DID YOU READ

10 dramas about comedy

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When you go to a stand-up comedy show, you’re there to have a good time and laugh at some jokes, and if you’re a nerd about it, maybe you go to appreciate the craft. If you’re the guy on stage, though, the perspective is pretty different sometimes. There’s often an obsession at play that borders on addiction, be it to the art, to the wordplay, to the cadence of each punchline, or maybe to the attention and the spotlight. Whatever it is, the motivations behind each person getting up in front of a roomful of oft-drunk strangers to try and kill them and avoid dying makes for some interesting drama, and every once in a while, people in Hollywood try to capture that. So here’s a list of ten dramas about the world of comedy.


1. “Lenny” (1974)

Dustin Hoffman stars in this Bob Fosse film as the titular comedian of world renown, notoriety and reverence. There can never be enough said about how much of a trailblazer Lenny Bruce was, and this film, released eight years after his death, did not shy away from any of the controversies that defined his life as a crusader for free speech by way of clever, straightforward honesty, expressing himself in ways that hadn’t been heard on stage before. That kind of brazen flouting of convention came with a heavy price, to the point where it’s been said that he was arrested so often that his untimely death was caused by “an overdose of police.” This film was nominated for six Academy Awards, by the by.


2. “The King of Comedy” (1983)

A genre wouldn’t be a genre if Martin Scorsese didn’t try his hand at it, and put Robert De Niro in it. Scorsese’s take is a lot creepier than most, however, as De Niro stars as Rupert Pupkin, a really lousy stand-up comic who lives in his own fantasy world and, when he meets legendary comedian Jerry Langford (Jerry Lewis) by chance, he thinks that alone is his big break. When that doesn’t turn out to be the case, Pupkin kidnaps the guy and holds him for ransom – the ransom of a TV spot. Pupkin is one of the more sympathetic psychopaths you’ll come across, and there’s some debate about how much of this film takes place in his own mind.


3. “Jo Jo Dancer, Your Life Is Calling” (1986)

The icon Richard Pryor insisted that the one and only movie he directed was not autobiographical, but considering how it was the life story of a comedian who burned himself while freebasing cocaine, you have to think this drew heavily on Pryor’s real life. That incident puts Dancer in a coma, during which he reflects on his childhood in a brothel, his self-destructive life and how he got to that very low point.


4. “Punchline” (1988)

Who wouldn’t want to see Tom Hanks as a stand-up comic? He’s a natural born funnyman. In this film, he’s a med student moonlighting in the stage world, and he forms a bond with Sally Field, a housewife who’s also trying to make a go of a new career in this sort of showbiz. However, the friendship is strained when the cutthroat competition of the business gets in the way – not to mention unrequited romantic feelings – and things don’t end wonderfully for everybody.


5. “Mr. Saturday Night” (1992)

Billy Crystal made his directorial debut, giving himself the starring role as Buddy Young Jr., a hugely popular comedian with his own show in the 1950s whose career didn’t go quite the way he’d hoped, and as he aged, he also alienated everybody close to him that helped him reach the top in the first place. While it’s an interesting portrait of a celebrity past his prime, it didn’t do all that well at the box office, but David Paymer was nominated for the Best Supporting Actor Oscar.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.