DID YOU READ

SNL Sketch Showdown: Wayne’s World vs. More Cowbell

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Welcome to the “Saturday Night Live” Sketch Showdown. Every weekday, an IFC writer will determine the winner of a matchup between two classic “SNL” sketches. You can check out the full bracket here.

The Finals

The championship matchup of our “Saturday Night Live” bracket features a contrast in styles. On one side, you’ve got the premier sketch of the late ‘80s and early ‘90s that gave birth to a comedy franchise. On the other, you’ve got the best sketch of the 21st century, which, surprisingly (and happily), the show didn’t decide to spin off into a recurring bit. But they also have much in common. Both highlight their respective era’s biggest “SNL” star displaying everything that made them so beloved. Additionally, each sketch gave birth to ubiquitous catchphrases that have become so ingrained in the culture that some people might not even know where they originated anymore. Either one would be a worthy victor. But there can only be one winner…

The Matchup

Over the span of about five years, “Wayne’s World” appeared almost 20 times on “Saturday Night Live.” Developed from a character Mike Myers had honed on Canadian television, Wayne was a dorky, lovable suburban metal-head who hosts a cable-access show with his punching-bag buddy Garth (Dana Carvey). Each sketch found Wayne and Garth giddily mimicking the talk-show format — there were Top 10 lists and interview guests — and amusing each other with their litany of invented slang: “No way!”/“Way!”; “Schwing!”; “We’re not worthy!”

Especially in hindsight, you can see that these guys really were the satirical poster children for a fading, clichéd hard rock scene that was about to be swept aside by Nirvana. But don’t feel too bad for Wayne: Along the way, he got to make out with Madonna and jam with Aerosmith while Garth mostly tried to keep from hurling in excitement. Adding to the sketches’ legacy, they birthed two movies, including 1992’s “Wayne’s World,” still the highest-grossing “SNL” film ever. And it transitioned Myers into his film career, showcasing his boyish love for playing very silly, very quotable characters. (Austin Powers was just around the corner.)

While “Wayne’s World” became a long-running cultural institution, “More Cowbell” built its legend entirely on one skit. Clocking in at just less than six minutes, the sketch aired on April 8, 2000. Constructed like a “Behind the Music” segment, the sketch purports to show unearthed footage of the recording process for Blue Öyster Cult’s 1976 hit “(Don’t Fear) The Reaper.” On its surface, it’s not a very funny idea: The band’s legendary, cocky producer (Christopher Walken) encourages the guys, especially fictional member Gene Frenkle (Will Ferrell), to go crazy on the cowbell, even though the rest of the group finds it annoying. But “More Cowbell” may be the most perfectly executed sketch in “SNL” history, satirizing ‘70s rock, hotshot producers, artistic pretension (“Really explore the studio space this time”), unconventional instruments in rock songs, and fat guys with tight shirts. It’s also the single-best thing frequent host Walken ever did on “SNL,” with all due respect to the comparably nutso “The Continental” and “The Census” — which, by the way, were both part of that April 8 broadcast as well.

Ferrell reprised the character a couple times over the years, sitting in on the show’s live performances, but Frenkle never appeared in another sketch. (Maybe Ferrell knew he could never top it.) And yet look how, more than a decade later, “more cowbell” is still an incredibly recognizable catchphrase, synonymous with an entire era of rock-star bloat. Ferrell has gone on to movie stardom portraying other self-important, hopelessly ridiculous bozos, but the pure commitment Frenkle brings to pounding away at that damn cowbell may be his crowning comedic achievement.

And The Winner Is…

As great as these two contenders are, neither is flawless. “Wayne’s World” lost steam the more Myers and Carvey kept rehashing the sketch, resulting in quickly diminishing returns. (And that second “Wayne’s World” movie sure stunk.) As for “More Cowbell,” the comedy purist in us wishes that the cast members could have kept from breaking during the bit. (This was a constant annoyance during the Horatio Sanz/Jimmy Fallon era of “SNL,” and it’s especially irksome in a skit that requires deadpan sincerity for its humor.)

Ultimately, though, this really isn’t a showdown between sketches as it is a question of what aspect of “Saturday Night Live” you love the most: a long-running, much-quotable franchise or that one impeccable sketch. After much hemming and hawing, we’re going with the one impeccable sketch. Beyond all its other merits, “More Cowbell” is so fantastic because of the way it makes you think initially that it’s going to be about the Walken character, suddenly flipping the script and making Frenkle the brilliant, clueless focal point. Before that sketch, people remembered “(Don’t Fear) The Reaper” for its guitar riff or its chorus. After that sketch, you can’t not hear the cowbell — and laugh every time.

You can follow Tim Grierson on Twitter.

Did the right sketch win? Tell us in the comments section below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
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Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
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Awkward Dancing

Because every dad needs a signature move.
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Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
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Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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