DID YOU READ

SNL Sketch Showdown: Wayne’s World vs. More Cowbell

Wayne’s-World-vs-More-Cowbell

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Welcome to the “Saturday Night Live” Sketch Showdown. Every weekday, an IFC writer will determine the winner of a matchup between two classic “SNL” sketches. You can check out the full bracket here.

The Finals

The championship matchup of our “Saturday Night Live” bracket features a contrast in styles. On one side, you’ve got the premier sketch of the late ‘80s and early ‘90s that gave birth to a comedy franchise. On the other, you’ve got the best sketch of the 21st century, which, surprisingly (and happily), the show didn’t decide to spin off into a recurring bit. But they also have much in common. Both highlight their respective era’s biggest “SNL” star displaying everything that made them so beloved. Additionally, each sketch gave birth to ubiquitous catchphrases that have become so ingrained in the culture that some people might not even know where they originated anymore. Either one would be a worthy victor. But there can only be one winner…

The Matchup

Over the span of about five years, “Wayne’s World” appeared almost 20 times on “Saturday Night Live.” Developed from a character Mike Myers had honed on Canadian television, Wayne was a dorky, lovable suburban metal-head who hosts a cable-access show with his punching-bag buddy Garth (Dana Carvey). Each sketch found Wayne and Garth giddily mimicking the talk-show format — there were Top 10 lists and interview guests — and amusing each other with their litany of invented slang: “No way!”/“Way!”; “Schwing!”; “We’re not worthy!”

Especially in hindsight, you can see that these guys really were the satirical poster children for a fading, clichéd hard rock scene that was about to be swept aside by Nirvana. But don’t feel too bad for Wayne: Along the way, he got to make out with Madonna and jam with Aerosmith while Garth mostly tried to keep from hurling in excitement. Adding to the sketches’ legacy, they birthed two movies, including 1992’s “Wayne’s World,” still the highest-grossing “SNL” film ever. And it transitioned Myers into his film career, showcasing his boyish love for playing very silly, very quotable characters. (Austin Powers was just around the corner.)

While “Wayne’s World” became a long-running cultural institution, “More Cowbell” built its legend entirely on one skit. Clocking in at just less than six minutes, the sketch aired on April 8, 2000. Constructed like a “Behind the Music” segment, the sketch purports to show unearthed footage of the recording process for Blue Öyster Cult’s 1976 hit “(Don’t Fear) The Reaper.” On its surface, it’s not a very funny idea: The band’s legendary, cocky producer (Christopher Walken) encourages the guys, especially fictional member Gene Frenkle (Will Ferrell), to go crazy on the cowbell, even though the rest of the group finds it annoying. But “More Cowbell” may be the most perfectly executed sketch in “SNL” history, satirizing ‘70s rock, hotshot producers, artistic pretension (“Really explore the studio space this time”), unconventional instruments in rock songs, and fat guys with tight shirts. It’s also the single-best thing frequent host Walken ever did on “SNL,” with all due respect to the comparably nutso “The Continental” and “The Census” — which, by the way, were both part of that April 8 broadcast as well.

Ferrell reprised the character a couple times over the years, sitting in on the show’s live performances, but Frenkle never appeared in another sketch. (Maybe Ferrell knew he could never top it.) And yet look how, more than a decade later, “more cowbell” is still an incredibly recognizable catchphrase, synonymous with an entire era of rock-star bloat. Ferrell has gone on to movie stardom portraying other self-important, hopelessly ridiculous bozos, but the pure commitment Frenkle brings to pounding away at that damn cowbell may be his crowning comedic achievement.

And The Winner Is…

As great as these two contenders are, neither is flawless. “Wayne’s World” lost steam the more Myers and Carvey kept rehashing the sketch, resulting in quickly diminishing returns. (And that second “Wayne’s World” movie sure stunk.) As for “More Cowbell,” the comedy purist in us wishes that the cast members could have kept from breaking during the bit. (This was a constant annoyance during the Horatio Sanz/Jimmy Fallon era of “SNL,” and it’s especially irksome in a skit that requires deadpan sincerity for its humor.)

Ultimately, though, this really isn’t a showdown between sketches as it is a question of what aspect of “Saturday Night Live” you love the most: a long-running, much-quotable franchise or that one impeccable sketch. After much hemming and hawing, we’re going with the one impeccable sketch. Beyond all its other merits, “More Cowbell” is so fantastic because of the way it makes you think initially that it’s going to be about the Walken character, suddenly flipping the script and making Frenkle the brilliant, clueless focal point. Before that sketch, people remembered “(Don’t Fear) The Reaper” for its guitar riff or its chorus. After that sketch, you can’t not hear the cowbell — and laugh every time.

You can follow Tim Grierson on Twitter.

Did the right sketch win? Tell us in the comments section below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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