The band’s legendary, cocky producer (Christopher Walken) encourages the guys, especially fictional member Gene Frenkle (Will Ferrell), to go crazy on the cowbell, even though the rest of the group finds it annoying. But “More Cowbell” may be the most perfectly executed sketch in “SNL” history, satirizing ‘70s rock, hotshot producers, artistic pretension (“Really explore the studio space this time”), unconventional instruments in rock songs, and fat guys with tight shirts. It’s also the single-best thing frequent host Walken ever did on “SNL,” with all due respect to the comparably nutso “The Continental” and “The Census” — which, by the way, were both part of that April 8 broadcast as well.

Ferrell reprised the character a couple times over the years, sitting in on the show’s live performances, but Frenkle never appeared in another sketch. (Maybe Ferrell knew he could never top it.) And yet look how, more than a decade later, “more cowbell” is still an incredibly recognizable catchphrase, synonymous with an entire era of rock-star bloat. Ferrell has gone on to movie stardom portraying other self-important, hopelessly ridiculous bozos, but the pure commitment Frenkle brings to pounding away at that damn cowbell may be his crowning comedic achievement.

And The Winner Is…

As great as these two contenders are, neither is flawless. “Wayne’s World” lost steam the more Myers and Carvey kept rehashing the sketch, resulting in quickly diminishing returns. (And that second “Wayne’s World” movie sure stunk.) As for “More Cowbell,” the comedy purist in us wishes that the cast members could have kept from breaking during the bit. (This was a constant annoyance during the Horatio Sanz/Jimmy Fallon era of “SNL,” and it’s especially irksome in a skit that requires deadpan sincerity for its humor.)

Ultimately, though, this really isn’t a showdown between sketches as it is a question of what aspect of “Saturday Night Live” you love the most: a long-running, much-quotable franchise or that one impeccable sketch. After much hemming and hawing, we’re going with the one impeccable sketch. Beyond all its other merits, “More Cowbell” is so fantastic because of the way it makes you think initially that it’s going to be about the Walken character, suddenly flipping the script and making Frenkle the brilliant, clueless focal point. Before that sketch, people remembered “(Don’t Fear) The Reaper” for its guitar riff or its chorus. After that sketch, you can’t not hear the cowbell — and laugh every time.

You can follow Tim Grierson on Twitter.

Did the right sketch win? Tell us in the comments section below or on Facebook and Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.