DID YOU READ

David Cross on “It’s A Disaster,” “Arrested Development”

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David Cross may not be the person you think of turning to in a crisis, but he’s (mostly) the voice of reason in “It’s A Disaster,” in which a group of different couples gather for brunch only to discover that their city (along with Los Angeles, New York, Orlando, San Francisco, and more) is being attacked by terrorists using dirty bombs. Instructed to stay inside, they have a different kind of meltdown (which is what makes it a comedy). “It’s not the end of the world,” Cross told IFC. “It’s the end of their world. It’s not like their immediate concern is calling their grandma in Kansas City, because Grandma is going to be fine.”

The friends, however, are not. Two latecomers to the brunch succumb on the porch to the VX nerve gas in the air, since Cross has already duct-taped the doors and windows shut and Julia Stiles refuses to break the barrier for them, but not before admonishing them for their perpetual lack of punctuality: “Really? Every time?”

“The way Julia says that is perfect,” Cross said. “And that’s what I love about this movie. There are no special effects, it’s not bombastic, it’s not crazy 0-120 miles per hour in six seconds. It’s subtle and slow about how petty and narcissistic some of these people are. They bicker in a very real way, not in an arch ’30 Rock’ way. It’s the way real people talk.”

Cross almost didn’t want to do “It’s A Disaster” in the first place, but he was won over by the dialogue. After spending eight months in London, he really wanted to be back home in New York, “just f—ing be here, just chill out with my dog and my wife,” but then he had to go to Los Angeles for the weekend for something for his mother-in-law. While he was there, Ferrera sent him the script for the film, by writer/director Todd Berger. “I said, ‘No. I don’t care what it is. There’s no way I’m spending a month in L.A., another month not at home,'” Cross recalled. “But then it was so good and real, and I appreciated Todd’s ear for dialogue, so I stayed. And I loved that it was a character that I don’t get to play that often, a grounded straight man … at least up until the last fifteen minutes.”

Even after the grid goes down and they figure out they have less than a few hours to live, the couples are more concerned with the state of their relationships — one couple wants Cross to join them in threesome, another couple rethinks divorcing, another couple calls off a wedding. America Ferrera’s character decides to finally ingest any food or drugs she ever wanted, cooking up a “poor man’s ecstasy” in the kitchen, while Stiles’ character laments all the things she never got to do — go to Europe, go scuba diving, fall in love, or watch “The Wire.” To comfort her, Cross’ character Glenn tells her, “All those things are overrated. Except for ‘The Wire,’ that’s really good.” If confronted with his immediate demise, Cross himself would “bum out about water boarding, either doing or being water boarded, because I kind of wanted that experience,” he said. “I also wanted to get in the Guinness Book of World Records for being naked. Or eat a live cow, from start to finish. There are so many things.”

One thing Cross did get to do before he died, however, was one more season of “Arrested Development” — which he predicts might shut down the grid once it returns with its debut on Netflix on May 26. “I’m curious,” he said. “I’m not sure the grid will go down on that day, but the next day, it’s going to be like, ‘Gotta watch another, gotta watch another, gotta watch another’ as people binge on it. We will probably lose 62 billion dollars in man hours and production, whatever the GNP is for the day, or whatever it costs us to be in Iraq and Afghanistan for a couple hours.”

Cross got back in the cutoffs to play the loveable Bluth family in-law Tobias Fünke, who still hasn’t recovered from being a never-nude. In photos leaked from the set, Cross was seen wearing a sheet, which caused speculation that perhaps Tobias would have a nude scene after all. Sadly, no. “I’m happy to get naked in real life at the slightest suggestion,” Cross said, “but as far as the character, I doubt it. That photo was from our first day of shooting, and it was my character’s attempt to wear an Indian sari.”

Cross predicts that the model of releasing all the episodes simultaneously will spread as “creative and ambitious people who make television and who have the imagination to utilize it” watch “Arrested Development,” but it’ll be slow to start. “Most people play it safe,” he said. “It’s only going to be a handful of people at first, but hopefully eventually more.” As for the renewed series leading to a film as planned, he was circumspect. “As I understand it, the series will work on its own, and it will work if a film continues the story,” Cross said. “You will be quite satisfied if there is no film. It’s not like anybody would miss it, you know what I mean?”

“It’s a Disaster” opens today in New York and Los Angeles.

“Arrested Development” season four premieres on Netflix on May 26.

What David Cross project are you most excited for? Tell us in the comments section below or on Facebook and Twitter.

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Stan Diego Comic-Con

Stan Against Evil returns November 1st.

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Photo Credit: Erin Resnick, GIFs via Giphy

Another Comic-Con International is in the can, and multiple nerdgasms were had by all – not least of which were about the Stan Against Evil roundtable discussion. Dana, Janet and John dropped a whole lotta information on what’s to come in Season 2 and what it’s like to get covered in buckets of demon goo. Here are the highlights.

Premiere Date!

Season 2 hits the air November 1 and picks up right where things left off. Consider this your chance to seamlessly continue your Halloween binge.

Character Deets!

Most people know that Evie was written especially for Janet, but did you know that Stan is based on Dana Gould’s dad? It’s true. But that’s where the homage ends, because McGinley was taken off the leash to really build a unique character.

Happy Accidents!

Improv is apparently everything, because according to Gould the funniest material happens on the fly. We bet the writers are totally cool with it.

Exposed Roots!

If Stan fans are also into Twin Peaks and Doctor Who, that’s no accident. Both of those cult classic genre benders were front of mind when Stan was being developed.

Trailer Treasure!

Yep. A new trailer dropped. Feast your eyes.

Catch up on Stan Against Evil’s first season on the IFC app before it returns November 1st on IFC.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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