DID YOU READ

Olga Kurylenko talks “Oblivion,” “To The Wonder,” and “Erased”

oblivion

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Oblivion is a state of forgetting, the state of having forgotten, but you won’t be able to forget “Oblivion” star Olga Kurylenko anytime soon — and that’s not just because her latest film is number one at the box office and a worldwide hit, courtesy of Tom Cruise star power. (“It’s insane!” she gushed to IFC.)

Kurylenko, who previously made her mark opposite Daniel Craig in the James Bond film “Quantum of Solace,” can also be seen in next month’s “Erased” with Aaron Eckhart and in art house theaters now with Terrence Malick’s “To the Wonder” with Ben Affleck, which might make you wonder — how does she always end up as the love interest to some of the most attractive men on screen? Is this a contract condition of hers? “No,” she giggled. “Doesn’t this happen to all the others? Am I the only one? Hey, it’s a tough life I have. It could have been worse, right?”

Kurylenko gives what might be the only affecting performance in “To the Wonder” (since Malick cut so many of the other actors out of the film, and gives Affleck virtually no dialogue). And she also gives what might be one of the few truly compellingly human performances in “Oblivion” (but that’s only because — spoilers ahead — some of her cast mates are playing clones). In both, she exists as if a woman out of a dream, quite literally, in the case of Tom Cruise’s character. Jack, a drone mechanic who thinks he’s one of the last people left on Earth, has been having strange dreams about a woman he can’t quite identify. Is this a memory? He tells us that his memory was wiped five years ago for security clearance, which would explain a fragment, but this dream tells him of a woman and of a planet from 60 years before, back when the Empire State Building still looked over a teeming populace. So imagine his surprise when he discovers that a survivor of a spacecraft crash in suspended animation is the very same woman, and even stranger, she remembers him, too.

To prep for these parts, Kurylenko did her homework, devouring Russian novels such as “Anna Karenina,” “The Brothers Karamazov,” and “The Idiot” to fill in the blanks for the script-less “To the Wonder,” because “I had to combine certain qualities and traits of female characters in all three books,” and for “Oblivion,” watching astronaut training videos, sci-fi such as “Solaris” and classic romances such as “Notorious” and “Casablanca.” “‘Solaris’ deals with a similar subject, going into space, confronting a memory,” she said. “And all the romances, because we all agreed, we wanted the romance in the movie to be like the old days, to be pure, to be touching.”

“Oblivion” has gotten a lot of flak from critics for recycling sci-fi tropes, but Kuryleno said that the film actually raises a lot of interesting, thought-provoking questions. “It’s not just sci-fi,” she said. “It’s full of messages, important questions that we can ask ourselves: Why are we here on this earth? What is it to be human? What is the difference between a human and someone who is not human, either an alien or a clone? Does love ever end? Is it an energy that can survive even when the world collapses?”

In other words, is love — or our capacity for love, as encapsulated by our soul — immortal? Does it matter which body a soul is in, if the memory remains intact? Both Jack and Victoria, played by Cruise and Andrea Riseborough, have been subject to these so-called memory wipes, and believe that they are a couple as well as an “effective team,” with her manning the communication controls between their station and a central command, and him out in the field repairing drones which allegedly protect the remaining humans and their dwindling resources from aliens. But (again, spoilers ahead) what Jack and Victoria have been told is a lie — about central command, about the drones, even about themselves. The question is, if you don’t remember yourself, who are you? And if you share a memory of being someone else, does that make you that person?

“That’s the division in the film that I like very much,” Kurylenko said. “Jack and Victoria are in a way brainwashed, but Victoria doesn’t want to know the truth, no matter what happens. She consciously refuses to find out. She closes her eyes. but Jack is curious and eager to discover the truth, no matter how ugly. And in the end, you see how that works out for both of them.”

Jack and Victoria’s reaction to Kurylenko’s character Julia is telling — Jack wants to help her, and Victoria would rather Julia just go away, because it makes her and Jack less of an “effective team” (a phrase oft-repeated in the film to a final chilling effect). To be an effective team, Jack is supposed to follow orders, to not think about whether the orders make sense. Trying to learn the truth — about what happened to humanity on Earth, about the people who survived — can have fatal consequences. “You know how they say everybody dies, but it’s about dying well?” Kurylenko asked. “That’s the truth. We all die. The question is, what kind of life will we have lived? Will we have been brave, or will we live in oblivion? There are all these questions, so it’s not just some sci-fi movie that makes no sense. Hopefully people will see that and understand that.”

Likewise, Kurylenko’s next film “Erased” has a similar undertone, even if the two films couldn’t be more different in look, genre, scope, location, and execution. While “Oblivion” was shot in Iceland to feature landscapes of glaciers, snow, and dry lava all bumping up next to each other, “Erased” takes place in the cities of Belgium, and is an espionage thriller about the CIA’s unofficial participation in providing weapons to warlords. But the key to both is that at the center is a man who doesn’t realize whom he’s working for or what he’s doing for them until it’s too late, and an employer who will execute him if he asks too many questions. “It’s a similar message,” Kurylenko agreed. “And I’m actually quite astonished that you could see the same line goes through both, because visually, they’re not the same.”

The flip side for her on “Erased,” however, is that this time, she could be one of the bad guys, with emphasis on guys. “The way the director spoke to me about my character, which is what attracted me to the project, is that he said, ‘You’re a woman, but you think you’re a man,'” she said. “And I’ve never explored that side of myself before.”

Will you be checking out Olga Kurylenko’s recent/upcoming films? Tell us in the comments section below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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