DID YOU READ

10 trippy movies for stoners

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In celebration of the growing legality of marijuana use in the United States and its unofficial holiday of 4/20, most people churning out these lovely little lists across the interwebs would likely give you a list of stoner comedies, with your usual Cheech & Chong, Harold & Kumar or Seth Rogen selections. However, in the interest of the mind-expanding powers of brain chemistry alteration, how about we cobble together ten films that would be really cool to watch while baked – ones that may not have anything to do with actual weed enthusiasts. With that in mind, here are ten very trippy movies for stoners of all kinds. Okay, most kinds. I’m leaving Pink Floyd’s “The Wall” off the list because any self-respecting stoner already knows that one. You may ask how much a recreational drug user could really respect themselves, but then again, maybe you should keep your moral judgments to yourself, huh? You stole fizzy lifting drinks! Good day, sir!

Wait… what was I doing? Oh, yeah. Freaky movies!


1. “MirrorMask” (2005)

The old threat from kids to their parents was that if they were too strict, they would run away and join the circus. This Dave McKean film from a Neil Gaiman screenplay, however, shows us a girl who runs away from the circus into an even stranger fantasy world, brought forth by guilt over her mother’s suffering. The Jim Henson Company is at work here, crafting something in the spirit of “The Dark Crystal” and “Labyrinth,” but something altogether new – and truly strange.


2. “The City of Lost Children” (1995)

If Jean-Pierre Jeunet is involved, you know you are going to get a stylistically-charged film, as you will have seen by now with “Delicatessen” and “Amelie,” and if you haven’t, you should have. This 1995 film he directed with Marc Caro focuses on a mad scientist named Krank whose cult kidnaps children in order to steal their dreams, and stars Ron Perlman as a carnival strongman and sailor who is trying to save his brother alongside a young orphan named Miette. Dominique Pinion playing six identical clones is a real treat, but the haunting imagery of this beautifully brilliant piece of work doesn’t even require altering the brain chemistry to love.


3. “Brazil” (1985)

You cannot make a list such as this without including the work of the amazing visual artist Terry Gilliam. One is tempted to drop in the fever dream that is “Fear and Loathing in Las Vegas,” but we’re staying away from completely obvious choices here. “Brazil” stars Jonathan Pryce as Sam Lowry, a low-rung grunt in a dystopian, Orwellian society dreaming of being a hero to a damsel in distress. When he actually meets the dream woman in his reality as a result of a bureaucratic snafu about a suspected terrorist (Robert De Niro) that resulted in the death of her husband, he starts upon a wild, dangerous journey deep into his own mind. Watch this and yours will be well and truly blown, man.


4. “2001: A Space Odyssey” (1968)

While “A Clockwork Orange” might also be a good choice from Stanley Kubrick, the old ultraviolence can harsh one’s mellow. But his epic masterpiece spanning the Dawn of Man to Beyond the Infinite has long periods of dialogue-free introspection about the mysteries of the universe, the threat of artificial intelligence and the history of our species. This is the mind-expanding thinkpiece that makes the perfect stimulation for the chilled-out, introspective weed experience.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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