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DID YOU READ

SNL Sketch Showdown: James Brown Hot Tub Party vs. Buckwheat Dead

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Welcome to the “Saturday Night Live” Sketch Showdown. Every weekday, an IFC writer will determine the winner of a matchup between two classic “SNL” sketches. You can check out the full bracket here.

Classic Eddie

“Saturday Night Live” has launched numerous actors into the mainstream, but none of them have flaunted the unholy trinity of cockiness, talent and popularity quite like Eddie Murphy did. Too many bad recent family comedies may have tarnished his reputation, but in the early ‘80s Murphy was a dangerous, wiry young guy whose big toothy grin barely hid his sometimes-antagonistic demeanor. At a time when racial inequality was still rampant, especially in regards to who we saw in movies and on television, Murphy came across on “SNL” as the embodiment of what undoubtedly some white viewers assumed African-Americans to be: intimidating, smooth-talking punks who were ready to upend the traditional power structure. Murphy’s genius was to both play into that impression but also to subvert it, delivering a funny, smart take on black life in America that melded Bill Cosby’s charm with Richard Pryor’s fearlessness. But beyond all that, he was just a hell of an entertainer — arguably the greatest pure showman of the program’s early years.

The Match Up

Where other “SNL” cast members were simply funny, Murphy was that and much more: a star. You don’t need to look any further than “James Brown’s Celebrity Hot Tub Party” to see him in his element. The sketch’s concept isn’t much, Murphy playing James Brown and milking the singer’s Hardest Working Man In Show Business bluster — complete with call-and-response backing band. But at just over two minutes, “Celebrity Hot Tub Party” is bliss perfected, combining the pleasure of Brown’s ecstatic funk with Murphy’s gleeful impersonation and kinetic charisma. It’s not that the sketch is all that hilarious — it’s just that Murphy absolutely nails the essence of a pop culture icon and then adds his own little indelible twist on top of it. As much as we love Steve Martin’s “King Tut,” we’ve always been surprised that this song parody didn’t take off as well.

But if you want the barbed, satiric Murphy, you should check out “Buckwheat Dead: America Mourns” from early 1983. A few years earlier, Murphy had introduced his spoof of the marble-mouthed “Our Gang” character — “Hi, I’m Buh-weet, remember me?!” — who had grown into an adult that sang contemporary pop hits, mangling them hysterically in the process. But in “America Mourns,” the bit went darker, imagining Ted Koppel (Joe Piscopo) doing a special report on the man who shot the beloved entertainer, a loner named John David Stutts (also played by Murphy). A timely takeoff on the assassination attempts (some successful, some not) of John Lennon, President Reagan and Pope John Paul II, “America Mourns” is an incredibly biting attack on the way the media covers (and capitalizes on) horrible tragedies, turning psychopaths into celebrities and sensationalizing every tawdry element imaginable. (For extra sting, the segment is sponsored by Mutual Life, whose recurring ads keeps reminding us, “Because you could die tomorrow.”) These are laughs that keep getting stuck in your throat — as Stutts, Murphy plays the loopiest version of these lone gunmen, the humor cruelly undercut by the shock that such people actually exist in our world.

And The Winner Is…

These two are so evenly matched it goes into overtime. But, eventually, “Celebrity Hot Tub Party” squeaks out the win in a nail-biter. True, “America Mourns” is the sharper, more ambitious piece, but it’s also got some dull, dated spots. By comparison, Eddie Murphy strutting around and singing like James Brown will simply never get old. You can see “Celebrity Hot Tub Party” as one of the true precursors to Andy Samberg’s musical Digital Shorts, which equally owned the styles/genres they were aping. Too hot in the hot tub — and so much fun that even Murphy has to keep from cracking up a couple different times during the bit.

Did the right sketch win? Tell us in the comments section below or on Facebook and Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.