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SNL Sketch Showdown: More Cowbell vs The Chris Farley Show

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Welcome to the “Saturday Night Live” Sketch Showdown. Every weekday, an IFC writer will determine the winner of a matchup between two classic “SNL” sketches. You can check out the full bracket here.

Farley and Ferrell Go Head to Head

Apart from their chosen professions, Chris Farley and Will Ferrell appear to be polar opposites in every way. Farley, the self-conscious, troubled addict was the archetypal class jester. Ferrell, the confident, happy alpha male played varsity football. One idolized John Belushi and followed him to a similarly tragic end. The other made enemies with Joan Rivers and continues to ride a hugely successful film career. But for all their differences, both of these comedians share a rare passion for anything-goes hijinks. Ferrell is the first to lose his clothes for a laugh, and Farley never thought twice about humiliating himself to be funny. You also get the distinct feeling that both are performing as much for their fellow cast, as they are for the audience. In this matchup the two take on a little role reversal. Farley, a master of physical comedy, stays put and goes for nervous laughs, while the usually deadpan Ferrell plays with some percussive gyrations.

The Matchup

There is indeed a cowbell on Blue Oyster Cult’s, “(Don’t Fear) The Reaper,” a fact that has not gone unnoticed since April 2000 when Will Ferrell clutched one to his hairy chest before banging it into infamy. The polyester-heavy sketch has a lot going for it, not least of which is Christopher Walken’s appearance as the slightly unhinged record producer, Bruce Dickinson, who turns everything he touches into gold (from records to diapers). As the host, it’s Walken’s show — his immense stage presence commanding your attention as he repeatedly lobbies for more cowbell — but Ferrell ends up stealing the scene as soon as he “explores the space” at Dickinson’s request. The sketch rewards multiple viewings too, and not just to bask in Walken’s strange diction. It’s the little things, like watching Ferrell take a comedic opening with his gut, literally. As his hand reactively moves to pull his shirt down over his exposed belly, he catches bandmate Jimmy Fallon’s reaction and leaves it gloriously exposed. Poor Fallon can barely deliver his line.

The genius of “The Chris Farley Show” was two-fold. Farley parodies the kind of vapid entertainment “journalism” which is now ubiquitous in our amateur-dominated media experience, fully a decade before 140 character limits existed, back when people had to insert a disc into their computer just to get online. Perhaps more impressive is the inept host’s parody of himself — the self-conscious, foolish fatty, fumbling the show. The awkward tension he creates is almost too much to bear, and it’s all amplified by a total lack of Farley’s trademark, his physical comedy. Some say the real Chris Farley was just like the guy he’s playing in this skit. Others admit it was how he came off, but that it was a put on, a defense mechanism. Either way, Farley was playing at getting laughs at his own expense, a talent the shy Wisconsin boy had long practiced at. And true to his life, he got us laughing, both at him and with him.

And the winner is:

“More Cowbell.” Pop culture at its most hilarious, this sketch has the enduring qualities of great comedy. People still quote from it every day, and even the phrase more cowbell lives in our language well beyond a little playful irreverence for some 70’s rockers from Long Island. In “The Chris Farley Show” we’re waiting for Farley’s patented physicality and we don’t get it. At the time, this added to the awkward tension that builds throughout and contributed to why it was so “awesome,” but it doesn’t hold up against the test of time. Ferrell’s Gene Frenkle is a fictional character, but his meme is very real. And that cowbell really pulls the track together too.

Did the right sketch win? Tell us in the comments section below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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